Unlike the younger American Indians who have adopted white civilization, Charlie and his wife cling to the old ways, hunting and fishing in the great swamp and farming a tiny plot of higher ground. Charlie has been diligently teaching his grandson, Timmy, about the swamp and its creatures.But their simple existence is suddenly threatened when a large tract of swamp is bought by a corporation, and Charlie is told that he will have to leave. From his youth, Charlie remembers the slaughter of egrets and alligators by the white man and the logging of the giant cypress. Rather than surrender the land that is his life to this final indignity, Charlie decides to fight back.It is an uneven contest. First come the great machines that silt up the streams; then the workmen inadvertently poison the marsh; and, attempting to sabotage the construction equipment, Charlie’s best friend is killed. Realizing that there can be no compromise with the white man who destroys all he touches, Charlie leaves his family and feels into the swamp, seeking the lost island known in the Seminole legends as Forever Island.

    In "Near-Extinct Birds of the Central Cordillera," an ornithologist being held hostage in the Colombian rain forest finds that he respects his captors for their commitment to a cause, until he realizes that the Revolution looks a lot like big business. In "The Good Ones Are Already Taken," the wife of a Special Forces officer battles a Haitian voodoo goddess with whom her husband is carrying on a not-entirely-spiritual relationship. And in "The Lion's Mouth," a disillusioned aid worker makes a Faustian bargain to become a diamond smuggler for the greater good. With masterful pacing and a robust sense of the absurd, each story in Brief Encounters with Che Guevara is a self-contained adventure, steeped in the heady mix of tragedy and danger, excitement and hope, that characterizes countries in transition.

    And it’s about to change the lives of everyone around him. Stanford Solomon is actually Abel Paisley, a man who faked his own death and stole the identity of his best friend. And now, nearing the end of his life, Stanford is about to meet his firstborn daughter, Irene Paisley, a home health aide who has unwittingly shown up for her first day of work to tend to the father she thought was dead. These Ghosts Are Family revolves around the consequences of Abel’s decision and tells the story of the Paisley family from colonial Jamaica to present day Harlem. There is Vera, whose widowhood forced her into the role of single mother. There are two daughters and a granddaughter who have never known they are related. And there are others, like the house boy who loved Vera, whose lives might have taken different courses if not for Abel Paisley’s actions. These Ghosts Are Family explores the ways each character wrestles with their ghosts and struggles to forge independent identities outside of the family and their trauma. The result is an engrossing portrait of a family and individuals caught in the sweep of history, slavery, migration, and the more personal dramas of infidelity, lost love, and regret. This electric and luminous family saga announces the arrival of a new American talent.

    When he is lost in battle she loses everything, even their children. Her fight to win them back recalls the terror of the shield wall, the harsh lives of convict slaves, and the enormous difficulties a lone woman must face in a male dominated heroic age."This is a really excellent read, a page turner that gives a vivid, convincing picture of 7th century Mercian England." The Historical Novels Review

    As she struggles to communicate with her maidservant turned caretaker, Agaat, the complicated history of their relationship is revealed.Life for white farmers in 1950s South Africa was full of promise. Young and newly married, Milla carved her own farm out of a swathe of Cape mountainside. She earned the respect of the male farmers in her community and raised a son. But forty years later all she has left are memories and the proud, contrary Agaat. With punishing precision, yet infinite tenderness, Agaat performs her duties, balancing anger with loyalty. As Milla’s white world and its certainties recede and Agaat faces the prospect of freedom, the shift of power between them mirrors the historic changes happening around them. Marlene van Niekerk’s epic masterpiece portrays how two women—and, perhaps, a nation—can forge a path toward understanding and reconciliation.

    Originally published in The Strand magazine from 1918 to 1922 and later collected as The Inimitable Jeeves, these ten tales by comedic master P. G. Wodehouse abound in sparkling wit. "Scoring off Jeeves" recounts a lunch with Aunt Agatha ("A pretty frightful ordeal … Practically the nearest thing to being disemboweled."), who insists that Bertie propose to Honaria Glossop ("simply nothing more nor less than a pot of poison"), necessitating Jeeves' rescue of the perennial bachelor ("and according to my nearest and dearest, practically a half-witted bachelor at that"). Other stories include "The Delayed Exit of Claude and Eustace," featuring Bertie's frolicsome cousins ("as innocuous as a pair of sprightly young tarantulas"); "Aunt Agatha Takes the Count," involving our hero's formidable relative and her intrusion upon his vacation in the south of France; and "Comrade Bingo," in which Bertie's school chum masquerades as a Bolshevist and Jeeves comes very near to being rattled.

    Their owners call them captives. They are taught their captors’ tongues and their beliefs but they have a language and rituals all their own. In a world that would be allegorical if it weren’t saturated in harsh truths, Cato and William meet at Placid Hall, a plantation in an unspecified part of the American South. Subject to the whims of their tyrannical and eccentric captor, Cannonball Greene, they never know what harm may befall them: inhumane physical toil in the plantation’s quarry by day, a beating by night, or the sale of a loved one at any moment. It’s that cruel practice—the wanton destruction of love, the belief that Black people aren’t even capable of loving—that hurts the most. It hurts the reserved and stubborn William, who finds himself falling for Margaret, a small but mighty woman with self-possession beyond her years. And it hurts Cato, whose first love, Iris, was sold off with no forewarning. He now finds solace in his hearty band of friends, including William, who is like a brother; Margaret; Little Zander; and Milton, a gifted artist. There is also Pandora, with thick braids and long limbs, whose beauty calls to him. Their relationships begin to fray when a visiting minister with a mysterious past starts to fill their heads with ideas about independence. He tells them that with freedom comes the right to choose the small things—when to dine, when to begin and end work—as well as the big things, such as whom and how to love. Do they follow the preacher and pursue the unknown? Confined in a landscape marked by deceit and uncertainty, who can they trust? In an elegant work of monumental imagination that will reorient how we think of the legacy of America’s shameful past, Jabari Asim presents a beautiful, powerful, and elegiac novel that examines intimacy and longing in the quarters while asking a vital question: What would happen if an enslaved person risked everything for love?

    What’s meant to be an uneventful trip turns into a coming-of-age journey that teaches Jem that adulthood is not as easy as he might have expected, and life usually has a plan of its own.

    It was a burglary that went wrong, and four culprits were soon arrested. Their trial was concluded swiftly, their punishments were decisive, and society breathed a sigh of relief.In Ashraf El-Ashmawi's telling, there was a fifth accomplice, Abbas, who fled to his home in the countryside to lay low until the murder trial blew over. However, he did not escape empty-handed and kept stolen documents from Cicurel's villa, ones that he imagined would lead him to a hidden safe. Abbas hatched a plan to return to the capital, find the safe, and make his fortune. The first step was to place his sister Zeinab with Cicurel's widow, Paula.Abbas’s rags-to-riches story unfolds as a tale of modern Egypt, taking in the Second World War, the 1952 revolution and rise of Nasser, the 1967 war, and the Sadat and Mubarak eras. Spanning the 1920s to the 1990s, El-Ashmawi deftly weaves together history with fiction in this intriguing English-language debut.

     *Includes a free extract from Katherine Heiny’s debut novel, Standard Deviation* 'Just as Jane Austen believed that four people cannot comfortably walk abreast, Charlene believes that three people cannot amicably move one person's belongings. At least not when two of the people used to be married to each other, and the marriage resulted in a bitter divorce in order for one of them to marry the third person' When Forrest's ex-wife Barbara calls on him to help her move out of the home they once shared, his second wife Charlie finds herself carrying not only dozens of boxes, but also the weight of their shared past. Barbara and Charlie first met twenty years ago when they volunteered at a suicide crisis hotline, and one night in particular is seared into Charlie's memory…From the author of Standard Deviation comes a wryly tender story of crises and cardboard boxes; of marriage and moving on.

    He treads a fine line keeping psychotic hard-man Rab Simpson in check while sleeping with gang leader Billy Tyrie’s beautiful wife on the side. When a bomb claims nine lives, he is given the role of the getaway driver in a planned reprisal killing, a key role in a major operation. But Jackie may not be who he seems... Twenty years later, Jackie returns to the city for his father’s funeral after disappearing in mysterious circumstances. He wants to mourn then leave, but when figures from his past emerge, he is left with no choice but to revisit his violent former life. The first in the Jackie Shaw series, RAVENHILL is a gripping début novel from a brilliant new voice in crime fiction. The second in the series, SEVEN SKINS, is coming soon. ‘Tense, unsparing, compassionate and exceptionally well-written, this brilliant thriller brings vividly to life East Belfast in war and peace, its self-appointed community defenders turned brutal predators, and the security forces who struggled to contain them.’ Ruth Dudley Edwards

    Delaney is one of them."When you meet Delaney Robinson, she is a two-year-old with a serious attachment to her wonderful great-grandmother, who guides her through life with the wisdom of a nonagenarian. Margaret's reminiscences, along with the rest you will read, tell the story of how this adorable little girl came to be.There is murder, mayhem, humor, romance--and a bit of heartbreak. The stories are about her parents, grandparents, distant ancestors, and family friends, from Delaney's Irish forebears and how they settled in Alabama to a chapter written entirely from the point of view of a Confederate battle sword hanging on her grandfather's wall.

    In this daring novel, the author gives a startling account of the inner workings of contemporary South African urban culture. In doing so, he ventures into unexplored areas and takes local writing in English to places it hasn't been before. The Quiet Violence of Dreams is set in Cape Town's cosmopolitan neighbourhoods - Observatory, Mowbray and Sea Point - where subcultures thrive and alternative lifestyles are tolerated. The plot revolves around Tshepo, a student at Rhodes, who gets confined to a Cape Town mental institution after an episode of 'cannabis-induced psychosis'. He escapes but is returned to the hospital and completes his rehabilitation, earns his release - and promptly terminates his studies. He now works as a waiter and shares an apartment with a newly released prisoner. The relationship with his flatmate deteriorates and Tshepo loses his job at the Waterfront. Desperate for an income, he finds work at a male massage parlour, using the pseudonym Angelo. The novel explores Tshepo-Angelo's coming to consciousness of his sexuality, sexual orientation, and place in the world. lifestyle and set of experiences are explored - that of a young black woman who gets involved with a disabled German student who does not want to commit to marriage, despite Mmabatho's unplanned pregnancy.

    In response, their mothers begin a secret correspondence, their only outlet for the grief they share and each woman’s personal reckoning with a leadership that would take her beloved child’s life.At the same time, spurred on by their indignation at what seems to be an escalation of The Brotherhood’s brutality, a band of intellectuals and free-thinkers seeks to awaken the conscience of the cowed populace and foment rebellion by publishing an underground newspaper. While they grapple with the implications of what they have done, the regime’s brutal leader begins a personal crusade to find the responsible parties, and bring them to his own sense of justice.In this brilliant analysis of tyranny and brutality, Mbougar Sarr explores the ways in which resistance and heroism can often give way to cowardice, all while giving voice to the moral ambiguities and personal struggles involved in each of his characters’ search to impose the values they hold most dear.

    Clare comes to learn that in this conflict the dead do not stay buried, and the missing return in other forms--such as the small child present in her daughter's last days who has reappeared, posing as Clare's official biographer. Sam Leroux, a South African expatriate returning to Cape Town after many years in New York, gradually earns Clare's trust, his own ghosts emerging from the histories that he and Clare begin to unravel, leading them both along a path in search of reconciliation and forgiveness.