. .Sometimes, when a person dies, their spirit goes looking for somewhere to hide. Some people have space within them, perfect for hiding. Twelve-year-old Makepeace has learned to defend herself from the ghosts which try to possess her in the night, desperate for refuge, but one day a dreadful event causes her to drop her guard. And now there's a spirit inside her. The spirit is wild, brutish and strong, and it may be her only defence when she is sent to live with her father's rich and powerful ancestors. There is talk of civil war, and they need people like her to protect their dark and terrible family secret. But as she plans her escape and heads out into a country torn apart by war, Makepeace must decide which is worse: possession – or death.

    Orphaned and friendless, apprenticed to an older Sin Eater who cannot speak to her, May must make her way in a dangerous and cruel world she barely understands. When a deer heart appears on the coffin of a royal governess who did not confess to the dreadful sin it represents, the older Sin Eater refuses to eat it. She is taken to prison, tortured, and killed. To avenge her death, May must find out who placed the deer heart on the coffin and why.The Sin Eater walks among us, unseen, unheard Sins of our flesh become sins of Hers Following Her to the grave, unseen, unheard The Sin Eater Walks Among Us. The Handmaid’s Tale meets Alice in Wonderland in this gripping and imaginative historical novel about a shunned orphan girl in 16th-century England who is ensnared in a deadly royal plot and must turn her subjugation into her power.

    In Prague, working as a translator, she has found a home of sorts—or, at least, refuge. That changes when her friend Karel discovers a mysterious letter in the library, a strange confession and a curious warning that speaks of Melmoth the Witness, a dark legend found in obscure fairy tales and antique village lore. As such superstition has it, Melmoth travels through the ages, dooming those she persuades to join her to a damnation of timeless, itinerant solitude. To Helen it all seems the stuff of unenlightened fantasy.But, unaware, as she wanders the cobblestone streets Helen is being watched. And then Karel disappears. . . .

    She dares to fall in love.And only then do they discover the true horror of the Vallarca curse.

    It is the home of Edmund Stearn and his family – a historian, scholar and land-owner, he's an upstanding member of the local community. But all is not well at Wake's End. Edmund dominates his family tyrannically, in particular daughter Maud. When Maud's mother dies in childbirth and she's left alone with her strict, disciplinarian father, Maud's isolation drives her to her father's study, where she happens upon his diary.During a walk through the local church yard, Edmund spots an eye in the undergrowth. His terror is only briefly abated when he discovers its actually a painting, a 'doom', taken from the church. It's horrifying in its depiction of hell, and Edmund wants nothing more to do with it despite his historical significance. But the doom keeps returning to his mind. The stench of the Fen permeates the house, even with the windows closed. And when he lies awake at night, he hears a scratching sound – like claws on the wooden floor...Wakenhyrst is a terrifying ghost story, an atmospheric slice of gothic, a brilliant exploration of the boundaries between the real and the supernatural, and a descent into the mind of a psychopath.

    While growing up, Rebekkah watched as Maylene performed the same unusual ritual at every funeral: three sips from a small silver flask followed by the words, "Sleep well, and stay where I put you."Now Maylene is gone and Bek must return to the hometown—and the man—she abandoned a decade ago, only to discover that Maylene's death was not natural . . . and there was good reason for her odd traditions. In Claysville, the worlds of the living and the dead are dangerously connected—and beneath the town lies a shadowy, lawless land ruled by the enigmatic Charles, aka Mr. D. From this dark place the deceased will return if their graves are not properly minded. And only the Graveminder, a Barrow woman, and the current Undertaker, Byron, can set things to right once the dead begin to walk.

    The truth about that summer, no one else knows.In the summer of 1862, a group of young artists led by the passionate and talented Edward Radcliffe descends upon Birchwood Manor on the banks of the Upper Thames. Their plan: to spend a secluded summer month in a haze of inspiration and creativity. But by the time their stay is over, one woman has been shot dead while another has disappeared; a priceless heirloom is missing; and Edward Radcliffe’s life is in ruins.Over one hundred and fifty years later, Elodie Winslow, a young archivist in London, uncovers a leather satchel containing two seemingly unrelated items: a sepia photograph of an arresting-looking woman in Victorian clothing, and an artist’s sketchbook containing the drawing of a twin-gabled house on the bend of a river.Why does Birchwood Manor feel so familiar to Elodie? And who is the beautiful woman in the photograph? Will she ever give up her secrets?

    Even so, her family keeps the Old Faith, practicing the spells and rites that have been handed from mother to daughter for generations. Until one day, Ursule’s young granddaughter steps into the circle, and magic flows anew.From early 19th century Brittany to London during the Second World War, five generations of witches fight the battles of their time, deciding how far they are willing to go to protect their family, their heritage, and ultimately, all of our futures.

    The Brontë siblings have always been close. After all, nothing can unite four siblings quite like life in an isolated parsonage on the moors. Their vivid imaginations lend them escape from their strict, spartan upbringing, actually transporting them into their created worlds: the glittering Verdopolis and the romantic and melancholy Gondal. But at what price? As Branwell begins to slip into madness and the sisters feel their real lives slipping away, they must weigh the cost of their powerful imaginations, even as their characters—the brooding Rogue and dashing Duke of Zamorna—refuse to let them go.

     If the wind calls at night, you must not listen. The wind is lonely, and always looking for company. And there are no strangers in the town of Near.These are the truths that Lexi has heard all her life. But when an actual stranger-a boy who seems to fade like smoke-appears outside her home on the moor at night, she knows that at least one of these sayings is no longer true.The next night, the children of Near start disappearing from their beds, and the mysterious boy falls under suspicion. Still, he insists on helping Lexi search for them. Something tells her she can trust him.As the hunt for the children intensifies, so does Lexi's need to know-about the witch that just might be more than a bedtime story, about the wind that seems to speak through the walls at night, and about the history of this nameless boy.Part fairy tale, part love story, Victoria Schwab's debut novel is entirely original yet achingly familiar: a song you heard long ago, a whisper carried by the wind, and a dream you won't soon forget.

    But those books have begun to whisper to him in the darkness. Angry and alone, he takes refuge in his imagination and soon finds that reality and fantasy have begun to meld. While his family falls apart around him, David is violently propelled into a world that is a strange reflection of his own -- populated by heroes and monsters and ruled by a faded king who keeps his secrets in a mysterious book, The Book of Lost Things.Taking readers on a vivid journey through the loss of innocence into adulthood and beyond, New York Times bestselling author John Connolly tells a dark and compelling tale that reminds us of the enduring power of stories in our lives.

    Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners—mother, son, and daughter—are struggling to keep pace with a changing society, as well as with conflicts of their own. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.

    But she doesn’t even know it.Take this as a warning: if you are not able or willing to control yourself, it will not only be you who suffers the consequences but those around you, as well.New Oldbury, 1821 In the wake of a scandal, the Montrose family and their three daughters—Catherine, Lydia, and Emeline—flee Boston for their new country home, Willow Hall. The estate seems sleepy and idyllic. But a subtle menace creeps into the atmosphere, remnants of a dark history that call to Lydia, and to the youngest, Emeline.All three daughters will be irrevocably changed by what follows, but none more than Lydia, who must draw on a power she never knew she possessed if she wants to protect those she loves. For Willow Hall’s secrets will rise, in the end…

    Set on the obligatory English moor, on an isolated causeway, the story has as its hero Arthur Kipps, an up-and-coming young solicitor who has come north from London to attend the funeral and settle the affairs of Mrs. Alice Drablow of Eel Marsh House. The routine formalities he anticipates give way to a tumble of events and secrets more sinister and terrifying than any nightmare: the rocking chair in the deserted nursery, the eerie sound of a pony and trap, a child's scream in the fog, and most dreadfully--and for Kipps most tragically--The Woman In Black.The Woman In Black is both a brilliant exercise in atmosphere and controlled horror and a delicious spine-tingler--proof positive that this neglected genre, the ghost story, isn't dead after all.

    The regulars are telling stories to while away the dark hours, when the door bursts open on a grievously wounded stranger. In his arms is the lifeless body of a small child. Hours later, the girl stirs, takes a breath and returns to life. Is it a miracle? Is it magic? Or can science provide an explanation? These questions have many answers, some of them quite dark indeed.Those who dwell on the river bank apply all their ingenuity to solving the puzzle of the girl who died and lived again, yet as the days pass the mystery only deepens. The child herself is mute and unable to answer the essential questions: Who is she? Where did she come from? And to whom does she belong? But answers proliferate nonetheless.Three families are keen to claim her. A wealthy young mother knows the girl is her kidnapped daughter, missing for two years. A farming family reeling from the discovery of their son’s secret liaison, stand ready to welcome their granddaughter. The parson’s housekeeper, humble and isolated, sees in the child the image of her younger sister. But the return of a lost child is not without complications and no matter how heartbreaking the past losses, no matter how precious the child herself, this girl cannot be everyone’s. Each family has mysteries of its own, and many secrets must be revealed before the girl’s identity can be known.Once Upon a River is a glorious tapestry of a book that combines folklore and science, magic and myth. Suspenseful, romantic, and richly atmospheric, the beginning of this novel will sweep you away on a powerful current of storytelling, transporting you through worlds both real and imagined, to the triumphant conclusion whose depths will continue to give up their treasures long after the last page is turned.