The wars that are never declared, but are carried out in dark alleys with masks and hidden knives. Wars where color power alters the natural rhythm of 17th century London. And when the king calls for peace, no one listens until he finally calls for death.But what if death finds him first?Keepers think the Igniters caused the plague. Igniters think the Keepers did. But all Thomas knows is that the Stone Plague infecting his eye is spreading. And if he doesn’t do something soon, he’ll be a lifeless statue. So when his Keeper father, Guy Fawkes, invites him to join the Gunpowder Plot—claiming it will put an end to the plague—Thomas is in.The plan: use 36 barrels of gunpowder to blow up the Igniter King.The problem: Doing so will destroy the family of the girl Thomas loves. But backing out of the plot will send his father and the other plotters to the gallows. To save one, Thomas will lose the other.No matter Thomas’s choice, one thing is clear: once the decision is made and the color masks have been put on, there’s no turning back.

    Having been born on Eventide, the unluckiest day for any child to be born, she's blamed for all local misfortunes, from hailstorms to heart attacks--and, worst of all, the curse means that Morrigan is doomed to die at midnight on her eleventh birthday.But as Morrigan awaits her fate, a strange and remarkable man named Jupiter North appears. Chased by black-smoke hounds and shadowy hunters on horseback, he whisks her away into the safety of a secret, magical city called Nevermoor.It's then that Morrigan discovers Jupiter has chosen her to contend for a place in the city's most prestigious organization: the Wundrous Society. In order to join, she must compete in four difficult and dangerous trials against hundreds of other children, each boasting an extraordinary talent that sets them apart - an extraordinary talent that Morrigan insists she does not have. To stay in the safety of Nevermoor for good, Morrigan will need to find a way to pass the tests - or she'll have to leave the city to confront her deadly fate.

    Locked away in a home for troubled children, he's told there's something wrong with him. So when he meets a flock of talking pigeons and a bossy cockroach, Kester thinks he's finally gone crazy. But the animals have something to say. And they need him. The pigeons fly Kester to a wild place where the last creatures in the land have survived. A wise stag needs Kester's help, and together they must embark on a great journey, joined along the way by an overenthusiastic wolf cub, a military-trained cockroach, a mouse with a ritual for everything, and a stubborn girl named Polly. The animals saved Kester Jaynes. But can Kester save the animals?

    It'll take all of her quick thinking and sass to set matters right.

    She lives in her own world, a world in which protection comes from an unusual source: horror movies…especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold.Yet, even as Jade drags us into her dark fever dream, a surprising and intimate portrait emerges… a portrait of the scared and traumatized little girl beneath the Jason Voorhees mask: angry, yes, but also a girl who easily cries, fiercely loves, and desperately wants a home. A girl whose feelings are too big for her body.My Heart Is a Chainsaw is her story, her homage to horror and revenge and triumph.

    But the most dangerous beasts of all are the Grabbers—beings that are born when you are and stalk you throughout your life, waiting for the perfect moment to snatch and eat you. No one has ever defeated their Grabber once attacked, and those that die from accidents or other creatures are considered "lucky." Kestrel has been tasked by her mother, a powerful and controlling spell-caster, to hunt down the Grabbers in an effort to protect their village in the forest. Accompanied by Pippit, a hilariously bloodthirsty weasel, she hones her skills as she searches for a way out of the forest--and away from the judgmental villagers who despise her. But her own Grabber is creeping ever closer, and nothing in this forest is what it seems... including her mother's true motivations.

    Her panic attacks started a week later, and they haven’t stopped -- even though she told her parents that they did. Every day she feels less and less like herself. Then Alma meets the ShopKeeper in the town's junk shop, The Fifth Point. The ShopKeeper gives her a telescope and this message:​Find the Elements.Grow the Light. Save the Starling.​That night, Alma watches as a star—a star that looks like a child—falls from the sky and into her backyard. Alma knows what it’s like to be lost and afraid, to long for home, and with the help of some unlikely new friends from the Astronomy Club, she sets out on a quest that will take a little bit of astronomy, a little bit of alchemy, and her whole self. Quintessence is a stunning story of friendship, self-discovery, interconnectedness, and the inexplicable elements that make you you.

    When first-class passenger Will Everett gets the key to a train car containing priceless treasures, he becomes the target of sinister figures from his past. To survive, Will joins a travelling circus, helped by ringmaster leader Mr. Dorian, and Maren, a girl his age and an expert escape artist.

    For as long as Lottie can remember, the only people who seem to care about her are her best friend, Eliot, and the mysterious letter writer who sends her birthday gifts. But now strange things are happening on the island Lottie calls home, and Eliot's getting sicker, with a disease the doctors have given up trying to cure. Lottie is helpless, useless, powerless—until a door opens in the apple tree. Follow Lottie down through the roots to another world in pursuit of the impossible: a cure for the incurable, a use for the useless, and protection against the pain of loss.

    It was one of many rules imposed by her cold, distant father. Now, in a final act of desperation, her father has exorcised his demons. But when Laurie returns to claim the estate with her husband and ten-year-old daughter, it’s as if the past refuses to die. She feels it lurking in the broken moldings, sees it staring from an empty picture frame, hears it laughing in the moldy greenhouse deep in the woods…At first, Laurie thinks she’s imagining things. But when she meets her daughter’s new playmate, Abigail, she can’t help but notice her uncanny resemblance to another little girl who used to live next door. Who died next door. With each passing day, Laurie’s uneasiness grows stronger, her thoughts more disturbing. Like her father, is she slowly losing her mind? Or is something truly unspeakable happening to those sweet little girls?

    Cora is still grappling with the death of her beloved sister in a school shooting, and Quinn is carrying the guilt of what her brother did.On the day of Cora’s twelfth birthday, Quinn leaves a box on her doorstep with a note. She has decided that the only way to fix things is to go back in time to the moment before her brother changed all their lives forever—and stop him.In spite of herself, Cora wants to believe. And so the two former friends begin working together to open a wormhole in the fabric of the universe. But as they attempt to unravel the mysteries of time travel to save their siblings, they learn that the magic of their friendship may actually be the key to saving themselves.

    Five deadly fates. Five nights of retribución.If Lupe Dávila and Javier Utierre can survive each other’s company, together they can solve a series of grisly murders sweeping though Puerto Rico. But the clues lead them out of the real world and into the realm of myths and legends. And if they want to catch the killer, they'll have to step into the shadows to see what's lurking there—murderer, or monster?

    Welcome to Mexico City, an oasis in a sea of vampires. Domingo, a lonely garbage-collecting street kid, is just trying to survive its heavily policed streets when a jaded vampire on the run swoops into his life. Atl, the descendant of Aztec blood drinkers, is smart, beautiful, and dangerous. Domingo is mesmerized.Atl needs to quickly escape the city, far from the rival narco-vampire clan relentlessly pursuing her. Her plan doesn't include Domingo, but little by little, Atl finds herself warming up to the scrappy young man and his undeniable charm. As the trail of corpses stretches behind her, local cops and crime bosses both start closing in.Vampires, humans, cops, and criminals collide in the dark streets of Mexico City. Do Atl and Domingo even stand a chance of making it out alive? Or will the city devour them all?

    And right now, both are in dire straits. Since the death of their parents, Ryn and her siblings have been scraping together a meager existence as gravediggers in the remote village of Colbren, which sits at the foot of a harsh and deadly mountain range that was once home to the fae. The problem with being a gravedigger in Colbren, though, is that the dead don't always stay dead.The risen corpses are known as "bone houses," and legend says that they're the result of a decades-old curse. When Ellis, an apprentice mapmaker with a mysterious past, arrives in town, the bone houses attack with new ferocity. What is it that draws them near? And more importantly, how can they be stopped for good?Together, Ellis and Ryn embark on a journey that will take them deep into the heart of the mountains, where they will have to face both the curse and the long-hidden truths about themselves.

    But Frey is weary of the death trade and, having been raised on the heroic sagas of her people, dreams of a bigger life. When she hears of an unstoppable monster ravaging a nearby town, Frey decides this is the Mercies' one chance out. The fame and fortune of bringing down such a beast would ensure a new future for all the Mercies. In fact, her actions may change the story arc of women everywhere.