Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    He makes a handsome living doing what he enjoys. His wife, Penny, a children's book author and illustrator, is the love of his life. Together they have a brilliant six-year-old, Milo, affectionately dubbed "Spooky," and a non-collie named Lassie, who's all but part of the family.So Cubby knows he shouldn't let one bad review of his otherwise triumphant new book get to him — even if it does appear in the nation's premier newspaper and is penned by the much-feared, seldom-seen critic Shearman Waxx. Cubby knows that the best thing to do is ignore the gratuitously vicious, insulting, and inaccurate comments. Penny knows it; even little Milo knows it. If Lassie could talk, she'd tell Cubby to ignore them, too.Ignore Shearman Waxx and his poison pen is just what Cubby intends to do. Until he happens to learn where the great man is taking his lunch. Cubby just wants to get a good look at the mysterious recluse whose mere opinion can make or break a career — or a life.But Shearman Waxx isn't what Cubby expects, and neither is the escalating terror that follows what seemed to be an innocent encounter. For Waxx gives criticism; he doesn't take it. He has ways of dealing with those who cross him that Cubby is only beginning to fathom. Soon Cubby finds himself in a desperate struggle with a relentless sociopath, facing an inexorable assault on far more than his life.

    The fear is numbing. Screams freeze in the throat. Death arrives in shades of white. Cold-blooded murder seems right at home....the chill of the grave.

    In the first a doctor has to confront his father's killer, in the second a detective investigates a series of horrific murders, and in the third an international organization devises a masterplan of apocalyptic dimensions.

    But behind its walls, America's top scientists work around the clock to attain the holy grail of the 21st century-a supercomputer that surpasses the power of the human mind.Appointed by the President as ethicist to Project Trinity, Dr. David Tennant finds himself in a pressure-cooker of cutting edge science and colossal ambition. When his friend and fellow scientist is murdered, David discovers that the genius who runs Project Trinity was responsible and that his own life is in danger. Unable to reach the President, and afraid to trust his colleagues, David turns to Rachel Weiss, the psychiatrist probing the nightmares that have plagued him during his work at Trinity. Rachel is skeptical of David's fears, but when an assassin strikes, the two doctors must flee for their lives.Pursued across the globe by ruthless National Security Agency operatives, David and Rachel struggle to piece together the truth behind the Project Trinity, and the enormous power it could unleash upon the world. As constant danger deepens their intimacy, Rachel realizes the key to Trinity lies buried in David's disturbed mind.But Trinity's clock is ticking...Mankind is being held hostage by a machine that cannot be destroyed.Its only hope--a terrifying chess game between David and the Trinity computer, with the cities of the world as pawns. But what are the rules? How human is the machine? Can one man and woman change the course of history? Man's future hangs in the balance, and the price of failure is extinction.

    The cells begin to infect the crew with deadly results. Emma Watson struggles to contain the deadly microbe while her husband and NASA try to retrieve her from space, before it's too late.

    While in space, an accident occurs that cuts all contact between the men and earth for two minutes. Both men return from the trip with no memory of those crucial minutes, and soon thereafter Streck mysteriously dies. Little by little, Spencer's wife Jillian, pregnant with twins, begins to suspect that something happened on the mission during those two minutes...something that changed Spencer into something other than the man she loves...something that might mean the end of us all...

    . . an ecosystem that could topple ours like a house of cards. The time is now. The place is the Trident, a long-range research vessel hired by the reality TV show Sealife. Aboard is a cast of ambitious young scientists. With a director dying for drama, tiny Henders Island might be just what the show needs. Until the first scientist sets foot on Henders—and the ultimate test of survival begins . . .For when they reach the island’s shores, scientists are utterly unprepared for what they find—creatures unlike any ever recorded in natural history. This is not a lost world frozen in time, an island of mutants, or a lab where science has gone mad: this is the Earth as it might have looked after evolving on a separate path for half a billion years.Soon the scientists will stumble on something more shocking than anything humanity has ever encountered: because among the terrors of Henders Island, one life form defies any scientific theory—and must be saved at any cost. International Thriller Writers nominee Best First Novel

    But few know that within its bowels rests a priceless pre-Columbian antiquity—a treasure that now holds the key to a puzzle that is costing people their lives. For Kurt Austin, the leader of a courageous National Underwater Marine Agency (NUMA) exploration team, the killing begins when he makes a daring rescue of a beautiful marine archaeologist. The target of a powerful Texas industrialist named Halcon, Nina Kirov was attacked off the coast of Morocco after her discovery of a carved stone head that may prove Christopher Columbus was not the first European to discover America.Soon Kurt and Nina embark on a deadly mission to uncover Halcon's masterful plan—an insidious scheme that would have him carve out a new nation from the southwest United States and Mexico, and ride to power on a wave of death and destruction. With Austin's elite NUMA crew attacking the murderous conspiracy from different sides, an extraordinary truth emerges; that Columbus may have made a fifth, unknown voyage to America in search of a magnificent treasure. And that the silent, steel hull of the Andrea Doria not only holds the answer to what the explorer may have found—but the fate of the United States itself.

    Highway construction puts him out of work and simultaneously forces him out of his home. Dawes isn’t the sort of man who will take an insult of this magnitude lying down. His single-minded determination to fight the inevitable course of progress drives his wife and friends away while he tries to face down the uncaring bureaucracy that has destroyed his once comfortable life.--stephenking.com

    He had no friends and no family; all over town, he was known only as the Man from Primrose Lane. And on a summer day in 2008, someone murdered him.Four years later, David Neff is a broken man. The bestselling author of a true-crime book about an Ohio serial killer, Neff went into exile after his wife’s inexplicable suicide. That is, until an unexpected visit from an old friend introduces him to the strange mystery of “the man with a thousand mittens.” Soon Neff finds himself drawn back into a world he thought he had left behind forever. But the closer he gets to uncovering the true identity of the Man from Primrose Lane, the more he begins to understand the dangerous power of his own obsessions and how they may be connected to the deaths of both his beloved wife and the old hermit.With a deft and singular blend of suspense, literature, and horror, The Man from Primrose Lane boasts as many twists and turns as a roller coaster. It’s a spellbinding journey of redemption and a reflection on the roles of fate, destiny, and obsession when it comes to matters of the heart.

    Julius believes the sites of the ancients, placed all around the globe, represent ancient pieces of a puzzle linked to the salvation of our species.Miami, September 2012: Psychology Dominique Vazquez is assigned a special patient-Mick Gabriel, a paranoid schizophrenic with a high IQ who attempts to charm her into believing his father's theories of the Apocalypse so he can escape.Fall Equinox: As it has done for a thousand years, a serpent's shadow appears on the northern balustrade of the Kukulcan Pyramid . . . a rare galactic alignment occurs, and a space transmission reaches Earth.It is the beginning of the end . . .

    This is James Patterson's best book ever.TotalFor 36 years, James Patterson has written unputdownable, pulse-racing novels. Now, he has written a book that surpasses all of them. ZOO is the thriller he was born to write.WorldAll over the world, brutal attacks are crippling entire cities. Jackson Oz, a young biologist, watches the escalating events with an increasing sense of dread. When he witnesses a coordinated lion ambush in Africa, the enormity of the violence to come becomes terrifyingly clear.DestructionWith the help of ecologist Chloe Tousignant, Oz races to warn world leaders before it's too late. The attacks are growing in ferocity, cunning, and planning, and soon there will be no place left for humans to hide.

    Every lunar walker since Apollo 11 has noticed it: a burnt-metal scent that reminds them of war. Caden Dechert, the chief of the U.S. mining operation on the edge of the Sea of Serenity, thinks the smell is just a trick of the mind—a reminder of his harrowing days as a Marine in the war-torn Middle East back on Earth.It’s 2072, and lunar helium-3 mining is powering the fusion reactors that are bringing Earth back from environmental disaster. But competing for the richest prize in the history of the world has destroyed the oldest rule in space: Safety for All. When a bomb kills one of Dechert’s diggers on Mare Serenitatis, the haunted veteran goes on the hunt to expose the culprit before more blood is spilled.But as Dechert races to solve the first murder in the history of the Moon, he gets caught in the crosshairs of two global powers spoiling for a fight. Reluctant to be the match that lights this powder-keg, Dechert knows his life and those of his crew are meaningless to the politicians. Even worse, he knows the killer is still out there, hunting.In his desperate attempts to save his crew and prevent the catastrophe he sees coming, the former Marine uncovers a dangerous conspiracy that, with one spark, can ignite a full lunar war, wipe out his team . . . and perhaps plunge the Earth back into darkness.

    All she has to do is change her identity and leave the U.S. forever.The KillerIt's an offer she dares to refuse...until violence forces her hand and thrusts her into a harrowing game of high-stakes, big-money subterfuge. It's a price she won't fully pay...until she does the unthinkable and breaks the promise that made her rich.The WinnerFor if LuAnn Tyler comes home, she will be pitted against the deadliest contestant of all: the chameleonlike financial mastermind who changed her life. And who can take it away at will...