Only this boy is very much alive.Digging through layers of secrets and lies, Morgan is left questioning everything she thought she knew about her boyfriend, her town, and even her parents' involvement in this massive web of lies.

    On the day he's released, he's greeted by the man who put him in prison. Detective Colborne is retiring, but before he does, he wants to know what really happened a decade ago.As one of seven young actors studying Shakespeare at an elite arts college, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingenue, extra. But when the casting changes, and the secondary characters usurp the stars, the plays spill dangerously over into life, and one of them is found dead. The rest face their greatest acting challenge yet: convincing the police, and themselves, that they are blameless.

    Every November, every teen is overwhelmed with a hunger for violence…at least, that’s the urban legend.After Wyatt Green’s mother was brutally murdered last Fall, she’s convinced that the November sickness plaguing Wolf Ridge isn’t just a town rumor that everyone ignores…it’s a palpable force infecting her neighbors. Wyatt is going to prove it, and find her mother’s murderer in the process. She digs up every past brutal act she can find from Wolf Ridge’s past – from car wrecks, suicides, and unnamed victims turning up in rivers—and even reaches out to an out-of-state journalist that seems to believe her. But all of her digging leads to nowhere. Everyone in Wolf Ridge accepts that the November sickness is real, and absolutely no one will talk about it. As Wyatt’s best friend Cash turns on her, and her friend is almost killed in a tragic accident, Wyatt panics – how can she keep her friends safe, and find her mother’s murderer, when no one believes her? As the evidence stars to disappear, Wyatt wonders: is she just imagining everything? Is the sickness real, or are the people of Wolf Ridge just naturally prone to doing bad things?Can Wyatt and her friends come out of the Violent Season unscathed, or is one of them going to be the next victim?

    For one thing, her father is a convicted murderer, and his execution date is fast approaching. For another, Molly refuses to believe that her mother is dead, and she waits for the day when they’ll be reunited . . . despite all evidence that this will never happen.Pepper Yusef is not your average teenage boy. A Kuwaiti immigrant with epilepsy, serious girl problems, and the most useless seizure dog in existence, he has to write a series of essays over the summer . . . or fail out of school.And Ava Dreyman—the brave and beautiful East German resistance fighter whose murder at seventeen led to the destruction of the Berlin Wall—is unlike anyone you’ve met before.When Molly gets a package leading her to Pepper, they’re tasked with solving a decades-old mystery: find out who killed Ava, back in 1989. Using Ava’s diary for clues, Molly and Pepper realize there’s more to her life—and death—than meets the eye. Someone is lying to them. And someone out there is guiding them along, desperate for answers.

     Just a year and a half after the tragic death of his wife, Bill Price's fifteen-year-old daughter, Summer, and her best friend, Haley, disappear. Days later, the girls are found in a city park. Haley is dead at the scene, while Summer is left beaten beyond recognition and clinging to life.As Bill holds vigil over Summer's bandaged body, the only sound the unconscious girl can make is one cryptic and chilling word: No. And the more time Bill spends with Summer, the more he wonders what happened to her. Or if the injured girl in the hospital bed is really his daughter at all.When troubling new questions about Summer's life surface, Bill is not prepared for the aftershocks. He'll soon discover that both the living and the dead have secrets. And that searching for the truth will tear open old wounds that pierce straight to the heart of his family... READERS GUIDE INCLUDED

    Which is the last thing she wants. Jo secretly dreams of becoming a writer—a newspaper reporter like the trailblazing Nellie Bly.Wild aspirations aside, Jo’s life seems perfect until tragedy strikes: her father is found dead. Charles Montfort accidentally shot himself while cleaning his revolver. One of New York City’s wealthiest men, he owned a newspaper and was partner in a massive shipping firm, and Jo knows he was far too smart to clean a loaded gun.The more Jo uncovers about her father’s death, the more her suspicions grow. There are too many secrets. And they all seem to be buried in plain sight. Then she meets Eddie—a young, brash, infuriatingly handsome reporter at her father’s newspaper—and it becomes all too clear how much she stands to lose if she keeps searching for the truth. Only now it might be too late to stop.The past never stays buried forever. Life is dirtier than Jo Montfort could ever have imagined, and the truth is the dirtiest part of all.

    He knows what he’s done, and now awaits execution, the same chilling fate he forced on those girls, years ago. But Ansel doesn’t want to die; he wants to be celebrated, understood. He hoped it wouldn’t end like this, not for him.Through a kaleidoscope of women—a mother, a sister, a homicide detective—we learn the story of Ansel’s life. We meet his mother, Lavender, a seventeen-year-old girl pushed to desperation; Hazel, twin sister to Ansel’s wife, inseparable since birth, forced to watch helplessly as her sister’s relationship threatens to devour them all; and finally, Saffy, the homicide detective hot on his trail, who has devoted herself to bringing bad men to justice but struggles to see her own life clearly. As the clock ticks down, these three women sift through the choices that culminate in tragedy, exploring the rippling fissures that such destruction inevitably leaves in its wake. Blending breathtaking suspense with astonishing empathy, Notes on an Execution presents a chilling portrait of womanhood as it simultaneously unravels the familiar narrative of the American serial killer, interrogating our system of justice and our cultural obsession with crime stories, asking readers to consider the false promise of looking for meaning in the psyches of violent men.

    But now, she doesn’t even know what tomorrow will look like.She was happy once. Remy had her boyfriend Jack, and Elise, her best friend—her soulmate—who understood her better than anyone else in the world.But now Jack is dead, shot through the chest—And it was Elise who pulled the trigger.Was it self-defense? Or something deeper, darker than anything Remy could have imagined? As the police investigate, Remy does the same, sifting through her own memories, looking for a scrap of truth that could save the friendship that means everything to her.Told in alternating timelines, Thelma and Louise meets Gone Girl in this twisted psychological thriller about the dark side of obsessive friendship.

    Raised in a secluded island mansion deep in the woods and kept isolated by her true crime-obsessed parents, she has spent the last several years living on her own, but unable to move beyond her past—especially the disappearance of her twin brother Andy when they were sixteen. With her father’s death, Dahlia returns to the house she has avoided for years. But as the rest of the Lighthouse family arrives for the memorial, a gruesome discovery is made: buried in the reserved plot is another body—Andy’s, his skull split open with an ax. Each member of the family handles the revelation in unusual ways. Her brother Charlie pours his energy into creating a family memorial museum, highlighting their research into the lives of famous murder victims; her sister Tate forges ahead with her popular dioramas portraying crime scenes; and their mother affects a cheerfully domestic façade, becoming unrecognizable as the woman who performed murder reenactments for her children. As Dahlia grapples with her own grief and horror, she realizes that her eccentric family, and the mansion itself, may hold the answers to what happened to her twin.

    Claudia and Monday have always been inseparable—more sisters than friends. So when Monday doesn’t turn up for the first day of school, Claudia’s worried. When she doesn’t show for the second day, or second week, Claudia knows that something is wrong. Monday wouldn’t just leave her to endure tests and bullies alone. Not after last year’s rumors and not with her grades on the line. Now Claudia needs her best—and only—friend more than ever. But Monday’s mother refuses to give Claudia a straight answer, and Monday’s sister April is even less help.As Claudia digs deeper into her friend’s disappearance, she discovers that no one seems to remember the last time they saw Monday. How can a teenage girl just vanish without anyone noticing that she’s gone?

    And she had dreams back then—but it didn’t take long for her to learn that things don’t always turn out the way you want them to.Now, at thirty-three, Edie is working as a waitress, pregnant and alone. And when she becomes overwhelmed by the needs of her new baby and sinks into a bleak despair, she thinks that there’s no one to turn to…But someone’s been watching Edie, waiting for the chance to prove once again what a perfect friend she can be. It’s no coincidence that Heather shows up on Edie’s doorstep, just when Edie needs her the most. So much has passed between them—so much envy, longing, and betrayal. And Edie’s about to learn a new lesson: those who have hurt us deeply—or who we have hurt—never let us go, not entirely…

    But nothing on this island is quite as it seems, and only when these women come together can they discover the whole story about the men in their lives. Brilliant and beguiling, The Wife and The Widow takes you to a cliff edge and asks the question: how well do we really know the people we love?

    Three years later, Cass returns, without her sister Emma. Her story is one of kidnapping and betrayal, of a mysterious island where the two were held. But to forensic psychiatrist Dr. Abby Winter, something doesn't add up. Looking deep within this dysfunctional family Dr. Winter uncovers a life where boundaries were violated and a narcissistic parent held sway. And where one sister's return might just be the beginning of the crime.

    Your arms are the weakest.Rule Four—Hit to kill. The first blow should be the last, if at all possible.Rule Five—The letters are the law.Kit takes her role as London’s notorious “Perfect Killer” seriously. The letters and cash that come to her via a secret mailbox are not a game; choosing who to kill is not an impulse decision. Every letter she receives begins with “Dear Killer,” and every time Kit murders, she leaves a letter with the dead body. Her moral nihilism and thus her murders are a way of life—the only way of life she has ever known.But when a letter appears in the mailbox that will have the power to topple Kit’s convictions as perfectly as she commits her murders, she must make a decision: follow the only rules she has ever known, or challenge Rule One, and go from there.Katherine Ewell’s Dear Killer is a sinister psychological thriller that explores the thin line between good and evil, and the messiness of that inevitable moment when life contradicts everything you believe.

    Thunder Basin, Nebraska, is not her real home. This is not her real life.After witnessing a lethal crime, Stella Gordon is sent to the middle of nowhere for her own safety before she testifies against the man she saw kill her mother’s drug dealer.But Stella was about to start her senior year with the boyfriend she loves. How can she be pulled away from the only life she knows and expected to start a new one in Nebraska? Stella chafes at her protection and is rude to everyone she meets. She’s not planning on staying long, so why be friendly? Then she meets Chet Falconer and it becomes harder to keep her guard up, even as her guilt about having to lie to him grows.As Stella starts to feel safer, the real threat to her life increases—because her enemies are actually closer than she thinks…