A solitary survivor hides in a mountain above the city, living in a trailer with the door and windows duct-taped shut. Outside, the air is poisoned with a virulent disease that has killed off most humans. Those who lived have become something else. Something that hunts and kills. Survival in this new world comes down to two, simple rules: stay quiet and protect the air. It's an obsessive and regimented life, but one day a visitor comes up the mountain that threatens everything.Part I of a serialized novel. Continued in Part II: http://www.goodreads.com/book/show/12...

     They thought they were alone. They were wrong. On October 15th, humanity went missing. A handful of scattered survivors wake to find the world empty of friends, family, and neighbors. Among them, a child searches for his family. A special agent turned enemy of the state survives a fiery plane crash with no way to reach his daughter. A serial killer discovers he’s no longer at the top of the food chain. Now these strangers must find the strength inside them to weather the new world. But they are not alone. In the absence of civilization, a new threat emerges. In the stillness, it waits and watches, preying on their weakness. Their only hope is to find more survivors, rise above their fear, and face the oncoming darkness. But can they unite before they too are lost? And can they all be trusted? Season One of Yesterday’s Gone by Sean Platt and David W. Wright is a tense post-apocalyptic thriller that will leave you guessing to the end. Combining TV’s thrilling, episodic nature with the in-depth character only found in novels, Yesterday’s Gone is a new wave in fiction. If you like The Stand and LOST, you’ll love this series that combines tension, intrigue, and fear of the unknown. Get Yesterday’s Gone now and see who lives and who dies! (Warning: This book is intended for mature audiences and contains disturbing and potentially offensive material.)

    Each volume’s series editor selects notable works from hundreds of magazines, journals, and websites. A special guest editor, a leading writer in the field, then chooses the best twenty or so pieces to publish. This unique system has made the Best American series the most respected — and most popular — of its kind. The Best American Short Stories 2011 includes Chimamanda Ngozi Adichie, Megan Mayhew Bergman, Jennifer Egan, Nathan Englander, Allegra Goodman, Ehud Havazelet, Rebecca Makkai, Steven Millhauser, George Saunders, Mark Slouka, and others

    Melding supernatural horror with hardboiled noir, espionage, and a scientific backbone, Barron’s stories have garnered critical acclaim and have been reprinted in numerous year’s best anthologies and nominated for multiple awards, including the Crawford, International Horror Guild, Shirley Jackson, Theodore Sturgeon, and World Fantasy awards.Barron returns with his third collection, The Beautiful Thing That Awaits Us All. Collecting interlinking tales of sublime cosmic horror, including “Blackwood’s Baby”, “The Carrion Gods in Their Heaven”, and “The Men from Porlock”, The Beautiful Thing That Awaits Us All delivers enough spine-chilling horror to satisfy even the most jaded reader.

    It's significantly less heartwarming than most holiday specials.

    Every year, supporting members of WorldCon nominate their favorite stories first published during the previous year to determine the top five in each category for the final Hugo Award ballot. This is an anthology collecting more of the stories from that nomination list to get them to more readers The Long List Anthology Volume 3 collects 20 science fiction, fantasy, and horror stories from that nomination list, totaling over 500 pages of fiction by writers from all corners of the world. From intelligent appliances gone feral to Lovecraftian detective noir, from tech-enhanced wilderness races to Egyptian science fantasy steampunk, from hard science fiction to fairy tale to humor and more. There is a wide variety of styles and types of stories here, and something for everyone. The stories included are: "Red in Tooth and Cog" by Cat Rambo "A Salvaging of Ghosts" by Aliette de Bodard "Welcome to the Medical Clinic at the Interplanetary Relay Station | Hours Since the Last Patient Death: 0" by Caroline M. Yoachim "Razorback" by Ursula Vernon "We Have a Cultural Difference, Can I Taste You?" by Rebecca Ann Jordan "Lullaby for a Lost World" by Aliette de Bodard "Terminal" by Lavie Tidhar "Ye Highlands and Ye Lowlands" by Seanan McGuire "Things With Beards" by Sam J. Miller "The Venus Effect" by Joseph Allen Hill "The Visitor From Taured" by Ian R. MacLeod "Blood Grains Speak Through Memories" by Jason Sanford "Sooner or Later Everything Falls Into the Sea" by Sarah Pinsker "A Dead Djinn in Cairo" by P. Djèlí Clark "Red as Blood and White as Bone" by Theodora Goss "Foxfire, Foxfire" by Yoon Ha Lee "Forest of Memory" by Mary Robinette Kowal "Chimera" by Gu Shi, translated by S. Qiouyi Lu and Ken Liu "Hammers on Bone" by Cassandra Khaw "Runtime" by S.B. Divya

    Evidently, we have an enduring hunger for this infinite onslaught of the ever-hungry dead. Hoards of readers are now devouring zombie fiction faster than armies of the undead could chow down their brains. It's a sick job, but somebody had to do it: explore the innumerable necrotic nightmares of the latest, greatest, most fervent devotion in the history of humankind and ferret out the best of new millenial zombie stories: Zombies: The Recent Dead.Contents ix • Preshamble • (2010) • essay by Paula Guranxii • The Meat of the Matter • (2004) • essay by David J. Schowxxii • Deaditorial Note • (2010) • essay by Paula Guran29 • Twisted • (2009) • novelette by Kevin Veale54 • The Things He Said • (2007) • shortstory by Michael Marshall Smith64 • Naming of Parts • (2000) • novella by Tim Lebbon128 • Dating Secrets of the Dead • (2002) • shortstory by David Prill142 • Lie Still, Sleep Becalmed • (2007) • shortstory by Steve Duffy171 • The Great Wall: A Story from the Zombie War • (2007) • shortstory by Max Brooks178 • First Kisses from Beyond the Grave • (2006) • novelette by Nik Houser218 • Zora and the Zombie • (2004) • novelette by Andy Duncan239 • Obsequy • (2006) • novelette by David J. Schow267 • Deadman's Road • [Reverend Jedidiah Mercer] • (2007) • novelette by Joe R. Lansdale293 • Bitter Grounds • (2003) • novelette by Neil Gaiman334 • Glorietta • (2009) • shortfiction by Gary A. Braunbeck334 • Beautiful White Bodies • (2009) • novelette by Alice Sola Kim342 • Farewell, My Zombie • (2009) • shortfiction by Francesca Lia Block354 • Trinkets • (2001) • shortfiction by Tobias S. Buckell [as by Tobias Buckell ]362 • Dead Man's Land • (2009) • shortfiction by David Wellington378 • Disarmed and Dangerous • (2009) • novelette by Tim Waggoner395 • The Zombie Prince • (2004) • shortstory by Kit Reed409 • Three Scenes from the End of the World • (2009) • shortfiction by Brian Keene420 • The Hortlak • (2003) • novelette by Kelly Link445 • Dead to the World • (2009) • shortstory by Gary McMahon458 • The Last Supper • (2003) • shortstory by Scott Edelman

    A stunning collection of the kind of fiction that has only one source--the unparalleled Ray Bradbury.

    At first, reports trickled across the wire in small segments relegated to the final seconds of the broadcast news. Lost among stories of failing economies and political bickering, few noticed what proved to be the birth pangs of a monster. Within months, the disease dominated the news as thousands died and infection rates soared.William Hill knew his chances of avoiding the virus sat squarely between slim and none. With experts predicting a global pandemic, his choices boiled down to not if, but where he would die. While the rest of the world built barricades and set up distribution points for food, he chose a simpler end. The island had been one of the last and best times with his father. He couldn’t think of a better place to spend his final days.He wanted sun and sand, fresh fish on the grill and cool nights by the campfire. He wanted feel-good days filled with oldies on the radio, days when he could hoist the sails and run before the wind. He didn’t set out to make enemies, but he did. He didn’t plan on becoming humanity’s last hope for survival, or watching over an old woman and an eerie little boy either.To William Hill, the island seemed as good a place as any to die.He just didn’t realize how good.

    This edition contains the original introduction by Theodore Sturgeon and the original foreword by Harlan Ellison, along with a brief update comment by Ellison that was added in the 1983 edition. Among Ellison's more famous stories, two consistently noted as among his very best ever are the title story and the volume's concluding one, Pretty Maggie Moneyeyes.Since Ellison himself strongly resists categorization of his work, we won't call them science fiction, or SF, or speculative fiction or horror or anything else except compelling reading experiences that are sui generis. They could only have been written by Harlan Ellison and they are incomparably original.CONTENTS"I Have No Mouth & I Must Scream""Big Sam Was My Friend""Eyes of Dust""World of the Myth""Lonelyache""Delusion for Dragonslayer""Pretty Maggie Moneyeyes"

    Since the Outbreak ten percent of all teenagers transform spontaneously and without warning into horrible, parasite-spreading Beasts. This monstrous tide threatened to destroy the world, but the survivors persevered and kept the parasite at bay by creating Quarantines, rigid prisons to hold their children through volatile puberty into the safety of adulthood. For Sam, incarceration is freedom. The child of damaged Outbreak survivors, he relishes the day he can unleash the tricks his brother James taught him and make his mark on the world. The tyrannical principal who would happily see him dead? A worthy adversary. His chemically-obsessed roommate who keeps trying to build a dirty bomb? A useful pawn. His own debilitating fear of becoming a monster himself? Well… he’s not really ready for that one. Cages is a deceptively easy to read page-turner concealing a deep coming of age story. How do we develop our own identities among a sea of external influences? Will we take on our parents’ neuroses? Our brothers’ lost dreams? Or… will we go wild?

    His wife and daughters were at home, stranded on the roof as zombies waited below. He would have to fight through hordes of undead, merciless other survivors, and a series of death defying stunts to get home. However, even if he makes it there, how can he be sure they're safe?Deadlocked puts you into David's head as he struggles to get home. Then a final confrontation occurs that will guarantee his family's survival, but at what cost?

    Before the sun has set, they have become more than just friends and allies—they are bonded as tightly as any two people who have been to war together. During their cross-Texas odyssey to find and rescue Jenni’s oldest son, Jenni discovers the joy of watching a zombie’s head explode when she shoots its brains out. Katie learns that she’s a terrific tactician—and a pretty good shot. A chance encounter puts them on the road to an isolated, fortified town, besieged by zombies, where fewer than one hundred people cling to the shreds of civilization. It looks like the end of the world. But Katie and Jenni and many others will do whatever they have to to stay alive. Run, fight, pick each other up when they stumble, fall in love…anything is possible at the end of the world.

    In Doors of His Face, The Lamps of His Mouth, Zelazny's rare ability to mix the dream-like, disturbing imagery of fantasy with the real-life hardware of science fiction is on full display. His vivid imagination and fine prose made him one of the most highly acclaimed writers in his field.Contents:· The Doors of His Face, the Lamps of His Mouth · nv F&SF Mar ’65 · The Keys to December · nv New Worlds Aug ’66 · Devil Car [Sam Nurdock] · ss Galaxy Jun ’65 · A Rose for Ecclesiastes · nv F&SF Nov ’63 · The Monster and the Maiden · vi Galaxy Dec ’64 · Collector’s Fever · vi Galaxy Jun ’64 · This Mortal Mountain · nv If Mar ’67 · This Moment of the Storm · nv F&SF Jun ’66 · The Great Slow Kings · ss Worlds of Tomorrow Dec ’63 · A Museum Piece · ss Fantastic Jun ’63 · Divine Madness · ss Magazine of Horror Sum ’66 · Corrida · ss Anubis v1 #3 ’68 · Love Is an Imaginary Number · ss New Worlds Jan ’66 · The Man Who Loved the Faioli · ss Galaxy Jun ’67 · Lucifer · ss Worlds of Tomorrow Jun ’64

    Standing in the control room, there to take over the running of it from his father, Mark quickly realises this is more than a handover. He's about to find out that Eden has secrets. Dark secrets. Secrets that reveal the truth about the apocalypse. Secrets that change the way he looks at his father forever. Secrets that change the way he looks at everything forever. What the reviewers say about Eden: “Eden is deep, dark, and thought provoking.” “The plot and pacing are wonderfully constructed, and the characters’ emotions come through incredibly clearly.” “… stop wasting time reading the awesome reviews, grab this book, and see for yourself. You won’t be disappointed!” “It ran the gamut of emotions; anger, surprise, shock and heartbreak. I was in tears at the end of the story.” “Two thumbs up!” “You need to read this, like, now.” “I could not have asked for a better glimpse into this under-utilised facet of the zombie apocalypse.”