Claire believes she has everything under control until she meets “Brent” online. Brent appears to be a kindred spirit, and Claire is initially flattered by his attention. But when she meets Max, the awkward state senator’s son, her feelings become complicated.Max, also seventeen, has been working the worst summer job ever at the beachside Snack Shack. He’s also been popping painkillers. His parents—more involved in his father’s re-election than in their son’s life—fail to see what’s going on with him.Working alongside Max is Barkley, twenty-one. Lonely and obsessive, Barkley has been hearing a voice in his head. No one—not his parents, not his co-workers—realizes that Barkley is suffering from paranoid schizophrenia. Until the voice in his head orders him to take out his gun.Narrated in turns by Claire, Max, and Barkley, Before My Eyes captures a moment when possibilities should be opening up, but instead everything teeters on the brink of destruction.

    But then one day she hears of a criminal, Stuart Harris, locked up on death row in Texas. Like Zoe, Stuart is no stranger to secrets. Or lies. Or murder.Full of heartache yet humour, Zoe tells her story in the only way she can—in letters to the man in prison in America. Armed with a pen, Zoe takes a deep breath, eats a jam sandwich, and begins her tale of love and betrayal.

    So what better way to repair their broken relationship than to trick them into taking a trip to Italy together? Soon, though, their parents’ perfect solution has become Danny and Elijah’s nightmare as they’re forced to spend countless hours together. But then Elijah meets Julia, and soon the brothers aren’t together nearly as much. And then Julia meets Danny and soon all three of them are in a mixed-up, turned-around, never-what-you-expect world of brothers, Italy, and love.Are We There Yet? isn’t about a place on a map, it’s about a place in the heart. David Levithan has written a magical story of a journey definitely worth taking.

    In her life. And now in an eating-disorder treatment center on the dusty outskirts of the New Mexico desert. Life in the center is regimented and intrusive, a nightmare come true. Nurses and therapists watch Stevie at mealtime, accompany her to the bathroom, and challenge her to eat the foods she’s worked so hard to avoid. Her dad has signed her up for sixty days of treatment. But what no one knows is that Stevie doesn't plan to stay that long. There are only twenty-seven days until the anniversary of her brother Josh’s death—the death she caused. And if Stevie gets her way, there are only twenty-seven days until she too will end her life.

    She eats lunch with the other girls from the track team, but they're not really her friends. Mostly she spends her time watching Ethan Gray from a distance, wishing he would finally notice her, and avoiding the popular girls who call her "Choker" after a humiliating incident in the cafeteria. Then one day Cara comes home to find Zoe waiting for her. Zoe's on the run from problems at home, and Cara agrees to help her hide. With her best friend back, Cara's life changes overnight. Zoe gives her a new look and new confidence, and next thing she knows, she's getting invited to parties and flirting with Ethan. Best of all, she has her BFF there to confide in. But just as quickly as Cara's life came together, it starts to unravel. A girl goes missing in her town, and everyone is a suspect—including Ethan. Worse still, Zoe starts behaving strangely, and Cara begins to wonder what exactly her friend does all day when she's at school. You're supposed to trust your best friend no matter what, but what if she turns into a total stranger?

    At least that's what Violet and her younger brother, Sam, were always told. When the Lyric sank off the coast of Maine, their great-great-great-grandmother didn't drown like the rest of the passengers. No, Fidelia swam to shore, fell in love, and founded Lyric, Maine, the town Violet and Sam returned to every summer.But wrecks seem to run in the family. Tall, funny, musical Violet can't stop partying with the wrong people. And, one beautiful summer day, brilliant, sensitive Sam attempts to take his own life.Shipped back to Lyric while Sam is in treatment, Violet is haunted by her family's missing piece—the lost shipwreck she and Sam dreamed of discovering when they were children. Desperate to make amends, Violet embarks on a wildly ambitious mission: locate the Lyric, lying hidden in a watery grave for over a century.She finds a fellow wreck hunter in Liv Stone, an amateur local historian whose sparkling intelligence and guarded gray eyes make Violet ache in an exhilarating new way. Whether or not they find the Lyric, the journey Violet takes—and the bridges she builds along the way—may be the start of something like survival.

    Allie feels betrayed. The two made a pact that they'd always be together, in life, and in death, but Leah broke her promise and Allie needs to know why. Her parents hover. Her friends try to support her. And Nick, sweet Nick, keeps calling and flirting. Their sympathy only intensifies her grief. But the more she clings to Leah, the more secrets surface. Allie's not sure which is more distressing: discovering the truth behind her sister's death or facing her new reality without her.

    With its powerful narrative, unconventional point of view, and strong anti-bullying theme, this coming-of-age story offers smart, insightful, and nuanced views on high school society, toxic friendships, and family relationships.Emma Putnam is dead, and it's all Sara Wharton's fault. At least, that's what everyone seems to think. Sara, along with her best friend and three other classmates, has been criminally charged for the bullying and harassment that led to Emma's shocking suicide. Now Sara is the one who's ostracized, already guilty according to her peers, the community, and the media. In the summer before her senior year, in between meetings with lawyers and a court-recommended therapist, Sara is forced to reflect on the events that brought her to this moment—and ultimately consider her own role in an undeniable tragedy.And she'll have to find a way to move forward, even when it feels like her own life is over.

    It's about families, friendships, and carefully preserved secrets. But above everything else it's about love. Finding love - in any of its forms - and nurturing it.Miss Hayes has a new theory. She thinks my condition's caused by some traumatic incident from my past I keep deep-rooted in my mind. As soon as I come clean I'll flood out all these tears and it'll all be ok and I won't be scared of Them anymore. The truth is I can't think of any single traumatic childhood incident to tell her. I mean, there are plenty of bad memories - Herb's death, or the time I bit the hole in my tongue, or Finners Island, out on the boat with Sarah - but none of these are what caused the phobia. I've always had it. It's Them. I'm just scared of Them. It's that simple.

    So when her mother is killed in a sudden and violent manner, Dani goes into an even deeper protection mode, total numbness. It’s the only way she can go on.But when Dani chooses The Stranger by Albert Camus as summer reading for school, it feels like fate. The main character’s alienation after his mother’s death mirrors her own.Dani’s life is thrown into further turmoil when she is sent to New Mexico to live with an aunt she never knew she had. The awkwardness between them is palpable. To escape, Dani takes long walks in the merciless heat. One day, she meets Paulo, who understands how much Dani is hurting. Although she is hesitant at first, a mutual trust and affection develop between Dani and Paulo, and Dani begins to heal. And as she and her aunt begin to connect, Dani learns about her mother’s past. Forgiving isn’t easy, but maybe it’s the only way to move forward.

    Ever since her reckless older brother, Nate, died in a car crash, Cora has felt suffocated by her small town and high school. She seeks solace in drawing beautiful maps, envisioning herself in exotic locales. When Cora begins to fall for Damian, the handsome, brooding boy who was in the car with Nate the night he died, she uncovers her brother's secret artistic life and realizes she had more in common with him than she ever imagined. With stunning lyricism, Sandell weaves a tale of one girl's journey through the redemptive powers of art, friendship, and love. They say no land remains to be discovered, no continent is left unexplored. But the whole world is out there, waiting, just waiting for me. I want to do things-I want to walk the rain-soaked streets of London, and drink mint tea in Casablanca. I want to wander the wastelands of the Gobi desert and see a yak. I think my life's ambition is to see a yak. I want to bargain for trinkets in an Arab market in some distant, dusty land. There's so much. But, most of all, I want to do things that will mean something.

    He can’t tell his lifelong best friend, Tabby, how he really feels about her; his promising basketball skills are being overshadowed by his attitude on the court, and the only place he feels normal is in English class, where he can express his inner thoughts in quirky poems and essays. Matt is desperately hoping that Tabby will reciprocate his feelings; but then Tabby starts dating Liam Branson, senior basketball star and all-around great guy. Losing Tabby to Branson is bad enough; but, as Matt soon discovers, he’s close to losing everything that matters most to him.

    Shot trying to stop him, Valerie inadvertently saved the life of a classmate, but was implicated in the shootings because of the list she helped create. A list of people and things she and Nick hated. The list he used to pick his targets.Now, after a summer of seclusion, Val is forced to confront her guilt as she returns to school to complete her senior year. Haunted by the memory of the boyfriend she still loves and navigating rocky relationships with her family, former friends and the girl whose life she saved, Val must come to grips with the tragedy that took place and her role in it, in order to make amends and move on with her life.

    He hates his violent mother. He hates his home. Most of all, he hates the piano that his mother forces him to play hour after hour, day after day. He will never play as she did before illness ended her career and left her bitter and broken. But Beck is too scared to stand up to his mother, and tell her his true passion, which is composing his own music - because the least suggestion of rebellion on his part ends in violence.When Beck meets August, a girl full of life, energy and laughter, love begins to awaken within him and he glimpses a way to escape his painful existence. But dare he reach for it?

    Some girls act out by sleeping with guys. Some girls act out by starving themselves or cutting themselves. Some girls act out by being a bitch to other girls.Not Kelleigh. Kelleigh steals cars.In How to Steal a Car, National Book Award winner Pete Hautman takes teen readers on a thrilling, scary ride through one suburban girl's turbulent life - one car theft at a time.