Never has one been more delicious than Pewter Angels, and for the first time in memory I could not resist a second helping. Indeed, I read it twice, each time more than satisfying."Wendy Ward--Author and CEO, Davis-Ward Centre for People Excellence.----------------------------------------------------------------------------------------------------------------- Pewter Angels, book one of the Angelic Letters Series, begins the epic saga of life, love, angels and miracles. The story follows the lives of Henry Pederson and Jenny Sarsky from the moment they meet as two fifteen-year-olds in the summer of 1956, over a span of four decades and seven books. Falling in love instantly the moment their eyes meet, Henry and Jenny's dramatic bond is aided along the way by their guardian angels, creating a powerful spirit filled connection between them that withstands the test of time.Mr. Engelmann, an endearing, wise and spirit filled mentor, comes into Henry’s life, providing him with powerful insights and valuable life lessons that carry strength, wisdom and hope. As so many readers have shared, we should all be so fortunate as to have someone like him in our lives. You will be compelled to live and breathe with the other characters too. They are so real that their sadness, tears and joys fly off the pages and become ever entrenched in your mind and heart. The Angelic Letters Series becomes an experience readers will never forget. It is so much more than a captivating love story. It is deeply inspiring and glows with moments of tenderness, a story that’s difficult to put down – with an ending that surprises and satisfies beyond the reader’s most wishful imaginings, an ending only angels could bring about. Come, join the family of characters. Once the book is open, the journey has begun. Pewter Angels will swell your heart; you will hug the pages to your chest with each reading! Pewter Angels - Gold Medal Winner of both the Independent Publishers Book Award and Living Now Book Award. Pewter Angels was also listed in the Toronto Globe and Mail top ten bestselling books in Canada.

    This analysis pulls no punches as it describes both the problem and what can be done to stop it. Analyzing the increasing rates of stress, depression, and obesity as possible effects of the consumption binge currently gripping the Western world, this report tracks how Australians overwork, the growing number of things thrown out, self-medicated drugs, and the real meaning of the word choice.

    A provocative, compelling, and entertaining look at how the power of images dominates every aspect of our lives.

    And though we ignore them, we know they point us to realms of wisdom or even mystery-to something "more."Author Mark Buchanan asked these same questions. "I want more, God," he prayed-and the answer was more than he was looking for. It was right there, hidden in plain sight among the syllables and syntax of a few words of advice from the apostle Peter. With time and experience, Buchanan learned to tease it out, this secret of more, and he wrote a book about it: "Hidden in Plain Sight." The answer, he discovered, is an investigation of the cross. The answer is an excavation of the virtues. The answer urges us passionately to "make every effort." And, Buchanan tells us, the answer is worth it.

    Judith Halberstam proposes “low theory” as a mode of thinking and writing that operates at many different levels at once. Low theory is derived from eccentric archives. It runs the risk of not being taken seriously. It entails a willingness to fail and to lose one’s way, to pursue difficult questions about complicity, and to find counterintuitive forms of resistance. Tacking back and forth between high theory and low theory, high culture and low culture, Halberstam looks for the unexpected and subversive in popular culture, avant-garde performance, and queer art. She pays particular attention to animated children’s films, revealing narratives filled with unexpected encounters between the childish, the transformative, and the queer. Failure sometimes offers more creative, cooperative, and surprising ways of being in the world, even as it forces us to face the dark side of life, love, and libido.

    She writes about her feelings in her diary, addressing her father and mother who died when she was five. Then her uncle loses several fingers at the weaving machine leaving him unable to work, and money is very tight. Can Flora help her aunt and uncle survive?

    In About Looking he explores our role as observers to reveal new layers of meaning in what we see. How do the animals we look at in zoos remind us of a relationship between man and beast all but lost in the twentieth century? What is it about looking at war photographs that doubles their already potent violence? How do the nudes of Rodin betray the threats to his authority and potency posed by clay and flesh? And how does solitude inform the art of Giacometti? In asking these and other questions, Berger quietly -- but fundamentally -- alters the vision of anyone who reads his work.

    Offering bold new ways of conceiving the present, Lauren Berlant describes the cruel optimism that has prevailed since the 1980s, as the social-democratic promise of the postwar period in the United States and Europe has retracted. People have remained attached to unachievable fantasies of the good life—with its promises of upward mobility, job security, political and social equality, and durable intimacy—despite evidence that liberal-capitalist societies can no longer be counted on to provide opportunities for individuals to make their lives “add up to something.”Arguing that the historical present is perceived affectively before it is understood in any other way, Berlant traces affective and aesthetic responses to the dramas of adjustment that unfold amid talk of precarity, contingency, and crisis. She suggests that our stretched-out present is characterized by new modes of temporality, and she explains why trauma theory—with its focus on reactions to the exceptional event that shatters the ordinary—is not useful for understanding the ways that people adjust over time, once crisis itself has become ordinary. Cruel Optimism is a remarkable affective history of the present.

    There is no more proper instrument of analysis of our contemporary myths than this book—one of the most significant works in French theory, and one that has transformed the way readers and philosophers view the world around them.Our age is a triumph of codification. We own devices that bring the world to the command of our fingertips. We have access to boundless information and prodigious quantities of stuff. We decide to like or not, to believe or not, to buy or not. We pick and choose. We think we are free. Yet all around us, in pop culture, politics, mainstream media, and advertising, there are codes and symbols that govern our choices. They are the fabrications of consumer society. They express myths of success, well-being, and happiness. As Barthes sees it, these myths must be carefully deciphered, and debunked.What Barthes discerned in mass media, the fashion of plastic, and the politics of postcolonial France applies with equal force to today's social networks, the iPhone, and the images of 9/11. This new edition of Mythologies, complete and beautifully rendered by the Pulitzer Prize–winning poet, critic, and translator Richard Howard, is a consecration of Barthes's classic—a lesson in clairvoyance that is more relevant now than ever.

    From its publication amid the social upheavals of the 1960s up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism and everyday life in the late twentieth century. Now finally available in a superb English translation approved by the author, Debord's text remains as crucial as ever for understanding the contemporary effects of power, which are increasingly inseparable from the new virtual worlds of our rapidly changing image/information culture.

    Our stories, ideas, and innovations--in a word, our "culture"--can be recorded and passed on to future generations. Our enduring culture and restless curiosity have enabled us to invent powerful information technologies that give us invaluable perspective on our past and define our future. Today, we stand at the very edge of a vast, uncharted digital landscape, where our collective memory is stored in ephemeral bits and bytes and lives in air-conditioned server rooms. What sources will historians turn to in 100, let alone 1,000 years to understand our own time if all of our memory lives in digital codes that may no longer be decipherable?In When We Are No More Abby Smith Rumsey explores human memory from pre-history to the present to shed light on the grand challenge facing our world--the abundance of information and scarcity of human attention. Tracing the story from cuneiform tablets and papyrus scrolls, to movable type, books, and the birth of the Library of Congress, Rumsey weaves a compelling narrative that explores how humans have dealt with the problem of too much information throughout our history, and indeed how we might begin solve the same problem for our digital future. Serving as a call to consciousness, When We Are No More explains why data storage is not memory; why forgetting is the first step towards remembering; and above all, why memory is about the future, not the past."If we're thinking 1,000 years, 3,000 years ahead in the future, we have to ask ourselves, how do we preserve all the bits that we need in order to correctly interpret the digital objects we create? We are nonchalantly throwing all of our data into what could become an information black hole without realizing it." --Vint Cerf, Chief Evangelist at Google, at a press conference in February, 2015.

    John’s neighbourhood after fourteen years in prison, he is swarmed by old friends and enemies, and a wife who hasn’t exactly been waiting for him. A cruel twist of fate has made Myrden famous: any wrongfully accused man released after such a lengthy incarceration is soon to be rich.He clings to his young granddaughter and an old love, hoping his coming settlement can free them from the cycles of revenge and failure that have marked his life. But old scores are not so easily left unsettled.Written in abrupt prose that brilliantly reflects Myrden’s cautious evaluation of everyone and everything in the overwhelming outside world, Inside pulls the reader forward with the quiet, creeping gravity of Greek tragedy. It is a story about the best kind of friend, the life a man can’t believe he deserves and the value of trying, no matter how doomed he seems to fail, to bring hope into the lives of those still worth loving.From the Hardcover edition.

    In this startling look at evil behavior, a UCLA sociologist tries to get inside the criminal psyche to understand what it means or feels, signifies, sounds, tastes, or looks like to do any particular crime.

    These touching stories of Christmas offer a glimpse into each girl’s diary a year after the events of their original diary.

    Robert Bothwell is a professor of history and director of the International Relations Programme at the University of Toronto.