Eliot Prize 2021.The female body is a political space. C+nto enters the private lives of characters from the butch counterculture, telling the inside story of the protests these women led to reclaim their bodies as their own - for self-expression and against hatred. History, magic, rebellion, party and sermon vibrate through Joelle Taylor's cantos, which celebrate these underground communities throughout the '90s.

    Must she really drink eight glasses of water a day to stay hydrated? Does the word "rape" apply to what happened to her? Why is the etiquette of the women's bathroom so fraught? Does the colleague who keeps offering to make her tea know something? And why can't she stop scratching?Fiercely moving and slyly profound, little scratch is a fearless and defiantly playful look at how our minds function in-- and survive--the darkest moments.

    The light draws you in where you will find Caitlyn there digging. When you get close enough, she'll lean in & whisper, Baby, buried things will surface no matter what, get to them before they get to you first. Her unbounded love will propel you to pick up a shovel & help- even though the only thing you want to do is kiss her lips, kiss her hands, kiss every one of her stretch marks & the fire that is raging in pit of her stomach. She'll see your eyes made of devour & sadness, she'll hug you & say, Baby, if you eat me alive, I will cut my way out of your stomach. Don't let this be your funeral. Teach yourself to navigate the wound.

    If you've not been alone much or if, when you were, you weren't okay with it then just wait...Since its debut on YouTube, Tanya Davis's beautiful and perceptive poem, How to Be Alone, visually realized by artist and filmmaker Andrea Dorfman, has become an international sensation. Her wise and perceptive words, vivid in their evocation of solitude's beauty and calm, have touched millions. Now her poem's deep eloquence and compelling illustrations have been adapted for the page in this beautiful, meditative volume, a keepsake to treasure and to share. From a solitary walk in the woods to sitting unaccompanied on a city park bench to eating a meal and even dancing alone, Tanya reveals the possibilities and joys waiting to be discovered when we engage in activities on our own. As she soothes the disquietude that accompanies the fear of aloneness, and celebrates the power of solitude to change how we see ourselves and the world, Tanya reavels how, removed from the noise and distractions of other lives, we can find acceptance and grace within.For those who have never been by themselves and those who feel lost or lonely on their own, this moving work encourages us to recognize and embrace the possibilities of being alone-and reminds us of a universe of joy, peace, and discovery waiting to unfold.

    And someone will die.#1 New York Times bestselling author Ellen Hopkins tackles gun violence and white supremacy in this compelling and complex novel.People kill people. Guns just make it easier.A gun is sold in the classifieds after killing a spouse, bought by a teenager for needed protection. But which was it? Each has the incentive to pick up a gun, to fire it. Was it Rand or Cami, married teenagers with a young son? Was it Silas or Ashlyn, members of a white supremacist youth organization? Daniel, who fears retaliation because of his race, who possessively clings to Grace, the love of his life? Or Noelle, who lost everything after a devastating accident, and has sunk quietly into depression?One tense week brings all six people into close contact in a town wrought with political and personal tensions. Someone will fire. And someone will die. But who?

    'Kalopsia' is filled with brand-new quotes and poems about life, love, truth and the journey of being imperfectly human. Often compared to R.M Drake and Christopher Poindexter, Andrea Michelle writes with an elegance sure to touch the heart and soul. Kalopsia is the first book in the Beautiful Words series. The sequel, Meraki, is available on Amazon now! Take action now and download Kalopsia for free! More Books by Andrea Michelle: Meraki Between Sips www.andreamichelleofficial.com www.instagram.com/andrea.michelle.off...

    Whether illuminating a common laborer or a legendary thinker, Dubie meets his subjects with utter compassion for their humanity and the dignity behind their creative work. In pursuit of the well-told story, his love of history is ever-present—though often he recreates his own.“With its restoration of so many out-of-print poems and its addition of new works, The Mercy Seat was one of last year’s most significant publications.” —American Book Review“The voices of Dubie’s monologues are full of astonishing intimacy.” —The Washington Post Book World

    He's spent every day in a hospital hooked up to machines to keep his heart ticking. Then when a donor match is found for Jonny's heart, that turns out to be the cruellest irony of all. Because for Jonny's life to finally start, someone else's had to end. That someone turns out to be Neve's twin brother, Leo. When Leo was alive, all Neve wanted was for him (and all his glorious, overshadowing perfection) to leave. Now that Leo's actually gone forever, Neve has no idea how to move forward. Then Jonny walks into her life looking for answers, her brother's heart beating in his chest, and everything starts to change. Together, Neve and Jonny will have to face the future, no matter how frightening it is, while also learning to heal their hearts, no matter how much it hurts.

    She knows that fearing everything from inland tsunamis to odd numbers is irrational, but her mind insists the world outside is too big, too dangerous. So she stays safe inside, watching others’ lives through her windows and social media feed.But when Luke arrives on her doorstep, he doesn’t see a girl defined by medical terms and mental health. Instead, he sees a girl who is funny, smart, and brave. And Norah likes what he sees.Their friendship turns deeper, but Norah knows Luke deserves a normal girl. One who can walk beneath the open sky. One who is unafraid of kissing. One who isn’t so screwed up. Can she let him go for his own good—or can Norah learn to see herself through Luke’s eyes?

    Stephansson Award for PoetryWith a title derived from John A. Macdonald’s moniker for the Métis, The Pemmican Eaters explores Marilyn Dumont’s sense of history as the dynamic present. Combining free verse and metered poems, her latest collection aims to recreate a palpable sense of the Riel Resistance period and evoke the geographical, linguistic/cultural, and political situation of Batoche during this time through the eyes of those who experienced the battles, as well as through the eyes of Gabriel and Madeleine Dumont and Louis Riel.Included in this collection are poems about the bison, seed beadwork, and the Red River Cart, and some poems employ elements of the Michif language, which, along with French and Cree, was spoken by Dumont’s ancestors. In Dumont’s The Pemmican Eaters, a multiplicity of identities is a strengthening rather than a weakening or diluting force in culture.

    The shamed are people like us - people who, say, made a joke on social media that came out badly, or made a mistake at work. Once their transgression is revealed, collective outrage circles with the force of a hurricane and the next thing they know they're being torn apart by an angry mob, jeered at, demonized, sometimes even fired from their job. People are using shame as a form of social control.

    I can no longer grab beauty by her wrists and demand articulation or meaning. I can only take account of where things touch.Part lyric essay, part prose poetry, Where Things Touch: A Meditation on Beauty grapples with the manifold meanings and possibilities of beauty. Drawing on her experiences as a physician-in-training, Orang considers clinical encounters and how they relate to the concept and very idea of beauty. Such considerations lead her to questions about intimacy, queerness, home, memory, love, and other aspects of human experience. Throughout, beauty is ultimately imagined as something inextricably tied to care: the care of lovers, of patients, of art and literature, and the various non-human worlds that surround us.Eloquent and meditative in its approach, beauty, here, beyond base expectations of frivolity and superficiality, is conceived of as a thing to recover. Where Things Touch is an exploration of an essential human pleasure, a necessary freedom by which to challenge what we know of ourselves and the world we inhabit.

    She’s not expecting to meet anyone, and is caught off guard by the attraction she feels for Rachel, the co-owner of a local restaurant. That initial spark is dampened, however, when Lisa learns that Rachel has a young son.Rachel Murray has worked to build a good life, but raising Declan hasn’t been without its challenges. Each day when Rachel picks him up from school, she says a silent prayer that he will be waiting for her in his classroom, and not in the principal’s office because of his disruptive behavior.Despite her grief, Lisa finds herself drawn to both Rachel and Declan. She believes she can keep her emotions at bay—keep from drowning in grief and keep from falling in love—but she finds both to be a tidal wave washing over her and sweeping her off her feet.For Lisa, tears may be the silent language of her grief, but the love she feels for Rachel and Declan has the power to become the resounding song of hope—if she allows herself to hear it.

    Overrun with paranoia, teenage angst, and religious zeal in the massacre's wake, this sleepy suburban neighborhood declares its saints, brands its demons, and moves on. But for a handful of people still reeling from that horrific day, life remains permanently derailed. Four dramatically different characters tell their stories: Cheryl, who calmly narrates her own death; Jason, the boy no one knew was her husband, still marooned ten years later by his loss; Heather, the woman trying to love the shattered Jason; and Jason's father, Reg, whose rigid religiosity has separated him from nearly everyone he loves. Hey Nostradamus! is an unforgettable portrait of people wrestling with spirituality and with sorrow and its acceptance.

    The poems’ subject is the natural world, but their images would never occur in nature. This book is serious and funny at the same time, like a big grave with a clown lying in it.