He says the only reality is this world of life and death, conflict and change, creation and destruction. For centuries, religious ideas have given meaning to life in the western world; but as they now collapse, humanity faces a grave crisis of nihilism and despair. The basic character of life in this world is to exhibit a primal tendency he calls "will to power." He glorifies those who are strong enough to face this reality: for they alone can live joyfully, without God and without any hope of ultimate salvation. The "overman" is his new ideal, the symbol of creativity incarnate. Man is fundamentally only an animal that has developed in an unusual way. Yet a "higher humanity" can emerge if the most talented, creative and strongest individuals flourish and prevail, rising above the life of the "common herd" that typifies mankind. Nietzsche rejects democratic ideals, believing that they ignore human differences and hinder the exceptionally talented. Conflict, mastery and creativity are essential to life and its development. The "will to power" brings about new forms of competition and superiority, as artists and other creative types pave the way for the "enhancement" of human life.

    Rarely do they even leave their own rooms, in which all of their needs are met by the Machine. The Machine allows the humans to communicate "ideas" with one another, which is essentially their only activity. It doesn't stop them from leaving their rooms, but they have little desire to do so anyway. They've started to believe the Machine is omnipotent and omniscient, not to be questioned. And when it begins to malfunction, they trust that it knows what it's doing--forgetting they invented it in the first place . . .From the author of A Passage to India, A Room with a View, and other classic novels, and a sixteen-time nominee for the Nobel Prize in Literature, this remarkable science fiction story, which was included in a Science Fiction Hall of Fame anthology, was published in 1909--yet becomes more relevant and thought-provoking with each passing day of the twenty-first century.

    Inside a survey of world history's greatest trials are the key insights to critical issues we still talk about today, including freedom of speech, the death penalty, religious freedom, and the meaning of equality.Join Professor Linder for these 24 lectures that investigate important legal cases from around the world and across the centuries. From the trials of Socrates in ancient Athens and Thomas More in Henry VIII's England to the Nuremburg Trials in the wake of World War II and the media frenzy of the O. J. Simpson murder case, you'll discover what each of these trials has to teach us about ourselves and our civilization.Professor Linder takes you back in time to revisit some of history's most famous trials from fresh perspectives that ground them in the evolution of human ideas of law and justice, including the Salem Witch Trials, and the Scopes "Monkey" Trial. You'll also encounter less familiar (but equally important) legal battles, including medieval trials by ordeal and the Trial of Giordano Bruno, which would impact the later trial of Galileo.For years, Professor Linder has studied the fascinating intersection between history and jurisprudence. Now he's crafted these lectures to share that fascination with you.

    And a very strange, very English obsession. But where did this fixation develop? And what does it tell us about ourselves?In The Art of the English Murder, Lucy Worsley explores this phenomenon in forensic detail, revisiting notorious crimes like the Ratcliff Highway Murders, which caused a nationwide panic in the early nineteenth century, and the case of Frederick and Maria Manning, the suburban couple who were hanged after killing Maria's lover and burying him under their kitchen floor. Our fascination with crimes like these became a form of national entertainment, inspiring novels and plays, prose and paintings, poetry and true-crime journalism. At a point during the birth of modern England, murder entered our national psyche, and it's been a part of us ever since.The Art of the English Murder is a unique exploration of the art of crime and a riveting investigation into the English criminal soul by one of our finest historians.

    

    In an uncompromising, often irreverent survey of the genre from Edgar Allan Poe to Philip K. Dick to Star Trek, Thomas M. Disch analyzes science fiction's impact on technological innovation, fashion, lifestyle, military strategy, the media, and much more. An illuminating look at the art of science fiction (with a practitioner's insight into craft), as well as a work of pointed literary and cultural criticism, The Dreams Our Stuff Is Made Of reveals how this "pulp genre" has captured the popular imagination while transforming the physical and social world in which we live.

    Together this dynamic pair begin their journey through space aided by quotes from The Hitch Hiker's Guide "A towel is about the most massively useful thing an interstellar hitchhiker can have" and a galaxy-full of fellow travellers: Zaphod Beeblebrox - the two-headed, three-armed ex-hippie and totally out to lunch president of the galaxy; Trillian, Zaphod's girlfriend (formally Tricia McMillan), whom Arthur tried to pick up at a cocktail party once upon a time zone; Marvin, a paranoid, brilliant and chronically depressed robot; Veet Voojagig, a former graduate student who is obsessed with the disappearance of all the ball-point pens he has bought over the years.

    From the sci-fi literature of Samuel Delany, Octavia Butler, and N. K. Jemisin to the musical cosmos of Sun Ra, George Clinton, and the Black Eyed Peas’ will.i.am, to the visual and multimedia artists inspired by African Dogon myths and Egyptian deities, the book’s topics range from the “alien” experience of blacks in America to the “wake up” cry that peppers sci-fi literature, sermons, and activism. With a twofold aim to entertain and enlighten, Afrofuturists strive to break down racial, ethnic, and social limitations to empower and free individuals to be themselves.

    Her house and her friends are picture-perfect. Even her genius husband, Maxon, has been trained to pass for normal. But when a fender bender on an average day sends her coiffed blonde wig sailing out the window, her secret is exposed. Not only is she bald, Sunny is nothing like the Stepford wife she’s trying to be. As her facade begins to unravel, we discover the singular world of Sunny, an everywoman searching for the perfect life, and Maxon, an astronaut on his way to colonize the moon. Theirs is a wondrous, strange relationship formed of dark secrets, decades-old murders and the urgent desire for connection. As children, the bald, temperamental Sunny and the neglected savant Maxon found an unlikely friendship no one else could understand. She taught him to feel -- helped him translate his intelligence for numbers into a language of emotion. He saw her spirit where others saw only a freak. As they grew into adults, their profound understanding blossomed into love and marriage. But with motherhood comes a craving for normalcy that begins to strangle Sunny’s marriage and family. As Sunny and Maxon are on the brink of destruction, at each other’s throats with blame and fear of how they’ve lost their way, Maxon departs for the moon, where he’s charged with programming the robots that will build the fledgling colony. Just as the car accident jars Sunny out of her wig and into an awareness of what she really needs, an accident involving Maxon’s rocket threatens everything they’ve built, revealing the things they’ve kept hidden. And nothing will ever be the same.

    From Gothic ghost stories to psychological horror to science fiction, women have been primary architects of speculative literature of all sorts. And their own life stories are as intriguing as their fiction. Everyone knows about Mary Shelley, creator of Frankenstein, who was rumored to keep her late husband’s heart in her desk drawer. But have you heard of Margaret “Mad Madge” Cavendish, who wrote a science-fiction epic 150 years earlier (and liked to wear topless gowns to the theater)? If you know the astounding work of Shirley Jackson, whose novel The Haunting of Hill House was reinvented as a Netflix series, then try the psychological hauntings of Violet Paget, who was openly involved in long-term romantic relationships with women in the Victorian era. You’ll meet celebrated icons (Ann Radcliffe, V. C. Andrews), forgotten wordsmiths (Eli Colter, Ruby Jean Jensen), and today’s vanguard (Helen Oyeyemi). Curated reading lists point you to their most spine-chilling tales.Part biography, part reader’s guide, the engaging write-ups and detailed reading lists will introduce you to more than a hundred authors and over two hundred of their mysterious and spooky novels, novellas, and stories.

    on July 16, 1969, the Apollo 11 rocket launched in the presence of more than a million spectators who had gathered to witness a truly historic event. It carried Neil Armstrong, Buzz Aldrin, and Mike Collins to the last frontier of human imagination: the moon. Rocket Men is the thrilling story of the moon mission, and it restores the mystery and majesty to an event that may have become too familiar for most people to realize what a stunning achievement it represented in planning, technology, and execution. Through interviews, twenty-three thousand pages of NASA oral histories, and declassified CIA documents on the space race, Craig Nelson re-creates a vivid and detailed account of the Apollo 11 mission. From the quotidian to the scientific to the magical, readers are taken right into the cockpit with Aldrin and Armstrong and behind the scenes at Mission Control. Rocket Men is the story of a twentieth-century pilgrimage; a voyage into the unknown motivated by politics, faith, science, and wonder that changed the course of history.

    More important, Britain's writers have long challenged readers with new ways of understanding an ever-changing world.This series of 48 fascinating lectures by an award-winning professor provides you with a rare opportunity to step beyond the surface of Britain's grand literary masterpieces and experience the times and conditions they came from and the diverse issues with which their writers grappled.The unique insights Professor Sutherland shares about how and why these works succeed as both literature and documents of Britain's social and political history can forever alter the way you experience a novel, poem, or play.More than just a survey, these lectures reveal how Britain's cultural landscape acted upon its literature and how, in turn, literature affected the cultural landscape. Professor Sutherland takes a historical approach to the wealth of works explored in these lectures, grounding them in specific contexts and often connecting them with one another.All the great writers that come to mind when you think of British literature are here, along with unique looks at their most popular and powerful works. You also enjoy the company of less-familiar voices and contemporary authors who continue to take literature into new territories.

    In Ender's Game, Andrew "Ender" Wiggin begins his life as the result of genetic experimentation created for the sole purpose of saving the earth from an alien race seeking to destroy all humankind.After three thousand years have passed, Ender Wiggin continues his destiny to win humanity's war. In part two of The Ender Wiggin Saga, Speaker for the Dead, Ender becomes known as Ender Xenocide: the man who killed an entire race of thinking, feeling beings -- the only other sapient race found in the galaxy, until Lusitania was discovered. Wiggin finds himself having to unravel the secrets of the Pequeninos and face the specter of war against an alien race once again, threatening the lives of sapient beings.The third episode of The Ender Wiggin Saga is Xenocide. The Starways Congress declares war on Descolada (a deadly virus that thrives on the three sapient races co-existing on the planet Lusitania) and sends a fleet to destroy Lusitania. Mysteriously, the fleet disappears, and only a young girl, who is one of the godspoken humans gifted with enhanced intelligence, can unlock the mystery.Now included for the first time is the fourth installment, Card's Children of the Mind. Lusitania is threatened by a fleet carrying planet-destroying weapons that were used by Ender thousands of years in the past, and Ender's oldest friend, Jane, a computer intelligence that evolved with him for over 3,000 years, has her power threatened by the Starways Congress. Ender's siblings, Peter and Valentine, created by Enderon his first trip Outside, have come to join in the battle to save Lusitania and Jane.The Ender Wiggin Saga unleashes a millenium-long epic tale of loyalty, conflict, and deadly games -- a science-fiction buff's treasure.

    Guelzo. Professor Guelzo, "formerly of Eastern University, is Henry R. Luce Professor of the Civil War Era and Professor of History at Gettysburg College. He holds an M.A. and a PhD. in hsitory from the University of Pennsylvania, an M.Div. from Philadelphia Theological Seminary, and an honorary doctorate in history from Lincoln College. His teaching awards include the American Library Association Choice Award. His book Abraham Lincoln: Redeemer President has won several prizes." (The Teaching Company)

    . . and then broke? How would you survive? Could you improve on humanity's original timeline? And how hard would it be to domesticate a giant wombat? With this book as your guide, you'll survive--and thrive--in any period in Earth's history. Bestselling author and time-travel enthusiast Ryan North shows you how to invent all the modern conveniences we take for granted--from first principles. This illustrated manual contains all the science, engineering, art, philosophy, facts, and figures required for even the most clueless time traveler to build a civilization from the ground up. Deeply researched, irreverent, and significantly more fun than being eaten by a saber-toothed tiger, How to Invent Everything will make you smarter, more competent, and completely prepared to become the most important and influential person ever.