Set mostly in Paris and Manhattan in the desperately glittering 1980s, it has the timeless depth and moral power of a fairy tale.As a teenager on the streets of San Francisco, Alison is discovered by a photographer and swept into the world of fashion-modeling in Paris and Rome. When her career crashes and a love affair ends disastrously, she moves to New York City to build a new life. There she meets Veronica—an older wisecracking eccentric with her own ideas about style, a proofreader who comes to work with a personal “office kit” and a plaque that reads “Still Anal After All These Years.” Improbably, the two women become friends. Their friendship will survive not only Alison’s reentry into the seductive nocturnal realm of fashion, but also Veronica’s terrible descent into the then-uncharted realm of AIDS. The memory of their friendship will continue to haunt Alison years later, when she, too, is aging and ill and is questioning the meaning of what she experienced and who she became during that time. Masterfully layering time and space, thought and sensation, Mary Gaitskill dazzles the reader with psychological insight and a mystical sense of the soul’s hurtling passage through the world. A novel unlike any other, Veronica is a tour de force about the fragility and mystery of human relationships, the failure of love, and love’s abiding power. It shines on every page with depth of feeling and formal beauty.

    Armed with the spirit of adventure and naïve optimism, the inhabitants of “Drop City” arrive in the wilderness of Alaska only to find their utopia already populated by other young homesteaders. When the two communities collide, unexpected friendships and dangerous enmities are born as everyone struggles with the bare essentials of life: love, nourishment, and a roof over one’s head. Rich, allusive, and unsentimental, T.C. Boyle’s ninth novel is a tour de force infused with the lyricism and take-no-prisoners storytelling for which he is justly famous.

    Rosemary begins her story in the middle. She has her reasons. “Until Fern’s expulsion...,” Rosemary says, “she was my twin, my funhouse mirror, my whirlwind other half and I loved her.” As a child, Rosemary never stopped talking. Then, something happened, and Rosemary wrapped herself in silence.In We Are All Completely Beside Ourselves, Karen Joy Fowler weaves her most accomplished work to date—a tale of loving but fallible people whose well-intentioned actions lead to heartbreaking consequences.

    Dreiser's unsparing story of a country girl's rise to riches as the mistress of a wealthy man marked the beginning of the naturalist movement in America. Both its subject matter and Dreiser's objective, nonmoralizing approach made it highly controversial, and only a heavily edited version could be published in 1900. In this restored version, the truly revolutionary nature of Sister Carrie is made fully evident.

    A delicious novel for fans of Tom Perrotta, Maria Semple, and Cynthia D'Aprix Sweeney about how sometimes the only way to move forward is to go back.David Hedges’s life is coming apart at the seams. His job helping San Francisco rich kids get into the colleges of their (parents’) choice is exasperating; his younger boyfriend has left him; and the beloved carriage house he rents is being sold. His solace is a Thai takeout joint that delivers 24/7.The last person he expects to hear from is Julie Fiske. It’s been decades since they’ve spoken, and he’s relieved to hear she’s recovered from her brief, misguided first marriage. To him.Julie definitely doesn’t have a problem with marijuana (she’s given it up completely, so it doesn’t matter if she gets stoned almost daily) and the Airbnb she’s running out of her seaside house north of Boston is neither shabby nor illegal. And she has two whole months to come up with the money to buy said house from her second husband before their divorce is finalized. She’d just like David’s help organizing college plans for her 17-year-old daughter.That would be Mandy. To quote Barry Manilow, Oh Mandy. While she knows she’s smarter than most of the kids in her school, she can’t figure out why she’s making so many incredibly dumb and increasingly dangerous choices.When David flies east, they find themselves living under the same roof (one David needs to repair). David and Julie pick up exactly where they left off thirty years ago―they’re still best friends who can finish each other’s sentences. But there’s one broken bit between them that no amount of home renovations will fix.In prose filled with hilarious and heartbreakingly accurate one-liners, Stephen McCauley has written a novel that examines how we define home, family, and love. Be prepared to laugh, shed a few tears, and have thoughts of your own ex-life triggered. (Throw pillows optional.)

    For all readers of Ian McEwan's Atonement or L P Hartley's The Go-Between.1970s Weston-Super-Mare and ten-year-old oddball Eustace, an only child, has life transformed by his mother's quixotic decision to sign him up for cello lessons. Music-making brings release for a boy who is discovering he is an emotional volcano. He laps up lessons from his young teacher, not noticing how her brand of glamour is casting a damaging spell over his frustrated and controlling mother.When he is enrolled in holiday courses in the Scottish borders, lessons in love, rejection, and humility are added to daily practice.Drawing in part on his own boyhood, Patrick Gale's new novel explores a collision between childish hero worship and extremely messy adult love lives.

    We drive at high speed along back roads, through woods, vineyards, and oat fields. The bike smells like gasoline and makes a lot of noise, and sometimes I’m frightened when the wheels slip on the gravel on the dirt road, but the only thing that matters is that I’m holding on to him, that I’m holding on to him outside.Just outside a hotel in Bordeaux, Philippe chances upon a young man who bears a striking resemblance to his first love. What follows is a look back at the relationship he’s never forgotten, a hidden affair with a gorgeous boy named Thomas during their last year of high school. Without ever acknowledging they know each other in the halls, they steal time to meet in secret, carrying on a passionate, world-altering affair.Dazzlingly rendered in English by Ringwald in her first-ever translation, Besson’s powerfully moving coming-of-age story captures the eroticism and tenderness of first love—and the heartbreaking passage of time.

    Tomorrow they must go their separate ways.So where will they be on this one day next year? And the year after that?And every year that follows?--back cover

    Decades later the bond remains powerful, but so much else has changed. In The Interestings, Wolitzer follows these characters from the height of youth through middle age, as their talents, fortunes, and degrees of satisfaction diverge. The kind of creativity that is rewarded at age fifteen is not always enough to propel someone through life at age thirty; not everyone can sustain, in adulthood, what seemed so special in adolescence. Jules Jacobson, an aspiring comic actress, eventually resigns herself to a more practical occupation and lifestyle. Her friend Jonah, a gifted musician, stops playing the guitar and becomes an engineer. But Ethan and Ash, Jules's now-married best friends, become shockingly successful—true to their initial artistic dreams, with the wealth and access that allow those dreams to keep expanding. The friendships endure and even prosper, but also underscore the differences in their fates, in what their talents have become and the shapes their lives have taken. Wide in scope, ambitious, and populated by complex characters who come together and apart in a changing New York City, The Interestings explores the meaning of talent; the nature of envy; the roles of class, art, money, and power; and how all of it can shift and tilt precipitously over the course of a friendship and a life.

    He studies queer theory, has a dyke best friend, makes zines, and is a flâneur with a rich dating life. But Paul’s also got a secret: he’s a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women’s Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco—a journey through the deep queer archives of struggle and pleasure.

    When news spreads of a high school teacher's relationship with his underage student, participants and observers alike soon take part in an elaborate show of concern and dismay. But beneath the surface of the teenage girls' display, there simmers a new awareness of their own power. They obsessively examine the details of the affair with the curiosity, jealousy, and approbation native to any adolescent girl, under the watchful eye of their stern and enigmatic saxophone teacher, whose focus may not be as strictly on their upcoming recital as she implies.

    He is determined to prove—to the subway bosses who have recently fired him, to his badgering, pregnant wife—“that the hours of his life belong to himself alone.” In the aftermath of the fire that follows, Sister St. Savior, an aging nun, appears, unbidden, to direct the way forward for his widow and his unborn child.We begin deep inside Catholic Brooklyn, in the early part of the twentieth century. Decorum, superstition, and shame collude to erase the man’s brief existence. Yet his suicide, although never spoken of, reverberates through many lives and over the decades—testing the limits and the demands of love and sacrifice, of forgiveness and forgetfulness, even through multiple generations.The characters we meet, from Sally, the unborn baby at the beginning of the novel, who becomes the center of the story, to the nuns whose personalities we come to know and love, to the neighborhood families with whose lives they are entwined, are all rendered with extraordinary sympathy and McDermott’s trademark lucidity and intelligence.Alice McDermott’s The Ninth Hour is a crowning achievement by one of the premiere writers at work in America today.

    But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Many years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters' storylines intersect?Weaving together multiple strands and generations of this family, from the Deep South to California, from the 1950s to the 1990s, Brit Bennett produces a story that is at once a riveting, emotional family story and a brilliant exploration of the American history of passing. Looking well beyond issues of race, The Vanishing Half considers the lasting influence of the past as it shapes a person's decisions, desires, and expectations, and explores some of the multiple reasons and realms in which people sometimes feel pulled to live as something other than their origins.

    Instead, he’s surfing the real estate listings, searching for a sanctuary—a nice farmhouse in Kansas, perhaps. Although James lives in twenty-first-century Manhattan, he’s more at home in the faraway worlds of Eric Rohmer or Anthony Trollope—or his favorite writer, the obscure and tragic Denton Welch. James’s sense of dislocation is exacerbated by his willfully self-absorbed parents, a disdainful sister, his Teutonically cryptic shrink, and an increasingly vague, D-list celebrity grandmother. Compounding matters is James’s growing infatuation with a handsome male colleague at the art gallery his mother owns, where James supposedly works at his summer job but where he actually plots his escape to the prairie.

    But in her version, Atwood brilliantly recasts the monster as Zenia, a villainess of demonic proportions, and sets her loose in the lives of three friends, Tony, Charis, and Roz. All three "have lost men, spirit, money, and time to their old college acquaintance, Zenia. At various times, and in various emotional disguises, Zenia has insinuated her way into their lives and practically demolished them. To Tony, who almost lost her husband and jeopardized her academic career, Zenia is 'a lurking enemy commando.' To Roz, who did lose her husband and almost her magazine, Zenia is 'a cold and treacherous bitch.' To Charis, who lost a boyfriend, quarts of vegetable juice and some pet chickens, Zenia is a kind of zombie, maybe 'soulless'" (Lorrie Moore, New York Times Book Review). In love and war, illusion and deceit, Zenia's subterranean malevolence takes us deep into her enemies' pasts.