Her first major event is a program presented by a retired homicide detective, Al Buckley, who claims he knows who murdered Laura Foster, a much-loved part-time library aide who was bludgeoned to death fifteen years earlier. As he invites members of the audience to share stories about Laura, he suddenly keels over and dies. The medical examiner reveals that poison is what did him in and Carrie feels responsible for having surged forward with the program despite pushback from her director. Driven by guilt, Carrie's determined to discover who murdered the detective, convinced it's the same man who killed Laura all those years ago. Luckily for Carrie, she has a friendly, knowledgeable ghost by her side. But as she questions the shadows surrounding Laura's case, disturbing secrets come to light and with each step Carrie takes, she gets closer to ending up like Al. Now it's due or die for Carrie in Death Overdue, the delightful first in a new cozy series by Allison Brook.

    New York City, 1910. Invisible until she’s needed, Jane Prescott has perfected the art of serving as a ladies’ maid to the city’s upper echelons. When she takes up a position with the Benchley family, dismissed by the city’s elite as “new money”, Jane realizes that while she may not have financial privilege, she has a power they do not—she understands the rules of high society. The Benchleys cause further outrage when their daughter Charlotte becomes engaged to notorious playboy Norrie, the son of the eminent Newsome family.But when Norrie is found murdered at a party, Jane discovers she is uniquely positioned—she’s a woman no one sees, but who witnesses everything; who possesses no social power, but that of fierce intellect—and therefore has the tools to solve his murder. There are many with grudges to bear: from the family Norrie was supposed to marry into, to the survivors of a tragic accident in a mine owned by the Newsomes, to the rising anarchists who are sick of those born into wealth getting away with anything they want. Jane also knows that in both high society and the city’s underbelly, morals can become cheap in the wrong hands: scandal and violence simmer just beneath the surface—and can break out at any time.

    Though at forty Claire’s a tad younger than their average age, her crafty reputation could perk up their patchwork proceedings, especially as they prepare for the fancy quilt show coming to town. But when they arrive at Claire’s home and find her dead inside the front door, and her exquisite, prize-winning quilts soon missing, Martha is not one to leave a mystery unraveled. Especially if she wants to stop a killer from establishing a deadly pattern…“Mary Marks had me on pins and needles and wanting to wrap myself up in a warm quilt while reading her cozy debut!” —Lee Hollis, author of Death of a Chocoholic“Mary Marks has stitched together a very clever plot with a cast of engaging characters in this funny, fast-paced debut mystery. I loved Martha Rose and her posse of crime-solving quilters and can’t wait to read what they’re up to next!” —Laura Levine, author of Killing Cupid

    Ever since her mother's tragic death, her father has mysteriously forbidden her from visiting her aunt and cousins. But on a whim, Alex accepts an invitation to visit her estranged relatives and to help them in their family business: an herbal apothecary known for its remarkably potent teas, salves, and folk remedies.Bellamy Bay doesn't look like trouble, but this is a town that harbors dark secrets. Alex discovers that her own family is at the center of salacious town gossip, and that they are rumored to be magical healers descended from mermaids. She brushes this off as nonsense until a local is poisoned and her aunt Lidia is arrested for the crime. Alex is certain Lidia is being framed, and she resolves to find out why.Alex's investigation unearths stories that some have gone to desperate lengths to conceal: forbidden affairs, family rivalries, and the truth about Alex's own ancestry. And when the case turns deadly, Alex learns that not only are these secrets worth hiding, but they may even be worth killing for.

    Railroaded into managing the local paranormal museum, she’s certain the rumors of its haunting are greatly exaggerated. But a new ghost may be on the loose. A fresh corpse in the museum embroils Maddie in murders past and present.With her high school bully as one of the officers in charge, Maddie doubts justice will be served. When one of her best friends is arrested, she’s certain it won’t be.Maddie grapples with ghost hunters, obsessed taxidermists, and the sexy motorcyclist next door as outside forces threaten. And as she juggles spectral shenanigans with the hunt for a killer, she discovers there truly is no place like home.

    It's a relaxing escape from her hectic life as a bookstore event manager . . . and from the stress of being Tarzana, California's latest murder suspect.For Molly, the weekly crochet group at Shedd & Royal Books and More was just another event to manage. Then she stumbled across the body of group leader Ellen Sheridan. Her complicated past with Ellen has made her a prime suspect, and after being cuffed and questioned, she could use a little diversion. Never mind that she doesn't know how to crochet. Granny squares don't look that hard to make.But while Molly's fending off a detective with a grudge and navigating crochet group politics, the real killer is at large. And it's up to Molly to catch the culprit--before she winds up in a tight knot.Delicious recipe and crochet pattern included!

    That was before she found the body of a woman with whom she had traded heated words the previous night, left her fingerprints on the murder weapon, and came under attack for trying to clear her name. When her cheating ex-fiance shows up, intent on convincing her to come back to work for him, Tess—armed with an extra batch of éclairs—decides to take control and solve the mystery herself, with the help of friends and frenemies alike. But will that be enough to save her when she gets too close and the killer decides it’s safer to get her out of the way?