Billions perished. The planet Earth was turned into a virtual graveyard, with the shattered, burned-out skeletons of great cities serving as tombstones marking Mankind’s demise. But in the United States, one final outpost remains. Ten years have passed, and Harmony Base, a subterranean U.S. Army installation that survived the nuclear inferno, has yet to receive any response to its continual radio transmissions. Long-range surface reconnaissance missions fail to locate any other survivors. Harmony’s personnel, a mix of military and civilian specialists, wonder if they are the only living beings left on the planet. Earthquake damage to the base’s vital power plant necessitates a different type of mission: the retrieval of spare parts from a storage depot in San Jose, 1,600 miles distant. Captain Mike Andrews and his crew set out across a Giger-inspired landscape blighted by lightning storms and deadly hazards that could swallow their all-terrain vehicles whole. The last thing Andrews expects to encounter in the nuked ruins of San Jose are survivors led by a twisted freak with mental powers off the scale... Harmony is America’s last chance to rise up from the ashes of the nuclear holocaust and help restore civilization. But only if Andrews and his crew can escape San Jose…and the madman who calls himself The Law.

    But when athletic Chloé suddenly drowns, Gabriel is left to grapple with the mysterious circumstances of her death. Brokenhearted, he pours out his grief in a bereavement group and is consoled by photographer Emma. While the two grow closer, Gabriel can’t help but feel Chloé’s presence everywhere he goes. And as revelations about Chloé slowly emerge, he begins to wonder, is Emma really that different?From prize-winning and bestselling author Amélie Antoine comes a dark and evocative novel that will keep readers guessing until the final moments—will Gabriel be able to move on with Emma, or will the mystery of Chloé’s death consume him?

    Disturbing news footage is flooding the cable news channels. People are worried. People are frightened. But Zed Zane is oblivious. Zed needs to borrow rent money from his parents. He gets up Sunday morning, drinks enough tequila to stifle his pride and heads to his mom’s house for a lunch of begging, again.But something is wrong. There's blood in the foyer. His mother's corpse is on the living room floor. Zed's stepdad, Dan is wild with crazy-eyed violence and attacks Zed when he comes into the house. They struggle into the kitchen. Dan's yellow teeth tear at Zed's arm but Zed grabs a knife and stabs Dan, thirty-seven times, or so the police later say.With infection burning in his blood, Zed is arrested for murder but the world is falling apart and he soon finds himself back on the street, fighting for his life among the infected who would kill him and the normal people, who fear him.

    Her pictures of the musicians and hangers on, the infamous, the damned, and the dead, got her into art galleries and a book deal. But thirty years later she is adrift, on her way down, and almost out. Then an old acquaintance sends her on a mercy gig to interview a famously reclusive photographer who lives on an island in Maine. When she arrives Downeast, Cass stumbles across a decades-old mystery that is still claiming victims, and into one final shot at redemption.

    Thousands of autonomous computer programs, or daemons, make our networked world possible, running constantly in the background of our lives, trafficking e-mail, transferring money, and monitoring power grids. For the most part, daemons are benign, but the same can't always be said for the people who design them. Matthew Sobol was a legendary computer game designer—the architect behind half-a-dozen popular online games. His premature death depressed both gamers and his company's stock price. But Sobol's fans aren't the only ones to note his passing. When his obituary is posted online, a previously dormant daemon activates, initiating a chain of events intended to unravel the fabric of our hyper-efficient, interconnected world. With Sobol's secrets buried along with him, and as new layers of his daemon are unleashed at every turn, it's up to an unlikely alliance to decipher his intricate plans and wrest the world from the grasp of a nameless, faceless enemy—or learn to live in a society in which we are no longer in control. . . . Computer technology expert Daniel Suarez blends haunting high-tech realism with gripping suspense in an authentic, complex thriller in the tradition of Michael Crichton, Neal Stephenson, and William Gibson.

    They hardly know each other, but that changes when they see the others coming back. Something has happened to them - something bad. Soon, only a pair of double doors stands between those on the bus and their ex-friends outside.

    But something goes terribly wrong on their way home, and the last time Zoë sees her, Holli is in the clutches of a sadistic killer. Zoë flees with her life, changed forever.A year later and still tortured with guilt, Zoë latches on to a police investigation where the crime eerily resembles her abduction. Along with a zealous detective, she retraces the steps of that fateful night in the desert, hoping that her memory will return and help them find justice for Holli. Her abductor—labeled the “Tally Man” by a fascinated media—lies in wait for Zoë. For him, she is not a survivor but simply the one that got away.With an unforgettable heroine, a chillingly disturbed psychopath, and a story that moves at breakneck speed, The One That Got Away is thriller writer Simon Wood at his finest.

    Determined to improve life for her and her son, Christopher, she flees an abusive relationship in the middle of the night with her child. Together, they find themselves drawn to the tight-knit community of Mill Grove, Pennsylvania. It's as far off the beaten track as they can get. Just one highway in, one highway out.At first, it seems like the perfect place to finally settle down. Then Christopher vanishes. For six long days, no one can find him. Until Christopher emerges from the woods at the edge of town, unharmed but not unchanged. He returns with a voice in his head only he can hear, with a mission only he can complete: Build a treehouse in the woods by Christmas, or his mother and everyone in the town will never be the same again.Twenty years ago, Stephen Chbosky's The Perks of Being a Wallflower made readers everywhere feel infinite. Now, Chbosky has returned with an epic work of literary horror, years in the making, whose grand scale and rich emotion redefine the genre. Read it with the lights on.

    And die. Joey Peacock knows this as well as anybody—he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city’s sidewalks.The subways are his playground and his highway, shuttling him throughout Manhattan to bleed the unsuspecting in the Sheep Meadow of Central Park or in the backseats of Checker cabs, or even those in their own apartments who are too hypnotized by sitcoms to notice him opening their windows. It’s almost too easy.Until one night he sees them hunting on his beloved subway. The children with the merry eyes. Vampires, like him…or not like him. Whatever they are, whatever their appearance means, the undead in the tunnels of Manhattan are not as safe as they once were.And neither are the rest of us.

    Here comes trouble, says Leonard, and he's right. She was always trouble, but she had this laugh when she was happy in bed that could win Hap over every time. Trudy has a proposition: an easy two hundred thousand dollars, tax-free. It's just a simple matter of digging it up ...Hap Collins and Leonard Pine, white and black, straight and gay, are the unlikeliest duo in crime fiction. Savage Season is their debut.

    Her son, Jeremy, is one of them.Increased natural disasters, onslaught of disease and other phenomena throws the world into chaos as it balances on the brink of extinction.With communications down, Mera gathers the courage and strength she needs to trek across a dying country in search of a daughter she desperately hopes is still alive.While en route to Seattle, Mera is joined by others on a similar mission. Their travels are not easy. Not only do they have to face nature’s roadblocks, they must combat the infected who have become their most deadly obstacle. More than just facing the physical and emotional challenges that test their survival, the group faces a journey that will take them much further than just a search for loved ones in a desolate world.

    He's become weathered and haunted by the harsh reality of his career yet continues on despite a crippling personal loss. But when one of the largest penitentiaries in Minnesota calls requesting an investigation into an inmate's brutal death, even his expertise is pushed to the limit.Singleton Penitentiary, located in the middle of an inhospitable swamp, has become an island amidst a torrential flood. The prisoners are silent, the staff is belligerent, and the murder committed in one of the solitary confinement cells is unimaginable.Cut off from the outside world and faced with insurmountable odds, Shale must uncover a secret stretching back half a century and race against time to save himself and perhaps all of humanity from an insidious threat, that may not be human.

    Physically exhausted and mentally drained, she’s also wracked with guilt over her unfinished dissertation—a thesis on mid-century children’s literature.Enter a new upstairs neighbor: the ghost of quixotic children’s book writer Margaret Wise Brown—author of the beloved classic Goodnight Moon—whose existence no one else will acknowledge. It seems Margaret has unfinished business with her former lover, the once-famous socialite and actress Michael Strange, and is determined to draw Megan into the fray. As Michael joins the haunting, Megan finds herself caught in the wake of a supernatural power struggle—and until she can find a way to quiet these spirits, she and her newborn daughter are in terrible danger.Using Megan’s postpartum haunting as a powerful metaphor for a woman’s fraught relationship with her body and mind, Julia Fine once again delivers an imaginative and “barely restrained, careful musing on female desire, loneliness, and hereditary inheritances” (Washington Post).