Celtic Britain reconstructs the peopling of Britain — through a study of genetics, climatology, archaeology, language, culture, and history — and overturns that myth and others. The Anglo-Saxons, who supposedly conquered the Celts, contributed only five to ten percent of the British gene pool. The "Atlantic Celts," long believed to have migrated to Britain from Central Europe around 300 BC during the Iron Age, can be linked genetically to the people of Basque country. And linguistic evidence suggests that, besides Celtic languages, a Germanic-type language similar to Norse was also spoken in Britain long before the arrival of the Anglo-Saxons. In this groundbreaking study, Stephen Oppenheimer explaines the surprising roots of the present-day cultural identities of the English, Irish, Scottish, and Welsh.

    He takes us with him on his own journey of discovery, making us see the astonishing sophistication and power of the paintings, telling us what is known about their creators, the Cro-Magnon people who settled the area some 40,000 years ago.Beginning in 1879 with Marcelino Sanz de Sautuola, who found the astonishing paintings on the ceiling of a cave at Altamira, Curtis takes us among the scholars of prehistory, the archaeologists, the art historians who devoted their lives to studying and writing about the paintings. Among them: the famous Abbé Henri Breuil, who lay on his back in damp caves lit only by a lantern held patiently aloft by his faithful—and silent—female assistant, to produce the exquisite tracings that are the most reproduced renderings of the art; Max Raphael, the art historian who first understood that the animals on the walls were not single portraits but part of larger compositions; the beautiful Annette Lamming-Emperaire, resistance fighter turned archaeologist, whose doctoral thesis was so important that all theory since has flowed from her work; Jean Clottes and others still working as new caves and information come to light. In his own search for the caves’ meaning, Curtis takes us through the major theories—that the art was part of fertility or hunting rituals, or used for religious or shamanistic purposes, or was clan mythology—examining the ways in which ethnography, archaeology, and religion have influenced the thinking about the cave paintings over time.The Cave Painters is rich in detail, personalities, and history—and permeated with the mystery at the core of this art created so many thousands of years ago by human beings who had developed, perhaps for the first time, both the ability for abstract thought and a profound and beautiful way to express it.

    Her face has become one of the most recognizable images in the world. She was an independent woman and thinker centuries before her time. But who was Egypt's Queen Nefertiti?After years of intense research, Dr. Joann Fletcher has answered the questions countless researchers before her could not. While studying Egyptian royal wigs, she read a brief mention of an unidentified and mummified body, discovered long ago and believed to belong to an Egyptian of little importance. This body happened to have a wig, which Dr. Fletcher knew was a clear sign of power. After examining the hairpiece and the woman to which it belonged, to the astonishment of her colleagues she identified this body as the missing remains of Queen Nefertiti.The search for Nefertiti had ended. She had been found. But the questions were just beginning.Nefertiti first rose to prominence in Egyptology in 1912, when a three-thousand-year-old bust of the queen was unearthed and quickly became a recognizable artifact around the world. But pieces of Nefertiti's life remained missing. The world had seen what she looked like, but few knew about her place in history.Virtually nothing is recorded about Nefertiti's early years. What is known about her life starts with her rise to power, her breaking through the sex barrier to rule as a virtual co-Pharaoh alongside her husband, Akhenaten. Upon his death she took full control of his kingdom. The Egyptian people loved her and celebrated her beauty in art, but the priests did not feel the same way. They believed Nefertiti's power over her husband was so great that she would instill her monotheistic beliefs upon him, rendering their own power obsolete. Egyptologists concur that it was these priests who, upon Nefertiti's death, had her name erased from public record and any likeness of her defaced. This ultimately led to her being left out of history for three thousand years.In The Search for Nefertiti Dr. Fletcher, an esteemed Egyptologist, traces not only her thirteen-year search for this woman, whose beauty was as great as her power, but also brings to the forefront the way Egypt's royal dead have been treated over time by people as varied as Agatha Christie and Adolf Hitler. She also explores how modern technology and forensics are quickly changing the field of archaeology and, in turn, what we know about history.

    Home to humanities greatest philosophers like Socrates, Aristotle and Plato, this era is enriched with a wealth of fascinating events. Spanning over a period of seven centuries and reigning over large territories stretching as far as Southwest Asia and the entire Mediterranean, the kingdoms of Greece were able to imbue half the world with their beautiful culture, art, literature and innovative thinking. Inside you will learn about… ✓ The Rise of Ancient Greece ✓ Archaic Greece ✓ Classical Greece ✓ Hellenistic Greece ✓ The Fall of Ancient Greece ✓ Ten Little Known Facts about Ancient Greece This eBook discusses each epoch of this electrifying era from beginning to end: The Archaic, Classical and Hellenistic periods and the fall of Ancient Greece. Enriched with riveting details of the era, this eBook will not only edify you but also keep you entranced.

    These were the soldiers that defied the might of Persia at Marathon, Thermopylae and Plataea and, more often, fought each other in the countless battles of the Greek city-states. For around two centuries they were the dominant soldiers of the Classical world, in great demand as mercenaries throughout the Mediterranean and Middle East. Yet, despite the battle descriptions of Herodotus, Thucydides, Xenophon etc, and copious evidence of Greek art and archaeology, there are still many aspects of hoplite warfare that are little understood or the subject of fierce academic debate.Christopher Matthew's groundbreaking reassessment combines rigorous analysis of the literary and archaeological evidence with the new disciplines of reconstructive archaeology, re-enactment and ballistic science. He focuses meticulously on the details of the equipment, tactics and capabilities of the individual hoplites. In so doing he challenges some long-established assumptions. For example, despite a couple of centuries of study of the hoplites portrayed in Greek vase paintings, Matthew manages to glean from them some startlingly fresh insights into how hoplites wielded their spears. These findings are supported by practical testing with his own replica hoplite panoply and the experiences of a group of dedicated re-enactors. He also tackles such questions as the protective properties of hoplite shields and armour and the much-vexed debate on the exact nature of the 'othismos' , the climax of phalanx-on-phalanx clashes.This is an innovative and refreshing reassessment of one of the most important kinds of troops in ancient warfare, sure to make a genuine contribution to the state of knowledge.

    Scientific evidence, exciting new research, and the breakthrough discovery of an amazing Egyptian map prove without a doubt that this lost continent did exist...and reveal where its ruins can be found.But the fascinating truth about Atlantis also leads to a chilling conclusion about the environmental catastrophe that destroyed it. Now you can find out how the forces that shattered the first great civilization on Earth can happen again, bringing the end of the world to us all!

    Despite their numerical smallness the author contends that they made a major contribution to Western civilization. The author originated the Radio 4 programme "Bookshelf" and the Frank Delaney series on BBC television. His previous books are "James Joyce's Odyssey" and "Betjeman Country".

    From deserts to jungles, from deep caves to mountain tops, from pebble tools to satellite photographs, from excavation to abstract theory, archaeology interacts with nearly every other discipline in its attempts to reconstruct the past.

    From the early ninth century through the middle ages, to the Arthurian romances of Victorian times, the tales of this legendary figure have blossomed and multiplied. And in more recent times, there has been a continuous stream of books claiming to unlock the secret or the truth behind the "once and future king."The truth, as Guy Halsall reveals in this fascinating investigation, is both radically different - and also a good deal more intriguing. Broadly speaking, there are two Arthurs. On the one hand is the traditional "historical" Arthur, waging a doomed struggle to save Roman civilization against the relentless Anglo-Saxon tide during the darkest years of the Dark Ages. On the other is the Arthur of myth and legend, accompanied by a host of equally legendary people, places, and stories: Lancelot, Guinevere, Galahad and Gawain, Merlin, Excalibur, the Lady in the Lake, the Sword in the Stone, Camelot, and the Round Table. The big problem with all this, notes Halsall, is that "King Arthur" might well never have existed. And if he did exist, it is next to impossible to say anything at all about him. As this challenging new look at the Arthur legend makes clear, all books claiming to reveal "the truth" behind King Arthur can safely be ignored. Not only the fanciful pseudo-historical accounts - Merlin the Magician, the Lady in the Lake--but even the "historical" Arthur is largely a figment of the imagination. The evidence that we have, whether written or archeological, is simply incapable of telling us anything detailed about the Britain in which he is supposed to have lived, fought, and died.

    The place: Europe. The time: 25,000 years ago, the last Ice Age. In reality, you live in an open-air tent or a bone hut. But you also belong to a rich culture that creates art. In and around your cave paintings are handprints and dots, x’s and triangles, parallel lines and spirals. Your people know what they mean. You also use them on tools and jewelry. And then you vanish—and with you, their meanings.Join renowned archaeologist Genevieve von Petzinger on an Indiana Jones-worthy adventure from the open-air rock art sites of northern Portugal to the dark depths of a remote cave in Spain that can only be reached by sliding face-first through the mud. Von Petzinger looks past the beautiful horses, powerful bison, graceful ibex, and faceless humans in the ancient paintings. Instead, she’s obsessed with the abstract geometric images that accompany them, the terse symbols that appear more often than any other kinds of figures—signs that have never really been studied or explained until now.Part travel journal, part popular science, part personal narrative, von Petzinger’s groundbreaking book starts to crack the code on the first form of graphic communication. It’s in her blood, as this talented scientist’s grandmother served as a code-breaker at Bletchley. Discernible patterns emerge that point to abstract thought and expression, and for the first time, we can begin to understand the changes that might have been happening inside the minds of our Ice Age ancestors—offering a glimpse of when they became us.

    In this book, award-winning author Richard Fletcher illuminates English society and politics in the years around the Norman Conquest, threading together scanty documentary evidence to produce a rich narrative.

    In this book, the distinguished scholar Geoffrey Ashe offers convincing proof that King Arthur not only existed, but was more like the Arthur of legend than historians have previously suspected. In this study, drawing upon myriad sources both literary & historical, Ashe traces the legend of Arthur to its roots in the 12th-century chronicles of Geoffrey of Monmouth. He then illustrates that a great deal of Geoffrey's history, which set out ot depict events & persons of 5th-century Britain, was based on fact. After challenging previous assumptions about where Arthur's court & other remnants can be found, Ashe identifies the "real" King Arthur & provides powerful evidence to support his theory. Riothamus, an actual 5th-century British monarch, is the figure whom Ashe painstakingly identifies. But his study also investigates the histories behind other Arthurian phenomena, such as the key concepts of knighthood & chivalry. Throughout the book, the sweep & grandeur of a tumultuous era in British & European history is vividly recounted as Ashe describes the origins & development of the Arthurian legend—a legend that seems to grow ever more enchanting.

    In fact, recent research has shown that this vision bears little relation to reality.The field of archaeology has changed dramatically in the past two decades, as women have challenged their male colleagues' exclusive focus on hard artifacts such as spear points rather than tougher to find evidence of women's work. J. M. Adovasio and Olga Soffer are two of the world's leading experts on perishable artifacts such as basketry, cordage, and weaving. In The Invisible Sex, the authors present an exciting new look at prehistory, arguing that women invented all kinds of critical materials, including the clothing necessary for life in colder climates, the ropes used to make rafts that enabled long-distance travel by water, and nets used for communal hunting. Even more important, women played a central role in the development of language and social life—in short, in our becoming human. In this eye-opening book, a new story about women in prehistory emerges with provocative implications for our assumptions about gender today.

    Some have changed the course of history and even directed the currents of their times. Others are memorable for being risk-takers, adventurers, or observers. She looks at the concept of leadership through Bismarck and the unification of Germany; William Lyon MacKenzie King and the preservation of the Canadian Federation; Franklin Delano Roosevelt and the bringing of a unified United States into the Second World War. She also notes how leaders can make huge and often destructive mistakes, as in the cases of Hitler, Stalin, and Thatcher. Richard Nixon and Samuel de Champlain are examples of daring risk-takers who stubbornly went their own ways, often in defiance of their own societies. Then there are the dreamers, explorers, and adventurers, individuals like Fanny Parkes and Elizabeth Simcoe who manage to defy or ignore the constraints of their own societies. Finally, there are the observers, such as Babur, the first Mughal emperor of India, and Victor Klemperer, a Holocaust survivor, who kept the notes and diaries that bring the past to life.History’s People is about the important and complex relationship between biography and history, individuals and their times.

    Written in an attractive and accessible style, it makes extensive use of original sources to introduce early medieval men and women at all levels of society from slave to emperor, and allows them to speak to the reader in their own words. It overturns traditional narratives and instead offers an entirely fresh approach to the centuries from c.500 to c.1000. Rejecting any notion of a dominant, uniform early medieval culture, it argues that the fundamental characteristic of the early middle ages is diversity of experience. To explain how the men and women who lived in this period ordered their world in cultural, social, and political terms, it employs an innovative methodology combining cultural history, regional studies, and gender history. Ranging comparatively from Ireland to Hungary and from Scotland and Scandinavia to Spain and Italy, the analysis highlights three themes: regional variation, power, and the legacy of Rome. In the context of debates about the social, religious and cultural meaning of 'Europe' in the early twenty-first century, this books seeks the origins of European cultural pluralism and diversity in the early Middle Ages.