from the French "D'entre les Morts" by Geoffrey Sainsbury. First published as "The Living and the Dead" in Great Britain in 1956.

    The live-in owners are a kind and welcoming couple. Everything is fine until she finds a suicide note hidden in her room. But when the couple insist this man didn’t exist and that Lisa is their first tenant, Lisa begins to doubt herself.Compelled to uncover the secrets of the man who lived in the room before her, Lisa is alarmed when increasingly disturbing incidents start to happen. Someone doesn’t want Lisa to find out the truth.As the four walls of this house and its secrets begin to close in on Lisa, she descends into a hellish hall of mirrors where she’s not sure what’s real and what’s not as she claws her way towards the truth… This room has already claimed one victim? Is it about to take another?

    Every night, on the point of losing his mind, he drowns their screams in drink. His solution is to kill those who engineered their deaths.From the greedy politicians to the corrupt security forces, the street thugs to the complacent bystanders who let it happen, all are called to account. But when Fegan's vendetta threatens to derail a hard-won truce and destabilise the government, old comrades and enemies alike want him dead.Winner of the Los Angeles Times Book Prize for Best Thriller.

    But just as she’s decided to call for help, something stops her. The next day, she wakes up to the news that one of the girls—beautiful, green-eyed Anna Ballard—has disappeared.A year later, Anna is still missing. Ella is wracked with guilt over what she failed to do, and she’s not the only one who can’t forget. Someone is sending her threatening letters—letters that make her fear for her life.Then an anniversary appeal reveals that Anna’s friends and family might have something to hide. Anna’s best friend, Sarah, hasn’t been telling the whole truth about what really happened that night—and her parents have been keeping secrets of their own.Someone knows where Anna is—and they’re not telling. But they are watching Ella.Listening Length: 8 hours and 26 minutes

    This modern classic continues to be a touchstone of historical suspense fiction for readers everywhere.The year is 1896. The city is New York. Newspaper reporter John Schuyler Moore is summoned by his friend Dr. Laszlo Kreizler—a psychologist, or “alienist”—to view the horribly mutilated body of an adolescent boy abandoned on the unfinished Williamsburg Bridge. From there the two embark on a revolutionary effort in criminology: creating a psychological profile of the perpetrator based on the details of his crimes. Their dangerous quest takes them into the tortured past and twisted mind of a murderer who will kill again before their hunt is over.Fast-paced and riveting, infused with historical detail, The Alienist conjures up Gilded Age New York, with its tenements and mansions, corrupt cops and flamboyant gangsters, shining opera houses and seamy gin mills. It is an age in which questioning society’s belief that all killers are born, not made, could have unexpected and fatal consequences.

    Tonight the audience waits to hear Miles discuss recent developments in his sister's case -- unaware that pieces of this complex puzzle of violence, unknown even to the author, are about to be revealed.Six years earlier, life was much simpler for everyone involved, especially seventeen-year-old Ashley Spencer, a popular high school soccer star. Then one night an intruder entered Ashley's home and murdered her father and her best friend. Traumatized and suffering from a crippling sense of survivor guilt, Ashley is ready to give up on both soccer and life until help comes from an unexpected source -- a scholarship to an elite private school is extended to her by school dean Casey Van Meter. The school quickly becomes a haven for both Ashley and her mother, Terri. As Ashley regains her sense of self through the school's soccer program, Terri joins a writing group for adults led by Joshua Maxfield, a former literary wunderkind who has disappeared from the bestseller lists since his second book was panned by both critics and fans.Then tragedy strikes again and Ashley has to run for her life, unaware that the key to her survival is in the one book she's afraid to read -- Sleeping Beauty.

     It sounded so perfect - a month‘s assignment at the misty, sprawling Scottish Highlands property of brilliant architect Alban McGregor, and his wife, Jessica. But deep in the woods, there is a chilling playhouse. Two years ago, the McGregors’ daughter, Elodie, died after being abducted and taken there. Alban refuses to knock the playhouse down, and he keeps a picture of it on his wall. Isla senses that both Alban and Jessica are keeping terrible secrets. The closer Isla comes to getting answers about Elodie, the more the danger mounts. And with a dense cover of snow now blanketing the town, all chance of escape might already be gone.

    There, amongst the dark fir trees, he planned to build a house, find a girl and live happily ever after. Yet, as he left the village, a shadow of menace hung over the land. For this was the place where accidents happened. Perhaps Michael should have heeded the locals’ warnings: ‘There’s no luck for them as meddles with Gipsy’s Acre.’ Michael Rogers is a man who is about to learn the true meaning of the old saying ‘In my end is my beginning.’The title Endless Night was taken from William Blake’s Auguries of Innocence and describes Christie’s favourite theme in the novel: a “twisted” character, who always chooses evil over good.Christie finished Endless Night in six weeks, as opposed to the three-four months that most of her other novels took. Despite being in her seventies while writing it, she told an interviewer that being Michael, the twenty-something narrator, “wasn’t difficult. After all, you hear people like him talking all the time.”The book is dedicated to Christie's relative "Nora Prichard from whom I first heard the legend of Gipsy's Acre." Gipsy's Acre was a field on the Welsh moors.

    But something goes terribly wrong on their way home, and the last time Zoë sees her, Holli is in the clutches of a sadistic killer. Zoë flees with her life, changed forever.A year later and still tortured with guilt, Zoë latches on to a police investigation where the crime eerily resembles her abduction. Along with a zealous detective, she retraces the steps of that fateful night in the desert, hoping that her memory will return and help them find justice for Holli. Her abductor—labeled the “Tally Man” by a fascinated media—lies in wait for Zoë. For him, she is not a survivor but simply the one that got away.With an unforgettable heroine, a chillingly disturbed psychopath, and a story that moves at breakneck speed, The One That Got Away is thriller writer Simon Wood at his finest.

    Now a modern classic, as gripping in its tautly plotted action as it is penetrating in its exploration of a criminal mind, it tells the shocking tale of a young man who will stop at nothing--not even murder--to get where he wants to go. For he has dreams; plans. He also has charm, good looks, sex appeal, intelligence. And he has a problem. Her name is Dorothy; she loves him, and she's pregnant. The solution may demand desperate measures. But, then, he looks like the kind of guy who could get away with murder. Compellingly, step by determined step, the novel follows this young man in his execution of one plan he had neither dreamed nor foreseen. Nor does he foresee how inexorably he will be enmeshed in the consequences of his own extreme deed.

    One girl, Rachel, is later found unharmed but unable to remember anything except that her abductor was a woman.Over thirty years later the mother of the still missing Sophie commits suicide. Superintendent Llewellyn, who was a young constable on the 1978 case, asks DI Francis Sadler and DC Connie Childs to look again at the kidnapping to see if modern police methods can discover something that the original team missed. However, Sadler is convinced that a more recent event triggered Yvonne Jenkins’s suicide.Rachel, with the help of her formidable mother and grandmother, recovered from the kidnapping and has become a family genealogist. She remembers nothing of the abduction and is concerned that, after Yvonne Jenkins’s suicide, the national media will be pursuing her for a story once more. Days later, the discovery of one of her former teachers’ strangled body suggested a chain of events is being unleashed.Rachel and the police must unpick the clues to discover what really happened all those years ago. But in doing so, they discover that the darkest secrets can be the ones closest to you.

    Now the author of the Lincoln Rhyme series has collected for the first time his award-winning, spine-tingling stories of suspense -- stories that will widen your eyes and stretch your imagination. A beautiful woman goes to extremes to rid herself of her stalker; a daughter begs her father not to go fishing in an area where there have been a series of brutal killings; a contemporary of the playwright William Shakespeare vows to avenge his family's ruin; and Jeffery Deaver's most beloved character, criminalist Lincoln Rhyme, is back to solve a chilling Christmastime disappearance. Diverse, provocative, eerie and inspired, this collection of Jeffery Deaver's best stories exhibits the amazing range and signature plot twists that have earned him the title "master of ticking-bomb suspense" (People). With nods to O. Henry and Edgar Allan Poe, these beautifully crafted pieces, never before compiled in one volume, pulse with subtle intrigue and Deaver's incomparable imagination.

    When he kidnaps Sarah, his evil reaches new heights.

    Four brutalized victims of a brilliant monster - a "Mr. Nobody", moving undetected through a paralyzed city, leaving behind a gruesome trail of carnage . . . but few clues. With skilled hands, an unerring eye, and the latest advances in forensic research, an unrelenting female medical examiner - Kay Scarpetta - is determined to unmask a maniac. But someone is trying to sabotage Kay's investigation from the inside. And worse yet, someone wants her dead . . .

    But when eight-year-old Tanisha Walker offers him a jar full of change to find her missing brother, he doesn’t have the heart to turn her away.Justin had hoped to find the boy alive and well. But all that was found of Devon Walker was his brutally murdered body—and the bodies of twelve other African American teenagers, all discarded like trash in a mass grave. Each had been reported missing. And none had been investigated.As simmering racial tensions explode into violence, Justin finds himself caught in the tide. And as he gives voice to the discontent plaguing the city’s forgotten and ignored, he vows to search for the killer who preys upon them.