Only one problem—at night, Chris doesn't feel so brave. He's afraid of the dark.But when he watches the groundbreaking moon landing on TV, he realizes that space is the darkest dark there is—and the dark is beautiful and exciting, especially when you have big dreams to keep you company.

    There she initiates a gradual transformation, brightening the bakery and bringing smiles to customers' faces with the flowers she grows. But it is in a secret place that Lydia Grace works on her masterpiece, which she hopes will be powerful enough to make even Uncle Jim smile. Colored by a Depression-era setting, The Gardener introduces readers to a winsome young heroine, whose generosity will reward all who meet her. The Gardener is a 1997 New York Times Book Review Notable Children's Book of the Year and a 1998 Caldecott Honor Book.

    His neighborhood is empty--except for the many cats left behind.Alaa loves Aleppo, but when war comes his neighbors flee to safety, leaving their many pets behind. Alaa decides to stay--he can make a difference by driving an ambulance, carrying the sick and wounded to safety. One day he hears hungry cats calling out to him on his way home. They are lonely and scared, just like him. He feeds and pets them to let them know they are loved. The next day more cats come, and then even more! There are too many for Alaa to take care of on his own. Alaa has a big heart, but he will need help from others if he wants to keep all of his new friends safe.

    Their hair billows in brilliant hues, their dresses end in fishtails, and their joy fills the train car. When Julián gets home, daydreaming of the magic he's seen, all he can think about is dressing up just like the ladies in his own fabulous mermaid costume: a periwinkle curtain for his tail, the fronds of a potted fern for his headdress. But what will Abuela think about the mess he makes—and even more importantly, what will she think about how Julián sees himself? Mesmerizing and full of heart, Jessica Love's author-illustrator debut is a jubilant picture of self-love and a radiant celebration of individuality.

    But before that, he was a little boy who saw art everywhere: in poetry books and museums, in games and in the words that we speak, and in the pulsing energy of New York City. Now, award-winning illustrator Javaka Steptoe's vivid text and bold artwork echoing Basquiat's own introduce young readers to the powerful message that art doesn't always have to be neat or clean--and definitely not inside the lines--to be beautiful.

    . . . I remember there was one tree, however, that the three of you couldn't stop staring at. . . . After the family spares him from the builders, Steve the tree quickly works his way into their lives. He holds their underwear when the dryer breaks down, he's there when Adam and Lindsay get their first crushes, and he's the centerpiece at their outdoor family parties. With a surprising lack of anthropomorphizing, this is a uniquely poignant celebration of fatherhood, families, love, and change.

    But as the boy grew older he began to want more from the tree, and the tree gave and gave and gave.This is a tender story, touched with sadness, aglow with consolation. Shel Silverstein has created a moving parable for readers of all ages that offers an affecting interpretation of the gift of giving and a serene acceptance of another's capacity to love in return.

    Eliza Wheeler's book tells the story of what happens when six-year-old Marvel, her seven siblings, and their mom must start all over again after their father has died. Deep in the woods of Wisconsin they find a tar-paper shack. It doesn't seem like much of a home, but they soon start seeing what it could be. During their first year it's a struggle to maintain the shack and make sure they have enough to eat. But each season also brings its own delights and blessings—and the children always find a way to have fun. Most importantly, the family finds immense joy in being together, surrounded by nature. And slowly, their little shack starts feeling like a true home—warm, bright, and filled up with love.

    No wonder the other elephants laugh at him!If he were ordinary elephant color, the others might stop laughing. That would make Elmer feel better, wouldn't it? David McKee's comical fable about everyone’s favorite patchwork elephant teaches readers to be themselves and celebrates the power of laughter.

    In a series of conversations with every flower and creature and gust of wind, she says good-bye to summer and welcomes autumn.

    Using scraps cut from the family's old clothing, Tanya helps her grandmother and mother make a beautiful quilt that tells the story of her family's life.

    So what do zoos do with all of that poo? This zany, fact-filled romp explores zoo poo, from cube-shaped wombat poo to white hyena scat, and all of the places it ends up, including in science labs and elephant-poo paper—even backyard gardens!

    Over 100 5-star reviewers agree: "A wonderful book with a wonderful message: be yourself!""If you buy one book for sheer fun, there's no question it should be this one." —San Diego Union TribuneTired of his life as an emu, Edward decides to try being something else for a change. He tries swimming with the seals, he spends a day lounging with the lions, and even slithers with the snakes. But Edward soon discovers that being an emu may be the best thing after all.This picture book is an excellent choice to share in the classroom or at home—both adults and kids will laugh at and sympathize with Edward the Emu.

    No one knows when he came to the farm, no one has ever seen him, but everyone knows it is the troll Tomten who walks about the lonely old farmhouse on a winter's night, talking to all the animals and reminding them of the promise of Spring.Adapted by Astrid Lindgren from a poem by Viktor Rydberg

    Meg's perseverance and creativity allowed her to achieve this goal, but when this fantastic ecosystem started to disappear, Meg needed to act quickly.Meg Lowman was always fascinated by the natural world above her head. The colors, the branches, and, most of all, the leaves and mysterious organisms living there. As a scientist, Meg set out to climb up and investigate the rain forest tree canopies-- and to be the first scientist to do so. But she encountered challenge after challenge. Male teachers would not let her into their classrooms, the high canopy was difficult to get to, and worst of all, people were logging and clearing the forests. Meg never gave up or gave in. She studied, invented, and persevered, not only creating a future for herself as a scientist, but making sure that the rainforests had a future as well. Working closely with Meg Lowman, author Heather Lang and artist Jana Christy beautifully capture Meg's world in the treetops.