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    It is also a scathing attack on the “public apology” as yet another mask, as a manipulative device, which always seeks to conceal the maintenance and furtherance of the self-interest of its wearer.Clements’s powerful visual sets and soundscapes contain curtains of flames which at times assume the bodies of a chorus passing its remote judgment, devoid of both pity and fear, on the action: a merciless indictment of the cross-cultural, buried worm of avarice and self-interest hidden within the terrorism of the push to “go with the times,” to accept the iconography of a reality defined, contextualized and illuminated by others.Marie Clements writes, or, perhaps more accurately, composes, with an urbane, incisive and sophisticated intellect deeply rooted in the particulars of her place, time and history.Cast of five women and 12 men.

    Respected physician, loving husband, devoted father, and trusted friend. Grant was a straight-laced kid who grew up to be a clean-living adult. No drinking, no smoking, and certainly no drugs. It took everyone by surprise, most of all himself, when he became addicted to narcotics in his 30s. His story hit local press when he was found guilty of professional misconduct related to his addition, including over-prescribing painkillers to patients so he could buy them back--an infraction that caused his physician license to be suspended.Matheson's memoir is a gritty account of his narcotic addiction and all that it cost him: various relationships, his career, and almost his life. The Golden Boy takes the reader from the very first day of Matheson's drug addiction to that moment when he decided to rebuild his life through rehab and recovery.

    At a screening at Cannes in May 1979, Francis Ford Coppola said simply, "There wasn't a truthful thing written about [the film] in four years." That year at Cannes, Apocalypse Now won the Palme d'Or, going on from there to worldwide acclaim and etching itself in the memories of audiences with unforgettable sequences like the dawn helicopter attack scored to Wagner's "Ride of the Valkyries" or Lt. Colonel Kilgore's chilling "I love the smell of napalm in the morning." Here, generously illustrated with evocative stills from the film and revealing photographs from the set, is the story behind the movie where Vietnam met Joseph Conrad's Heart of Darkness. It is the extraordinary saga of Coppola and his crew and actors-who included Marlon Brando, Robert Duvall, Harvey Keitel, Martin Sheen, Dennis Hopper, and Harrison Ford -- battling hurricanes in the jungles of the Philippines, the calamity of a lead actor's heart attack, and crises both psychological and financial . . . in the end giving rise to a modern film classic.

    

    Follow the flailing escapades of maverick music manager Campbell Ouiniette at the Calgary Folk Festival, as he leaves a trail of empty liquor bottles, cigarette butts, bruised egos, and obliterated relationships behind him. His top headlining act has abandoned him for the Big Time. In a fit of self-delusion or pure genius (or perhaps a bit of both), Ouiniette devises an intricate scam, a last hurrah in an attempt to redeem himself in the eyes of his girlfriend, the music industry, and the rest of the world. He reveals his path of destruction in his own transparently self-justifying, explosive, profane words, with digressions into the Edmonton hardcore punk rock scene, the Yugoslavian Civil War, and other epicentres of chaos.

    Worse, a secret society operating outside the law is intent on bringing the monsters back to life and restoring the creatures as rulers of mankind.Joshua and his ex-girlfriend soon find themselves pitted against vicious assassins, Russian Spetsnaz troops, and cold-blooded giants hungry for human flesh as they journey around the planet in their efforts to stop the secret society.But that’s only the start of their nightmare: Those reviving the army of giants have gained control of ancient stargates enabling an invasion of the seats of power around the globe including the Kremlin and White House. It's a massive power play that leaves the fate of the human race hanging in the balance.This fast-paced, spellbinding novel is a page-turner, with entertaining plot twists and surprises.“Adventure and mayhem, told with style!”“The characters showed personality and the book had imagination. I felt like I was watching a movie. The story line was great…. If you enjoy Stargate type movies I believe you'll like this book.”

    Nazi Germany reels from nightly battering of her cities by the RAF. Catastrophe looms at Stalingrad. With the Allies poised to invade Western Europe, Luftwaffe chief Hermann Göring desperately seeks to delay the invasion and slow the Red Army’s inexorable westward march. He turns to Siegfried von Rall, the “best pilot in the Luftwaffe,” to solve his dilemma. Siegfried hatches strategic air strikes designed to buy time for Germany to refine Hitler’s vaunted “Victory” weapons. Two targets galvanize his attention: Soviet hydro plants in the Urals and killing FDR. He chooses cutting-edge aircraft and a team of combat experienced experts for the missions. Göring fast-tracks detailed planning and training. In Britain, codebreaker Evan Thompson reads Siegfried’s radio messages but can’t detect his objective. The chilling truth emerges only after an Amerika-Bomber bearing “smart bombs” leaves Norway for the U.S. FALL EAGLE ONE has aerial combat, trans-Atlantic assassination flights, Eastern Front action, codebreaking at Bletchley Park, intrigue at the highest levels of the German High Command, and fast-paced wartime romance.

    During an innocent outing, a mean girl who left her stranded and naked, delighted in ruining her reputation. But Sadie refuses to take the ruination of her innocence lightly. Now she wears her bad girl badge with pride. At least until Levi Robinson decides to see just how salacious she really is. It isn’t until the Cattleman’s Ball, that he’s shocked at how the the women of Fort Worth treat her, including his own mother. Yet, the woman is tempting and he can’t seem to walk away from her innocent smile and bewitching eyes. Is she really scandalous or a victim of society? Maybe Levi’s the man to save her

    This book has a wide audience, anyone from the ages 18-31, and the people that employ them. The book is not meant for just people in business, it is meant for any professional. What John has seen, on a national level, is a need for additional training resources for the millennial group on core aspects of being a professional. This book helps them lead a healthy and successful life. Author’s Bio: John M. Crossman is a nationally recognized writer and speaker to college students with regard to careers and success. In addition, he is a mentor and a passionate advocate for young professionals. John is President of Crossman & Company, a regional commercial real estate company based in Orlando. He is married and has two daughters.

    At once wryly humorous and deeply affecting, this sparkling novel follows the irresistible Lucy Bloom as she searches for her place in the world. When we first meet Lucy, she’s an imaginative eleven-year-old dreaming of a taste of freedom — and only beginning to grasp that all is not well between her parents. In the years that follow, Lucy’s journey to adulthood will see her question the limits of unconditional love, grow “criminally thin” as she stops eating, and discover complicated truths about what it means to be a young woman. Through it all, the central figure in Lucy’s life remains her mother, Joy, whose larger-than-life stories and boisterous voice belie a deep disappointment. As their relationship is tested again and again, Lucy comes to understand the resilience of the bonds that tie us to the ones we love.Among the characters we meet are Lucy’ s father, Frank, a failed glamour photographer turned travel agent who’s never been out of the country; her best friend, Erin, an artist whose outspoken iconoclasm will inspire and challenge Lucy; and Crashing Wave, Frank’s lover, a former exotic dancer and the woman Lucy comes to imagine as the ideal of all that is feminine.Set in Toronto throughout the 1990s, Where We Have to Go is a novel of self-discovery, family, and love. It introduces Lauren Kirshner as one of our most striking new voices, and reminds us that sometimes the most difficult journey is the one that takes us home.

    She’s never had a boyfriend and doesn’t know how to do laundry. She joins the Film Society and hangs out in the library. She drifts away from boring Bethany, her best friend from high school, and starts to trail after Allegra, the caffeine-addicted, dish-throwing artist in the dorm room next to hers. And, most of all, she thinks about how she’s still a virgin and how she’ll never figure it all out.And then she meets Nellcott Ragland, a 23-year-old who works at Basement Records and wears black eyeliner, and he asks her on a date.Alice tries to hide out in the Film Society office. She spies on Nellcott at the record store. She gets advice from Walker, her filmmaking, womanizing friend from Toronto. But sooner or later her parents are going to visit and watch her cry. She won’t admit it to them, but Nellcott has become her darling.

    She’s six feet tall, self-conscious and posh. And is frequently mistaken for a man. She’s also invested her inheritance in a joke shop that she runs with her friend Stevie (Sarah Hadland) while trying to deal with her outrageously embarrassing mother (Patricia Hodge). Though surrounded by chocolate willies, Miranda is determined to suss out what it takes to be a girly girl and to not look a complete idiot every time she meets the gorgeous Gary (Tom Ellis). Miranda Hart’s Joke Shop – first broadcast on BBC Radio 2 – is written by Miranda Hart (Hyperdrive, Absolutely Fabulous, Lead Balloon), with James Carey (My Family, Think the Unthinkable) and Simon Dean (Not Going Out).2 CDs. 2 hrs.

    Vigilantes, they call us. Cold-hearted killers. Monsters of the night. If only they knew how true that was—what our pasts have shaped us to be.Mine forged me into the most powerful Daughter of Fire ever, which is exactly what this hell-spawned charmer claims he needs to kill the demon who stole my soul. Together, Zen insists, we can share in revenge--but on one condition. I must bind myself to him, an unthinkable deed with deadly ramifications at best. He’s playing every beguiling card in his deck to lure me in, but I'm no fool. He may be the enemy of my enemy, but he’s still a demon.And I won't make that mistake again.A CURSE OF NIGHTSHADE, the first paranormal romance novel in the Witches of the Gilded Lilies series by USA Today bestselling author Amber Lynn Natusch. Each book in this series follows a different hero and heroine with each story playing into the series story arc.

    After finding the boy, they end up in a Federal Zone where everything seems almost normal again. The roads are open, food is available, and the electricity is on. Is the crisis over?