Set at the time of the Spanish Inquisition in the fifteenth century, Rose of Fire tells the story of the origins of the mysterious labyrinthine library, the Cemetery of Forgotten Books, which lies at the heart of Carlos Ruiz Zafón’s novels The Shadow of the Wind, The Angel’s Game, and now The Prisoner of Heaven.

    But a chance meeting at Logan Airport introduces them to Aoife, an elderly Irish widow who is returning home to the joys and stresses of her tight-knit family. Encouraged by their conversation with Aoife, the sisters are determined to see more than the usual tourist attractions. By veering off the beaten paths, they find holy wells and unexpectedly encounter ghosts and fairies. They sing in pubs and have fun meeting interesting people. Their new experiences ignite passions both spiritually and physically. Through rich descriptions of Ireland’s beautiful scenery and the stories told by its people, this tale brings readers along on a colorful and engaging journey.

    In this fascinating journal and eloquent history, Eduardo Galeano movingly records the lives of struggles of the Latin American people, under two decades of unimaginable violence and extreme repression. Alternating between reportage, personal vignettes, interviews, travelogues, and folklore, and richly conveyed with anger, sadness, irony, and occasional humor, Galeano pays loving tribute to the courage and determination of those who continued to believe in, and fight for, a more human existence. The Lannan Foundation awarded the 1999 Cultural Prize for Freedom to Eduardo Galeano, in recognition of those "whose extraordinary and courageous work celebrates the human right to freedom of imagination, inquiry and expression." Originally published in Cuba, Days and Nights of Love and War won the Casa de las Am�ricas prize in 1978.

    He likes to stretch things out over precisely seven coffees. No one knows whether he actu-ally travels to the stars, but he tells the best tall tales in the city, so why doubt him? By the light of the chaste electronic moon --The sense of the circle --Of navigators --The best day of the year --The González family's fight for a better world ----Interval with my aunts. Trafalgar and Josefina. --End of the interval --Mr. Chaos --Constancia --Strelitzias, Lagerstroemias, and Gypsophila --Trafalgar and I

    Adapted by Marty Ross, whose previous audio dramas include Romeo and Jude, Doctor Who, Treasure Island and Arabian Nights: Volume 1, listeners can expect to hear Sinbad the Sailor as they've never done before. In volume 2 of Arabian Nights we return to Sultan Shahriyar’s palace, where Scheherezade is using her spellbinding storytelling abilities to save both her and her sister’s lives. As much as the Sultan wants to kill her, each night he is drawn in by her tales and spares them. Scheherezade weaves a long, winding and exciting tale about Sinbad the Sailor, a reckless young man who has inherited his father’s wealth and spends it foolishly. His debts eventually force him to leave Baghdad and find his way alone. However, his journey quickly takes a turn when he is led to sea by a mysterious woman dressed in blue, which begins his long and dramatic adventures at sea.Starring Abraham Popoola, Adam Sina, Akin Gazi, Alyssa Kyria, Anoushka Rava, Aso Sherabayani, Bamshad Abedi-Amin, Daniel Naddafy, David Ahmad, Firdous Bamji, Gisele Payvandi, Hakan Silahsiz Hemi Yeroham, Ian Abeysekera Jonathan Morrison, Josh Zare Karim Kronfli, Mandana Jones Nezar Alderazi, Raghad Chaar Richard Reed, Sammy Broly, Tara Jaffar and Walles Hamonde.[Please note this drama contains some explicit content.]

    It was intolerably hot and stifling. Kolpakov, who had just dined and drunk a whole bottle of inferior port, felt ill-humoured and out of sorts. Both were bored and waiting for the heat of the day to be over in order to go for a walk.

    Clavell* Mail Stop by Virginia DeMarce* Those Daring Young Men by Rick Boatright* Those Daring Not So Young Men by Rick Boatright* A Matter Of Taste by Kerryn Offord* Those Not So Daring by Rick Boatright* Anna the Baptist by Terry Howard* Fly Like a Bird by Loren Jones* Gearhead by Mark H. Huston* Water Wings by Terry Howard* Under the Tuscan Son by Iver P. Cooper* Wings on the Mountain by Terry Howard* Pocket Money by John and Patti Friend* Moonraker by Karen Bergstralh* The Minstrel Boy by John Zeek* Ultralight by Sean Massey* Tool or Die by Karen Bergstralh* If at First You Don't Succeed . . . by Paula Goodlett* Waves of Change by Paula Goodlett and Gorg Huff* Try, Try Again by Paula Goodlett* Little Jammer Boys by Kim Mackey* Safe at First Base by Mark H. Huston* The Order of the Foot by Richard Evans* Trip to Paris by Kim Mackey* At the Cliff's Edge by Iver P. Cooper* A 'Merican in Moscow by Gorg Huff and Paula Goodlett* Radio in 1632, Part 3 by Rick Boatright* The Sound of Mica by Iver P. Cooper* A Tempest In a Baptistry by Terry Howard* The Daily Beer Anette Pedersen* White Gold by Kerryn Offord

    

    Dunyazade, Scheherazade's kid sister, holds the destiny of herself and the prince who holds her captive.Perseus, the demigod who slew the Gorgon Medusa, finds himself at forty battling for simple self-respect like any common mortal.Bellerophon, once a hero for taming the winged horse Pegasus, must wrestle with a contentment that only leaves him wretched.

    Peopled with creatures from Japanese folklore, Kappland serves as a vehicle for the humorous examination of the moral foibles of Japanese society in the early 20th century.

    The result is sometimes shocking, sometimes hilarious, always unpredictable. In "Lost Pages," Di Filippo has deliberately selected as protagonists for his nine alternate world stories men and women who in our world became known for their work as writers -- people of strong character who, whatever their situation, would have proved extraordinary.

    . . eternal indentured servitude. Still he soldiers on, ready for whatever number of adventures lie ahead. But in Kimihiro’s case, three may not be the charm!His first assignment–to procure a pair of fake eyeglasses–is exceptionally pointless, even by Yûko’s standards. Or at least it seems that way, until Kimihiro watches a woman throw herself into traffic. He soon discovers that the doors of bespectacled perception can swing both ways. Next, when a classmate seeks help solving a mystery involving text messages from the dead, Kimihiro is glad to play Sherlock. But he must turn to Yûko to determine whether the root of the riddle is otherworldly shenanigans, deceit, or murder. Finally, however ready, willing, and able Kimihiro thinks he is to face the most unusual of circumstances, he still finds himself completely bewildered by the stranger who chases away his darkest spirits, condemns Yûko as a craven charlatan, and offers Kimihiro a way out of his preternatural predicament–and a fortune besides.

    If the Gods of Ireland request that she couple with the king, so be it. If it is also their wish that he marry another woman, who is Chiomara, a simple Druid, to stand in their way? Erc Breac, king of the Dalriada, can only think of Chiomara. Her beauty is surreal and the tales that follow her across the land unsurpassed. But that is not enough when faced with the obligations of a king. His people must come first. His future wife and queen, Macha, must come first. Yet, fate is a slippery thing. Will Erc risk the whole of his kingdom for what lays in his heart?This story contains strong sexual content and is recommended for a mature audience.The King’s Druidess is the lead-in tale to The MacLomain Series. While The King’s Druidess is a short Celtic story, Fate’s Monolith (The MacLomain Series- Book 1), Destiny’s Denial (The MacLomain Series- Book 2) and Sylvan Mist (The MacLomain Series- Book 3) are full length novels. “Purington weaves an enchanted tale of love, magic, and sacrifice that will leave you wanting more!” ~Rynne Raines, author of The Awakening“This story is suggestive, and haunting. It is carried by the power of desire, the power of passion, and the power of desperation. There is a richness here that is hard to convey.” ~Nancy A. Lindley- GauthierPlease NOTE: This is a re-launch of titles published years ago. The stories have been revised and tightened. And as aforementioned, the sensual heat level for all four has been turned way up.

    In the middle, meanwhile, are The Great Switcheroo and The Last Act, two stories exploring a darker side of desire and pleasure.In the black comedies of Switch Bitch Roald Dahl brilliantly captures the ins and outs, highs and lows of sex.'Dahl is too good a storyteller to become predictable' Daily TelegraphRoald Dahl, the brilliant and worldwide acclaimed author of Charlie and the Chocolate Factory, James and the Giant Peach, Matilda, and many more classics for children, also wrote scores of short stories for adults. These delightfully disturbing tales have often been filmed and were most recently the inspiration for the West End play, Roald Dahl's Twisted Tales by Jeremy Dyson. Roald Dahl's stories continue to make readers shiver today.

    They are as different as Clyde Merriman, who "had no particular ambitions" but whose future is quickly decided when his girlfriend gets pregnant; the Maloney brothers, one the student body president, the other an outcast; Janet Salterlee, who trained for fifteen years to be Queen of the Rose Festival; Blaze Cooney, who attempts to write a novel; Anne Tressman, whose only interest is ballet; and Tommy German, the hanger-on, who tries desperately to meet girls on the seaside boardwalk—yet behind their fantasies and foibles lies a common rite of passage."One Pocket" traces the fascination of a writer, stuck in the air force, with the game of pool. He discovers that on occasion he can shoot "in a 'zone' way over his head," a discovery at once exhilarating and alarming. Finally, in "Glitter: A Memory," the writer, at work on a screenplay for a fading star, learns the lesson of Hollywood that things are not as they seem in a world of fantasy, deception, and calculated illusion.Comical, lively, and tender, The Class of '49 shows Don Carpenter's voice to be one of the most vital in contemporary American writing.