Here, a family making a fresh start moves into a house which was the site of an unsolved triple homicide--and are watched by an unknown person...The watcher sees who you are...and knows what you did. It's the perfect home for the perfect family: pretty Nora Howell, her handsome husband, their two teenage daughters, and lovable dog. As California transplants making a fresh start in Brooklyn, they expected to live in a shoebox, but the brownstone has a huge kitchen, lots of light, and a backyard. The catch: its previous residents were victims of a grisly triple homicide that remains unsolved.Soon, peculiar things begin happening. The pug is nosing around like a bloodhound. Nora unearths a long-hidden rusty box in the flowerbed. Oldest daughter Stacey, obsessed with the family murdered in their house, pokes into the bloody past and becomes convinced that a stranger is watching the house. Watching them.She's right. But one of the Howells will recognize his face. Because one of them has a secret that will blindside the others with a truth that lies shockingly close to home--and to this one's terrifying history.

    And they’re saying she knew.Beth and Tom Hardcastle are the envy of their neighbourhood – they have the perfect marriage, the perfect house, the perfect family.When the police knock on their door one evening, Beth panics. Tom should be back from work by now – what if he’s crashed his car? She fears the worst.But the worst is beyond imagining.As the interrogation begins, Beth will find herself questioning everything she believed about her husband.They’re husband and wife – till death do them part…

    A HOLIDAY OF A LIFETIME.WISH YOU WERE HERE?THINK AGAIN…It should be like any other holiday.Beautiful beaches.Golden sunsets.Nothing for miles.You’ll never want to leave.Until you can’t…

    After her father's murder thirteen years prior, her mother ran away to join a cult and her twin sister Lanie, once Josie’s closest friend and confidant, betrayed her in an unimaginable way. Now, Josie has finally put down roots in New York, settling into domestic life with her partner Caleb, and that’s where she intends to stay. The only problem is that she has lied to Caleb about every detail of her past—starting with her last name.When investigative reporter Poppy Parnell sets off a media firestorm with a mega-hit podcast that reopens the long-closed case of Josie’s father’s murder, Josie’s world begins to unravel. Meanwhile, the unexpected death of Josie’s long-absent mother forces her to return to her Midwestern hometown where she must confront the demons from her past—and the lies on which she has staked her future.

    On a rare night out, she meets a man in a bar and sparks fly. Though he leaves after they kiss, she’s thrilled she finally connected with someone.When Louise arrives at work on Monday, she meets her new boss, David. The man from the bar. The very married man from the bar…who says the kiss was a terrible mistake but who still can’t keep his eyes off Louise.And then Louise bumps into Adele, who’s new to town and in need of a friend, but she also just happens to be married to David. David and Adele look like the picture-perfect husband and wife, but then why is David so controlling, and why is Adele so scared of him?As Louise is drawn into David and Adele’s orbit, she uncovers more puzzling questions than answers. The only thing that is crystal clear is that something in this marriage is very, very wrong, but Louise can’t guess how wrong―and how far a person might go to protect their marriage’s secrets.

    His car was found. He wasn't. Unbelievably, the police report said, "No foul play suspected." There were a few unreliable sightings over the following months, but little else.Now, on the last day before summer break, her three children have gone missing from their schools, all at the same time.And the note under her windshield wiper asks one simple question: Are you ready to play the game?

    Only now that she’s living in their beautiful house, she sees the cracks in the crumbling facade are too deep to ignore.Still, she isn’t one to judge. After her grim diagnosis, the retired therapist simply wants a place to live out the rest of her days in peace. But that peace is shattered the day Juno overhears a chilling conversation between Winnie and Nigel…She shouldn’t get involved.She really shouldn’t.But this could be her chance to make a few things right.Because if you thought Juno didn’t have a secret of her own, then you were wrong about her, too.

    Though they’re very different women—the artsy socialite and the struggling suburbanite—they’re each other’s rocks. But even rocks crumble under pressure. Like when Kat’s financier husband, Howard, plunges to his death from the second-floor balcony of their South Florida mansion.Howard was a jerk, a drunk, a bully and, police say, a murder victim. The questions begin piling up. Like why Kat has suddenly gone dark: no calls, no texts and no chance her wealthy family will let Alice see her. Why investigators are looking so hard in Alice’s direction. Who stands to get hurt next. And who is the cool liar—the masterful manipulator behind it all.

    At twenty-one, she’s married to charming, handsome Paul, and has just given birth to a baby boy. But one phone call changes her life forever.When Paul’s niece, Ruby, reports that her father, Henry, has committed suicide, and that her mother, Silja, is missing, Angie and Paul drop everything and fly to the small upstate town of Stonekill, New York to be by Ruby’s side.Angie thinks they’re coming to the rescue of Paul’s grief-stricken young niece, but Ruby is a composed and enigmatic seventeen-year-old who resists Angie’s attempts to nurture her. As Angie learns more about the complicated Glass family, staying in Henry and Silja’s eerie and ultra-modern house on the edge of the woods, she begins to question the very fabric of her own marriage.Through Silja’s flashbacks, Angie’s discovery of astonishing truths, and Ruby’s strategic dissection of her parents’ state of affairs, a story of love, secrets, and ultimate betrayal is revealed.

    But she spends her life doing what no one else will--searching for missing people the world has stopped looking for. When the police have given up, when the public no longer remembers, when the media has never paid attention, Frankie starts looking.A new case brings her to Mattapan, a Boston neighborhood with a rough reputation. She is searching for Angelique Badeau, a Haitian teenager who vanished from her high school months earlier. Resistance from the Boston PD and the victim's wary family tells Frankie she's on her own--and she soon learns she's asking questions someone doesn't want answered. But Frankie will stop at nothing to discover the truth, even if it means the next person to go missing could be her.

    Now three generations of women must navigate their chilling new reality in this moving exploration of identity, cycles of abuse, and hope. Chelsea Martin appears to be the perfect housewife: married to her high school sweetheart, the mother of two daughters, keeper of an immaculate home. But Chelsea's husband has turned their house into a prison; he has been abusing her for years, cutting off her independence, autonomy, and support. She has nowhere to turn, not even to her narcissistic mother, Patricia, who is more concerned with maintaining the appearance of an ideal family than she is with her daughter's actual well-being. And Chelsea is worried that her daughters will be trapped just as she is--then a mysterious illness sweeps the nation. Known as The Violence, this illness causes the infected to experience sudden, explosive bouts of animalistic rage and attack anyone in their path. But for Chelsea, the chaos and confusion the virus causes is an opportunity--and inspires a plan to liberate herself from her abuser.

    The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known.With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

    A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word.Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London.Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive.

    When her dreams of rising through the police ranks like her late father crash around her, 26-year-old Emma Djan is unsure what will become of her life in Accra. Through a sympathetic former colleague, Emma gets an interview with a private detective agency tracking down missing persons, thefts, and marital infidelities. It’s not the future she imagined, but it’s her best option. Meanwhile, Gordon Tilson, a middle-aged widower in Washington, DC, has found solace in an online community after his wife’s passing. Through the support group, he’s even met a young Ghanaian widow he really cares about, and when her sister gets into a car accident, he sends her thousands of dollars to cover the hospital bill—to the horror of his only son, Derek. When Gordon runs off to Ghana to surprise his new love and disappears, Derek chases after him, fearing for his father’s life. The case of the missing American man will drag both Emma and Derek into a world of sakawa scams, fetish priests, and those willing to keep things secret through death.

    Until, driving along a deserted road late one night, he surprises a murderer disposing of a couple of bodies. That’s when Paul’s "normal" existence is turned upside down. After nearly losing his own life in that encounter, he finds himself battling PTSD, depression, and severe problems at work. His wife, Charlotte, desperate to cheer him up, brings home a vintage typewriter—complete with ink ribbons and heavy round keys—to encourage him to get started on that novel he’s always intended to write.However, the typewriter itself is a problem. Paul swears it’s possessed and types by itself at night. But only Paul can hear the noise coming from downstairs; Charlotte doesn’t hear a thing. And she worries he’s going off the rails.Paul believes the typewriter is somehow connected to the murderer he discovered nearly a year ago. The killer had made his victims type apologies to him before ending their lives. Has another sick twist of fate entwined his life with the killer—could this be the same machine? Increasingly tormented but determined to discover the truth and confront his nightmare, Paul begins investigating the deaths himself.But that may not be the best thing to do. Maybe Paul should just take the typewriter back to where his wife found it. Maybe he should stop asking questions and simply walk away while he can. . .