She hasn't been back to England since the car crash that killed her mother when she was six, an event she remembers only in her nightmares. But when she arrives at Herne Hill to sort through the house--with the help of her cousin Natasha and sexy antiques dealer Nicholas--bits of memory start coming back. And then she discovers a pre-Raphaelite painting, hidden behind the false back of an old wardrobe, and a window onto the house's shrouded history begins to open...1849: Imogen Grantham has spent nearly a decade trapped in a loveless marriage to a much older man, Arthur. The one bright spot in her life is her step-daughter, Evie, a high-spirited sixteen year old who is the closest thing to a child Imogen hopes to have. But everything changes when three young painters come to see Arthur's collection of medieval artifacts, including Gavin Thorne, a quiet man with the unsettling ability to read Imogen better than anyone ever has. When Arthur hires Gavin to paint her portrait, none of them can guess what the hands of fate have set in motion.From modern-day England to the early days of the Preraphaelite movement, Lauren Willig's That Summer takes readers on an un-put-downable journey through a mysterious old house, a hidden love affair, and one woman's search for the truth about her past--and herself.

    A story in which every woman will recognize herself...and her best friendJillian Lawton and Lesley Adamski. Two girls from very different backgrounds become best friends in the turbulent O60s, but their circumstances and choices--and their mistakes--take them in opposite directions. Lesley stays in their hometown. She marries young, living a life defined by the demands of small children, never enough money, and an unfaithful husband. Jill lives those years on a college campus shaken by the Vietnam War, and then as an idealistic young lawyer in New York City.But they always remain friends.Through the years and across the miles, Jill and Lesley confide everything to each other--every grief and joy. Because the quality of a friendship is the quality of a life.

    It was the early 1850's and he was a penniless immigrant, an orphan cast on a hostile shore to make a home for himself and his younger brother and infant sister. Some seventy years later, from his deathbed, Joseph Armagh last glimpsed his adopted land from the gleaming windows of a palatial estate. A multi-millionaire, one of the most powerful and feared men, Joseph Armagh had indeed found a home. CAPTAINS AND KINGS is the story of the price that was paid for it in the consuming, single-minded determination of a man clawing his way to the top; in the bitter-sweet bliss of the love of a beautiful woman; in the almost too-late enjoyment of extraordinary children; and in the curse which used the hand of fate to strike in the very face of success itself.Once again, Taylor Caldwell has looked into America's roistering past as a setting for a drama of the consequences of savage ambition - and its meaning then and now.

    Three generations of women. A lifetime of love. In Paris, 1958, Grace Kelly’s royal wedding dress is still all the rage in fashion circles. Rose, a seamstress at a famous atelier, has just been entrusted with sewing another gown in its image. An orphan, she needs her job to survive. But when Rose finds herself in love with the bride’s handsome brother, she must decide what matters most: love or security.Sixty years later, Rocky is thrilled to be marrying the love of her life. He truly is her perfect fit. But there’s just one problem: her family’s heirloom wedding dress isn’t. Rocky knows this admission will break her mother’s heart. What she doesn’t know is why her mother is so set on the dress—or about the shocking secret that changed her mother’s life decades before, as she prepared to wear the dress herself. As the wedding day approaches, the mother-daughter pair will finally confront long-buried heartaches, and it might just be the dress that brings them closer than ever.Life-affirming, heartwarming and timeless, Brenda Janowitz’s The Grace Kelly Dress is about the importance of tradition, new and old, and the power of a dress to fulfill even the most impossible of dreams.

    The men blow the glass, and the women decorate and pack it. But when Joost Steinmann passes away unexpectedly one September night, his three daughters must learn to fend for themselves. While feisty Johanna takes a practical approach to looking for work, Ruth follows her heart, aiming to catch the eye of a handsome young villager. But it is dreamy, quiet Marie who has always been the most captivated by the magic—and sparkling possibilities—of the craft of glassblowing. As the spirited sisters work together to forge a brighter future for themselves on their own terms, they learn not only how to thrive in a man’s world, but how to remain true to themselves—and their hearts—in the process.

    On her own. The hard way. She built her part-time business up from nothing and made it successful through her imagination, creativity, and hard work. She has two great children and Dennis, a husband she loves completely.Then, one evening, when Claire returns from a difficult business trip, Dennis hands her divorce papers along with a court order to vacate their house. Claire is devastated. She had no idea her marriage was on the brink of disaster, that Dennis had been planning this ambush for weeks, if not months, or that her hectic but happy life was about to come crashing down around her.Claire doesn't know where to turn or whom to trust. But in a few short weeks she learns what so many women have had to discover—that when the going gets tough, a woman's as tough as she needs to be.

    . . We're taking a break.''A city-with-fancy-food sort of break?'If only.Amy's husband Hugh says he isn't leaving her.He still loves her, he's just taking a break - from their marriage, their children and, most of all, from their life together. Six months to lose himself in south-east Asia. And there is nothing Amy can say or do about it.Yes, it's a mid-life crisis, but let's be clear: a break isn't a break up - yet . . .However, for Amy it's enough to send her - along with her extended family of gossips, misfits and troublemakers - teetering over the edge.For a lot can happen in six-months. When Hugh returns if he returns, will he be the same man she married? And will Amy be the same woman?Because if Hugh is on a break from their marriage, then isn't she?The Break isn't a story about falling in love but about staying in love. It is Marian Keyes at her funniest, wisest and brilliant best.

    Uprooted by war, Miriam enters a world where the old constraints slip away with thrilling and disastrous results. Miriam’s rebellious daughter, Nadia, is thrilled with the opportunity for a modern life that her elite education provides. But when she falls in love with an outsider, the clan reins her back with a shocking finality. Nijmeh, Nadia's daughter, is an only child and the path her father, the sheik, sets for her is fraught with difficulties, yet it prepares her for her ultimate journey to America, where she finds her future.Each woman, in her own time and in her own way, experiences a world in transition through war and social change...and each must stretch the bounds of her loyalty, her courage, and her heart.

    He even wants to marry her off, at just sixteen years old, to a man she does not love. Lion-hearted Charlotte wants to defy him – but to protect her brothers from his fury she agrees to become the wife of Brooke Armstrong. Brooke welcomes her brothers into his home and sets out to make her love him.

    Slightly against his better judgement he took them in, fed them cocoa, and put them to sleep in his bed. A few days later he found that - somehow - he had become the unofficial guardian of Horace and Ethel. It was him, the orphanage, or separation for the gutsy little pair who would have to be farmed out to anyone who would take them, and Jim felt a sudden affinity for the two cheeky cockney kids. The first thing he had to do was find fresh lodgings for them all.Miss Rebecca Pilgrim was a woman of strict Victorian principles, eminently respectable, and determined to keep her privacy intact. She had reckoned without her new lodgers - Horace, Ethel and, above all, the irrepressible Jim Cooper. And thus began the humanizing of Miss Pilgrim, who turned out to be younger, prettier, and far gentler than any of them had suspected.

     At thirty-five, Gabriella Graham—“Ella” to her family and friends—has already made a name for herself as a successful portrait artist in London. She can capture the essential truth in each of her subjects’ faces—a tilt of the chin, a glint in the eye—and immortalize it on canvas. This gift has earned Ella commissions from royals and regular folks alike.But closer to home, Ella finds the truth more elusive. Her father abandoned the family when she was five, and her mother has remained silent on the subject ever since. Ella’s sister, Chloe, is engaged to Nate, an American working in London, but Ella suspects that he may not be so committed. Then, at Chloe’s behest, Ella agrees to paint Nate’s portrait.From session to session, Ella begins to see Nate in a different light, which gives rise to conflicted feelings. In fact, through the various people she paints—an elderly client reflecting on her life, another woman dreading the prospect of turning forty, a young cyclist (from a photograph) who met a tragic end—Ella realizes that there is so much more to a person’s life than what is seen on the surface, a notion made even clearer when an unexpected email arrives from the other side of the world. And as her portraits of Nate and the others progress, they begin to reveal less about their subjects than the artist herself.A picture is worth a thousand words, and in Isabel Wolff’s vibrant and textured story, these words are brilliantly crafted to convey the humor, mystery, and beauty that exists within each of us.

    Hedged in by her parents' genteel country life, she plans her escape to London. There, she takes up with Innes Kent, a magazine editor who wears duck-egg blue ties and introduces her to the thrilling, underground world of bohemian, post-war Soho. She learns to be a reporter, to know art and artists, to embrace her life fully and with a deep love at the center of it. She creates many lives--all of them unconventional. And when she finds herself pregnant, she doesn't hesitate to have the baby on her own. Later, in present-day London, a young painter named Elina dizzily navigates the first weeks of motherhood. She doesn't recognize herself: she finds herself walking outside with no shoes; she goes to the restaurant for lunch at nine in the morning; she can't recall the small matter of giving birth. But for her boyfriend, Ted, fatherhood is calling up lost memories, with images he cannot place. As Ted's memories become more disconcerting and more frequent, it seems that something might connect these two stories-- these two women-- something that becomes all the more heartbreaking and beautiful as they all hurtle toward its revelation. Here Maggie O'Farrell brings us a spellbinding novel of two women connected across fifty years by art, love, betrayals, secrets, and motherhood. Like her acclaimed The Vanishing Act of Esme Lennox, it is a "breathtaking, heart-breaking creation." (The Washington Post Book World) and it is a gorgeous inquiry into the ways we make and unmake our lives, who we know ourselves to be, and how even our most accidental legacies connect us.

    (Jackie K Cooper, The Huffington Post)Texas in the early 1900s was on the cusp of an oil boom that, unbeknownst to its residents, would spark a period of dramatic changes and economic growth. In the midst of this transformative time in Southern history, two unforgettable characters emerge and find their fates irrevocably intertwined: Samantha Gordon, the privileged heiress to the sprawling Las Tres Lomas cattle ranch near Fort Worth, and Nathan Holloway, a sweet-natured and charming farm boy from far north Texas. As changes sweep the rustic countryside, Samantha and Nathan's connection drives this narrative compulsively forward as they love, lose, and betray. In this grand yet intimate novel, Meacham once again delivers a heartfelt, big-canvas story full of surprising twists and deep emotional resonance. LOOK FOR LEILA MEACHAM'S HISTORICAL WWII EPIC, DRAGONFLY, COMING JULY 2019.

    Set in Lancashire in the 1860s, this is the story of Emma Grady, who lives with her uncle, a tough mill owner who tries to trick her out of her inheritance.

    This sudden solitude compels Joan to assess her life for the first time ever and face up to many of the truths about herself. Looking back over the years, Joan painfully re-examines her attitudes, relationships and actions and becomes increasingly uneasy about the person who is revealed to her.