At the dawn of the eighteenth century, Scottish maid Katherine is lured into political dissent after her parents are butchered for their beliefs. In present-day Australia, Paisley navigates her way through the burning torches of small-town gossip after her mother’s new-age shop comes under scrutiny.

    Time falls away as she confronts perils far beyond mortal comprehension and must finally make the decision she has been avoiding for almost a millennium.

    In a California of the ’60s and ’70s, characters examine the contents of deceased relatives’ freezers, tape-record high-school locker-room chatter, or collect a community’s gossip while cleaning the teeth of its inhabitants. Mr. Darcy is the captain of the football team, Mansfield Park materializes in a suburb of L.A., bake sales replace balls, and station wagons, not horse-drawn carriages, are the preferred mode of transit. The stories of traversing class, race, and gender leap into our modern world with wit and humor.

    Falling under the de Greys’ spell, Alice believes the family will heal her own past sorrows. But then the twins’ adoration becomes deceitful and taunting. Their father, ever distant, turns spiteful and cruel. The manor itself seems to lash out. Alice finds her surroundings subtly altered, her air slightly chilled. Something malicious resents her presence, something clouding her senses and threatening her very sanity.In present day New York, art gallery curator Rachel Wright has learned she is a descendant of the de Greys and heir to Winterbourne. Adopted as an infant, she never knew her birth parents or her lineage. At long last, Rachel will find answers to questions about her identity that have haunted her entire life. But what she finds in Cornwall is a devastating tragic legacy that has afflicted generations of de Greys. A legacy borne from greed and deceit, twisted by madness, and suffused with unrequited love and unequivocal rage.

    . .New York City, 1913. Twenty-year-old Louise Faulk has fled Altoona, Pennsylvania, to start a life under dizzying lights. In a city of endless possibilities, it's not long before the young ingenue befriends a witty aspiring model and makes a splash at the liveliest parties on the Upper East Side. But glitter fades to grit when Louise's Greenwich Village apartment becomes the scene of a violent murder and a former suitor hustling for Tin Pan Alley fame hits front-page headlines as the prime suspect . . .Driven to investigate the crime, Louise finds herself stepping into the seediest corners of the burgeoning metropolis--where she soon discovers that failed dreams can turn dark and deadly . . .

    Ruan's has lived his life in the seclusion of the monastery. But a badly wounded knight on a mission from the Elvenking, a beautiful and mysterious stranger who walks as both woman and beast, and a warrior king call him out of the cloister's walls into the wars and storms of the world. For he is neither mortal nor human, though he has long tried to live as both; and he can deny neither his nature nor his powerful magic.Winner of the Crawford Award, and Locus Award nominee for Best First Novel.

     Maddie is restless in London. She has friends, a job and a sort-of boyfriend, but something in her life is missing. Then she visits the ancient village of Walditch, deep in the Dorset countryside. Something stirs in her, and on a whim she buys a centuries-old cottage and moves there three months later. Her friends think she's crazy, but for Maddie it feels like coming home. Late at night in the cottage, Maddie hears strange noises and sees mist gathering indoors and out. When she starts investigating the cottage's history, she becomes drawn into the tragic story of a family who lived here 400 years ago. Meanwhile, Maddie starts to fall in love with a local carpenter – but he has a relationship already... Can Maddie solve the riddle of the past? What is her connection with the family that lived there so many years ago? And can she and her true love ever be together? Previously published as The Forgotten Promise.

    But not even she could have foreseen the terror that would befall her one sultry Mississippi evening in the summer of 1807.On her way back from a visit to see the African woman, a witch who has the herbs Luna needs to rid her of her abusive master’s child, she attracts the attention of a deadly being that lusts for blood. Forcibly removed from everything she knows by this tormented otherworldly creature, she is sure she will be dead by sunrise.Dark Genesis is a love story set against the savage world of slavery in which a young woman who has been dehumanised by its horrors finds the courage to love, and in doing so, reclaims her humanity.

    We are shown the matriarchs around whom their families spin; but whether they direct their children gently or forcefully, in the end they have to accept them as they are.

    With her specialist's knowledge and demure disposition, Hannah is requested to aid the investigation. Except Hannah discovers her role is to apologise in the wake of the rude and disgraced man tasked with finding the murderer. The obnoxious Viscount Wycliff thinks to employ Hannah purely as a front to satisfy Whitehall, but she'll have none of that. The two must work together to find the murderer before the season is ruined. But the viscount is about to meet his greatest challenge, and it's not a member of the ton with a hankering for brains.

    At first glance one might be disposed to dismiss Miss Towers as an imitation Jane Austen, but it would be a mistaken judgment, for her cool detachment and ironic eye are directed more often than not against the sensible breeze that blasts and withers, the forthright candour that kills the soul. Miss Towers flashes and shines now this way, now that, like a darting sunfish.' 'At her best her prose style is a shimmering marvel,' wrote the Independent on Sunday, 'and few writers can so deftly and economically delineate not only the outside but the inside of a character…There's always more going on than you can possibly fathom.' And the Guardian said: 'Her social range may not be wide, but her descriptions are exquisite and her tone poised between the wry and the romantic.' Five of the stories were read on BBC Radio 4.

    In the apartment of Oliver's old professor at Cambridge, there is a painting on the wall, a mysterious depiction of masked revelers at the Venice carnival. On this cold winter's night, the old professor has decided to reveal the painting's eerie secret. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty.By the renowned storyteller Susan Hill--whose first ghost story, The Woman in Black, has run for eighteen years as a play in London's West End--here is a new take on a form that is fully classical and, in Hill's able hands, newly vital. The Man in the Picture is a haunting tale of loss, love, and the very basest fear of our beings.

    Damien Cole. Ignoring the whispered warnings and rumours that he's a man to fear, she takes her position at his eerie estate, where she quickly discovers that nothing is at it seems, least of all her handsome and brooding employer. As Darcie struggles with her fierce attraction to Damien, she must also deal with the blood, the disappearances ... and the murders.With her options dwindling and time running out, Darcie must rely on her instincts as she confronts the man she falling in love with. Is he an innocent and misunderstood man ... or a remorseless killer who prowls the East End streets?Note: All books in the Dark Gothic series can be read as stand-alone novels.

    doomed to perish in tortures the most severe'Shocking, erotic and violent, The Monk is the story of Ambrosio, torn between his spiritual vows and the temptations of physical pleasure. His internal battle leads to sexual obsession, rape and murder, yet this book also contains knowing parody of its own excesses as well as social comedy. Written by Matthew Lewis when he was only nineteen, it was a ground-breaking novel in the Gothic Horror genre and spawned hundreds of imitators, drawn in by its mixture of bloodshed, sex and scandal.

    Times are hard. Anne Chatham is a clever, modest young woman with little money, no prospects for marriage, and a never-shared secret—she can see spirits. Anne finds employment as a typist at Northfield House, the grand country manor of the Wellington family. Her employer, the wheelchair-bound Mr. Wellington, is kindly. His haughty wife is not. He has two handsome sons, the wry and dashing Thomas and the dark and somber Owen. Anne feels sure her prayers have been heard. Until the terrifying night she stumbles upon a tortured spirit roaming the dark halls of Northfield, a spirit that only she can see. In a search for answers, she finds herself drawn to Owen as they unearth a tragic story from the Wellington family’s past—a beautiful young bride gone missing on her wedding day. Then tragedy strikes again on the night of a glittering masquerade ball...