She chooses the Metropolitan Museum of Art in New York City. Knowing her younger brother Jamie has money and thus can help her with a serious cash-flow problem, she invites him along.Once settled into the museum, Claudia and Jamie find themselves caught up in the mystery of an angel statue that the museum purchased at auction for a bargain price of $225. The statue is possibly an early work of the Renaissance master, Michelangelo, and therefore worth millions. Is it? Or isn’t it? Claudia is determined to find out. Her quest leads her to Mrs. Basil E. Frankweiler, the remarkable old woman who sold the statue, and to some equally remarkable discoveries about herself.

    So when a new family moves into the house across the street, Betsy hopes they will have a little girl she can play with. Sure enough, they do—a little girl named Tacy. And from the moment they meet at Betsy's fifth birthday party, Betsy and Tacy become such good friends that everyone starts to think of them as one person—Betsy-Tacy.Betsy and Tacy have lots of fun together. They make a playhouse from a piano box, have a sand store, and dress up and go calling. And one day, they come home to a wonderful surprise—a new friend named Tib.Ever since their first publication in the 1940's, the Betsy-Tacy stories have been loved by each generation of young readers.

    Carlos arrives a few days early and goes missing from Everest base camp. A yeti sighting was reported nearby. Did he go after it? Or was Carlos onto the trail of something else? "I know that cry. It's the battle cry of the Yeti! We must get help and come back for Carlos." "Why are they angry?" you ask Runal. "Too many people have tormented them. We must go." The rescue helicopter lies smashed on the snow. There is no sign of the pilot, just giant Yeti footprints, leading off to the icefall?the death zone. If you follow the prints, turn to page 56. If you stay at the wreckage, hoping for help, turn to page 57." YOU choose what happens next!

    Twelve-year-old Marco knows he is being trained for something, but he isn't sure what. All his life he has traveled with his father in secrecy, learning many languages and the ways of a gentleman, but forbidden to speak about their country of origin, Samavia. Samavia has been fraught with war for the last 500 years, ever since the prince mysteriously disappeared. But now, there is hope that peace may come at last, as it has been rumored that a descendant of the lost prince may have been found.

    As well as many friends, along the way they encounter the wicked Banksia Men.

    But one stormy August day, furious flood water carry him off and dump him on an uninhabited island. Despite his determination and stubborn resourcefulness--he tried crossing the river with boats and ropes and even on stepping-stones--Abel can't find a way to get back home. Days, then weeks and months, pass. Slowly, his soft habits disappear as he forages for food, fashions a warm nest in a hollow log, models clay statues of his family for company, and continues to brood on the problem of how to get across the river--and home. Abel's time on the island brings him a new understanding of the world he's separated from. Faced with the daily adventure of survival in his solitary, somewhat hostile domain, he is moved to reexamine the easy way of life he had always accepted and discovers skills and talents in himself that hold promise of a more meaningful life, if and when he should finally return to Mossville and his dear Amanda again.

    War has always been a game to him, and he’s eager to glimpse it firsthand–until the freighter he and his mother are traveling to the United States on is torpedoed.   When Phillip comes to, he is on a small raft in the middle of the sea. Besides Stew Cat, his only companion is an old West Indian, Timothy. Phillip remembers his mother’s warning about black people: “They are different, and they live differently.”    But by the time the castaways arrive on a small island, Phillip’s head injury has made him blind and dependent on Timothy.

    A wonderful story of triumph over imperfection, shame, and loss.

    For Milo, everything’s a bore. When a tollbooth mysteriously appears in his room, he drives through only because he’s got nothing better to do. But on the other side, things seem different. Milo visits the Island of Conclusions (you get there by jumping), learns about time from a ticking watchdog named Tock, and even embarks on a quest to rescue Rhyme and Reason! Somewhere along the way, Milo realizes something astonishing. Life is far from dull. In fact, it’s exciting beyond his wildest dreams. . . .

    For one thing, he can talk. For another, he's got the power to travel through time. And the instant he tells this to Jason, the two of them are in ancient Egypt, on the first of nine amazing adventures that Jason will never forget.

    Whether it's watching over the other dogs of Steamboat Springs, Colorado, or taking care of his human pup, Jack, McKinley never even thinks of letting anyone down -- until he meets Lupin. Lupin is a she-wolf and she's urging the dogs of Steamboat Springs to leave their domesticated lives and join her wild pack. And though she scares McKinley, he also finds himself drawn to her and the life of freedom that she offers.For the first time, McKinley's loyalties are torn. Should he stay with his humans and continue to lead the dogs of Steamboat Springs? Or should he join the wolf and live freely, like his ancestors did? When the wild calls, what will McKinley's answer be?

    Hans Brinker, or The Silver Skates went through more than 100 editions during the author's lifetime alone. First published in 1865, this replica of the 1917 edition features the exquisite illustrations by Alice Carsey, whose sensitive eye and delicate pen-and-ink lines enliven the tale of the poor but virtuous Dutch boy in a way that few other artists have achieved. This replica edition brings the enchanting work of Dodge and Carsey to a new generation of children. Author and editor Mary Mapes Dodge (1831-1905) was born in New York City. She served as editor of the children's magazine St. Nicholas, to which she attracted such writers as Mark Twain, Louisa May Alcott, Robert Louis Stevenson, Frances Hodgson Burnett, and Rudyard Kipling. She also authored the short-fiction collection Irvington Stories (1864).

    When he befriends Attean, an Indian chief's grandson, he is invited to join the Beaver tribe and move north. Should Matt abandon his hopes of ever seeing his family again and go on to a new life?

    She'd rather hunt than sew and plow than bake, and tries to beat her brother's dares every chance she gets. Caddie is friends with Indians, who scare most of the neighbors -- neighbors who, like her mother and sisters, don't understand her at all. Caddie is brave, and her story is special because it's based on the life and memories of Carol Ryrie Brink's grandmother, the real Caddie Woodlawn. Her spirit and sense of fun have made this book a classic that readers have taken to their hearts for more than seventy years.

    To get home, she must find the wonderful wizard in the Emerald City of Oz. On the way she meets the Scarecrow, the Tin Woodman and the Cowardly Lion. But the Wicked Witch of the West has her own plans for the new arrival... will Dorothy ever see Kansas again?