But they all made a significant contribution to the cultural and intellectual history of America and ultimately changed the course of the twentieth century, in spite of the men who often undervalued or dismissed their work. These ten women—Dorothy Parker, Rebecca West, Hannah Arendt, Mary McCarthy, Susan Sontag, Pauline Kael, Joan Didion, Nora Ephron, Renata Adler, and Janet Malcolm—are united by what Dean calls “sharpness,” the ability to cut to the quick with precision of thought and wit. Sharp is a vibrant depiction of the intellectual beau monde of twentieth-century New York, where gossip-filled parties at night gave out to literary slugging-matches in the pages of the Partisan Review or the New York Review of Books. It is also a passionate portrayal of how these women asserted themselves through their writing in a climate where women were treated with extreme condescension by the male-dominated cultural establishment. Mixing biography, literary criticism, and cultural history, Sharp is a celebration of this group of extraordinary women, an engaging introduction to their works, and a testament to how anyone who feels powerless can claim the mantle of writer, and, perhaps, change the world.

    The portrait that emerges is a life during a time of turmoil that is just reaching creative renewal, only to be cut short by an act of delusional violence.Rosen’s work reveals a very human side of this beloved cultural icon, giving the reader a compelling account of John’s solitary struggle to create a meaningful life in the glaring spotlight of fame. The addition of photos throughout the book places the reader in Lennon’s environs, adding a strong visual dimension.

    She'd sit at the table in silent protest, hide uneaten toast in her bedroom, listen to parental threats that she'd have to eat it for breakfast.But in any life a set of circumstance can collide, and normal behavior might soon shade into something sinister, something deadly.Lighter Than My Shadow is a hand-drawn story of struggle and recovery, a trip into the black heart of a taboo illness, an exposure of those who are so weak as to prey on the vulnerable, and an inspiration to anybody who believes in the human power to endure towards happiness.

    Dan survived a plane crash from which sixteen of the twenty-two people on board were killed. He was left critically injured and woke up from a six-week-long coma with a broken neck, broken skull, severe head trauma, a collapsed lung, and other serious internal injuries. Against all odds, Dan recovered and went on to become one of the greatest competitive skydiver in the world. With the love and support of friends and family, Dan was able not only to resurrect his life but return to skydiving to achieve greater heights than he could have ever imagined. His techniques and methods for excelling are applicable to all people, no matter their goals. Dan uses his experiences to teach the lessons he's learned--as a competitor, coach, business owner, father, and husband--to help others achieve their dreams, overcome obstacles, and reach their peak performance.

    It left the business of rock stardom to rock stars. But by 1992 alternative rock had spawned a revolution in music and style that transformed youth culture and revived a moribund music industry. Five years later, alternative rock was over, leaving behind a handful of dead heroes, a few dozen masterpieces, and a lot more questions than answers. What, if anything, had the alternative revolution meant? And had it been possible - as so many of its heroes had insisted - for it to be both on MtV and under the radar? Had it used the machinery of corporate rock to destroy corporate rock? In ENtERtAIN US! Craig Schuftan takes you on a journey through the nineties - from Sonic Youth's 'Kool thing' to Radiohead's 'Kid A', NEVERMIND to ODELAY, Madchester to Nu-Metal, Lollapalooza to Woodstock '99 - narrated in the voices of the decade's most important artists. this is the story of alternative rock - the people who made it, the people who loved it, the industry that bought and sold it, and the culture that grew up in its wake - in the last decade of the twentieth century.

    The American icon was the backbone of the New York Yankees through ten World Series Championships, managed the National League Champion New York Mets in 1973, and had an ingenious way with words that remains an indelible part of our lexicon. But no one knew him like his family did. My Dad, Yogi is Dale Berra's chronicle of his unshakeable bond with his father, as well as an intimate portrait of one of the great sports figures of the 20th Century.When Yogi wasn't playing or coaching, or otherwise in the public eye, he was home in the New Jersey suburbs, spending time with his beloved wife, Carmen, and his three boys, Larry, Tim, and Dale. Dale presents -- as only a son could -- his family's history, his parents' enduring relationship, and his dad's storied career. Throughout Dale's youth, he had a firsthand look at the Major Leagues, often by his dad's side during Yogi's years as a coach and manager. The Berra's lifelong family friends included Joe DiMaggio, Mickey Mantle, and Whitey Ford. It's no coincidence that all three Berra sons were inspired to play sports constantly, and that all three became professional athletes, following in their dad's footsteps.Dale came up with the Pittsburgh Pirates, contributing to their 1979 championship season and emerging as one of baseball's most talented young players. After three strong seasons, Dale was traded to New York, briefly united with his dad in the Yankee dugout. But there was also an extraordinary challenge developing. Dale was implicated in a major cocaine scandal involving some of the biggest names in the sport, and his promising career was ultimately cut short by his drug problem. Yogi supported his son all along, eventually staging the intervention that would save Dale's life, and draw the entire family even closer. My Dad, Yogi is Dale's tribute to his dad -- a treat for baseball fans and a poignant story for fathers and sons everywhere.

    Through interviews with all of the principal troublemakers, Martin Popoff celebrates the formation of the band and the records that made them legends: Motörhead, Overkill, Bomber, Ace of Spades, No Sleep ’til Hammersmith, and Iron Fist. An in-depth coda brings the story up to date with the shocking recent deaths of Taylor and Kilmister.Motörhead comes to life in this book as bad-luck bad boys — doused in drink and drugs, most notably speed — incapable of running their lives right, save for Fast Eddie, who is charged with holding things together. Popoff also examines the heady climate of music through the band’s rise to prominence during the New Wave of British Heavy Metal, with detailed reflection on Motörhead’s unique position in the scene as both originators and embattled survivors who carried on the renegade spirit of those times.

    This combustible blend of creative brilliance produced some of the most acclaimed, audacious, and  innovative programming of the eighties, including a black and white tribute to film noir, with an introduction by Orson Welles; a parody of Shakespeare’s The Taming of the Shrew, written in iambic pentameter; an homage to The Honeymooners; and countless metafictive episodes breaking through the fourth wall — almost unheard of at the time for hourlong comedy-dramas. Without a doubt, Moonlighting helped pave the way for the era of prestige television we are now all enjoying.  The real story of this pioneering television series and the extraordinary behind-the-scenes challenges, battles, and rewards has never been told  — until now, Author Scott Ryan (The Last Days of Letterman, thirtysomething at thirty: an oral history, The Blue Rose, Scott Luck Stories) conducted over twenty interviews with the actors, writers, directors, and producers who made Moonlighting such a dynamic, unforgettable show, delving deep into their thoughts and feelings as they relive this magical moment in pop culture history in this full color oral history.   New Interviews with: Cybill Shepherd (Maddie Hayes), Allyce Beasley (Ms. Dipesto), Curtis Armstrong (Herbert Viola), Glenn Gordon Caron Creator, Executive Producer, Writer Jay Daniel Executive Producer, Director Roger Director Writer, Producer, Season 4 Showrunner Allan Arkush Director Bob Butler and more.

    Celebrated for her audacious talent and trailblazing style, Grace became one of the most unforgettable, free-spirited characters to emerge from the historic Studio 54, recording glittering disco classics such as I Need a Man and La Vie en Rose. Her provocative shows in underground New York nightclubs saw her hailed as a disco queen, gay icon, and gender defying iconoclast.In 1980, the always ambitious Grace escaped a crowded disco scene to pursue more experimental interests. Her music also broke free, blending house, reggae, and electronica into a timeless hybrid that led to classic hits such as Pull Up to the Bumper and Slave to the Rhythm. In the memoir she once promised never to write, Grace offers an intimate insight into her evolving style, personal philosophies, and varied career—including her roles in the 1984 fantasy-action film Conan the Destroyer alongside Arnold Schwarzenegger and the James Bond movie A View to a Kill.Featuring sixteen pages of stunning full-color photographs, many from her own personal archive, I’ll Never Write My Memoirs follows this ageless creative nomad as she rejects her strict religious upbringing in Jamaica; conquers New York, Paris, and the 1980s; answers to no-one; and lives to fight again and again.s.

    In this riveting and nuanced portrayal, acclaimed sports writer Mark Kram, Jr. unlinks Frazier from Ali and for the first time gives a full-bodied accounting of Frazier’s life, a journey that began as the youngest of thirteen children packed in small farm house, encountering the bigotry and oppression of the Jim Crow South, and continued with his voyage north at age fifteen to develop as a fighter in Philadelphia.Tracing Frazier’s life through his momentous bouts with the likes of Ali and George Foreman and the developing perception of him as the anti-Ali in the eyes of blue-collar America, Kram follows the boxer through his retirement in 1981, exploring his relationship with his son, the would-be heavyweight Marvis, and his fragmented home life as well as the uneasy place that Ali continued to occupy in his thoughts.A propulsive and richly textured narrative that is also a powerful story about race and class in America, Smokin' Joe is unparalleled in its scope, depth, and access and promises to be the definitive biography of a towering American figure whose life was galvanized by conflict and whose mark has proven lasting.

    It's Gossip Girl meets Six Feet Under, told from the unique perspective of a fashionista turned funeral planner.Elizabeth Meyer stumbled upon a career in the midst of planning her own father's funeral, which she turned into an upbeat party with Rolling Stones music, thousands of dollars worth of her mother's favorite flowers, and a personalized eulogy. Starting out as a receptionist, Meyer quickly found she had a knack for helping people cope with their grief, as well as creating fitting send-offs for some of the city's most high-powered residents.Meyer has seen it all: two women who found out their deceased husband (yes, singular) was living a double life, a famous corpse with a missing brain, and funerals that cost more than most weddings. By turns illuminating, emotional, and darkly humorous, Good Mourning is a lesson in how the human heart grieves and grows, whether you're wearing this season's couture or drug-store flip-flops.

    Collating classic music press and glossy magazine articles, Morrissey in Conversation describes the rocker's crazy-quilt career in his own words. It’s all here — how the Smiths created 1980s indie rock; the anti-rock credentials, feminist sympathies, and militant vegetarianism; Morrisey’s obsession with pop culture and girl groups, his (a)sexuality, and sardonic salvos against the mediocre. This is the story of how one man bewitched the ‘80s, peaked in the ‘90s, and triumphed in the new millennium.

    Intended to gather intelligence and carry out sabotage and assassinations, the unit consisted of Jews who were native to the Arab world and could thus easily assume Arab identities. In 1948, with Israel’s existence in the balance during the War of Independence, our spies went undercover in Beirut, where they spent the next two years operating out of a kiosk, collecting intelligence, and sending messages back to Israel via a radio whose antenna was disguised as a clothesline. While performing their dangerous work these men were often unsure to whom they were reporting, and sometimes even who they’d become. Of the dozen spies in the Arab Section at the war’s outbreak, five were caught and executed. But in the end the Arab Section would emerge, improbably, as the nucleus of the Mossad, Israel’s vaunted intelligence agency.Spies of No Country is about the slippery identities of these young spies, but it’s also about Israel’s own complicated and fascinating identity. Israel sees itself and presents itself as a Western nation, when in fact more than half the country has Middle Eastern roots and traditions, like the spies of this story. And, according to Friedman, that goes a long way toward explaining the life and politics of the country, and why it often baffles the West. For anyone interested in real-life spies and the paradoxes of the Middle East, Spies of No Country is an intimate story with global significance.

    He pleaded Not Guilty. Each of Shipman's alleged victims was middle-aged or elderly and each was his patient and neighbour. The macabre exhumations of some of the bodies devastated the suburban community of Hyde in Greater Manchester, and it is the authors' inside knowledge of the region that provides the context for their investigation of the case.

    A world-renowned investigative criminologist, he has gained the trust of murderers across the world, entered their high security prisons, and discussed in detail their shocking crimes. The killers' pursuit of horror and violence is described through the unique audiotape and videotape interviews which Berry-Dee conducted, deep inside the bowels of some of the world's toughest prisons. Christopher Berry-Dee has collated these interviews into this astounding, disturbing book. Not only does he describe his meetings with some of the world's most evil men and women, he also reproduces, verbatim, their very words as they describe their crimes, allowing the reader a glimpse into the inner workings of the people who have committed the worst crime possible—to mercilessly take the life of another human being.