And though her family has turned her into a despised servant, Maia must always pretend to be happy, or else they'll all be struck dead by the curse.Anax, heir to the Duke of Sardis, doesn't believe in love either—not since he discovered that his childhood sweetheart was only using him for his noble title. What's the point of pretending to fall in love with a girl just so she'll pretend to fall in love with him back? But when his father invites all the suitable girls in the kingdom to a masked ball, Anax must finally give in and select a wife.As fate would have it, the preparations for the masquerade bring him Maia, who was asked by her eldest stepsister to deliver letters to Anax. Despite a prickly first encounter, he is charmed and intrigued by this mysterious girl who doesn't believe in love. Anax can't help wishing to see her again—and when he does, he can't help falling in love with her. Against her will, Maia starts to fall in love with him too. But how can she be with him when every moment his life is in danger from her mother's deadly bargain?

    The family -- which refuses to believe in him -- is in Wilde's way a commentary on the British nobility of the day -- and on the Americans, too. The tale, like many of Wilde's, is rich with allusion, but ends as sentimental romance...

    Once a provincial nobody with a ruined family, Marius only had one way to power: through the sword. Years later, he writes to his protege Quintus Sertorius, explaining to him how he rose through the ranks of the Roman legions to become the most powerful man in the Republic. He wants to encourage and inspire the young man but gets lost in the retelling of his first experience of war, love, and killing. A polarizing man from the beginning, Marius was doomed to have people singing his praises or cursing his name. Now, for the first time, Marius speaks for himself.

    This new case in particular puts his mandate to the test.

    Fogg’s madhouse—but ‘anything’ turns out to be more than she bargained for when she finds herself working for a man suspected of worse than murder.As Johanna is plunged from the horror of Sawney Reynard’s barber shop into the foul, lawless labyrinth at the heart of London, will she--or anyone--get out alive?A 15,000-word story, first published as part of the anthology All In Fear.

    A young English gentleman of means, Aubrey is immediately intrigued by Lord Ruthven, the mysterious newcomer among society’s elite. His unknown origin and curious behavior tantalizes Aubrey’s imagination. But the young man soon discovers a sinister character hidden behind his new friend’s glamorous facade.   When the two are set upon by bandits while traveling together in Europe, Ruthven is fatally injured. Before drawing his last breath, he makes the odd request that Aubrey keep his death and crimes secret for a year and a day. But when Ruthven resurfaces in London—making overtures toward Aubrey’s sister—Aubrey realizes this immortal fiend is a vampyre.   John William Polidori’s The Vampyre is both a classic tale of gothic horror and the progenitor of the modern romantic vampire myth that has been fodder for artists ranging from Anne Rice to Alan Ball to Francis Ford Coppola. Originally published in 1819, many decades before Bram Stoker’s Dracula, and misattributed to Polidori’s friend Lord Byron, The Vampyre has kept readers up at night for nearly two hundred years.

    Her father blames her when one of her sisters is one of the taken.

    An FBI agent falls in love with a robot built for a suicide mission. A young woman unintentionally cheats on her husband when she is transformed, nightly, into a deer. Two strangers become lovers and find themselves somehow responsible for the resurrection of a dog. A woman tries to start her life anew after the loss of a child but cannot help riddling that new life with lies. Thirteen pregnant teenagers develop a strange relationship with the Founding Fathers of American history. A lonely woman’s fertility treatments become the stuff of science fiction.Magic intrudes. Technology betrays and disappoints. Infidelities lead us beyond the usual conflict. Our bodies change, reproduce, decay, and surprise. With her characteristic unguarded gaze and offbeat humor, Hunt has conjured stories that urge an understanding of youth and mortality, magnification and loss, and hold out the hope that we can know one another more deeply or at least stand side by side to observe the mystery of the world.

    Emma's maid implores the help of Harmon Westbourne, the Earl of Easton, to rescue Emma from her father's home. But Emma's dilemma doesn't end there.

    Immersed in the history, atmosphere and rumours of hauntings, they channelled their darker imaginings into a series of extraordinary new ghost stories.Sarah Perry's intense tale of possession at the Jacobean country house Audley End is a work of psychological terror, while Andrew Michael Hurley's story brings an unforgettably shocking slant to the history of Carlisle Castle. Within the walls of these historic buildings each author has found inspiration to deliver a new interpretation of the classic ghost story.Also includes two afterwords: Andrew Martin's Within These Walls: How the Abbeys and Houses of England Inspired the Ghost Story, and Katherine Davey's A Gazetteer of English Heritage Hauntings, properties which are said to be haunted, including the eight locations which inspired the stories in this book.

    Are their malefactions at the root of the haunting -- or is there something darker, something much more unknowable at work? (Jacketless library hardcover.)

    something that might answer?Dave Burns has asked.Now he, and his friends, might not live long enough to understand the reply.

    “Never go in, miss. Never say a prayer at its door. If you are angry, do not seek revenge by the Laughing Maiden stone or at the threshold of the Tombs. There be those who listen for oaths and vows….What may be said in innocence becomes flesh and blood in such places.”She was born Iris Catherine Villiers. She became Isis.From childhood until her sixteenth year, Iris Villiers wandered the stone-hedged gardens and the steep cliffs along the coast of Cornwall near her ancestral home. Surrounded by the stern judgments of her grandfather—the Gray Minister—and the taunts of her cruel governess, Iris finds solace in her beloved older brother who has always protected her. But when a tragic accident occurs from the ledge of an open window, Iris discovers that she possesses the ability to speak to the dead...Be careful what you wish for…it just may find you.

    And a loving couple’s home renovations awaken a sinister presence. Your journey into terror has begun…Scare Street is proud to present the best in bone-chilling supernatural horror. This volume contains two macabre morsels for your reading pleasure. Each tale transports you on a terrifying journey beyond the veil of death, and into the shadowy world that lies beyond.But as you embark on your trip to the other side, remember not to linger too long. Because once evil traps you in its icy grasp, it may never let go.And your stay might become a bit more permanent than you expected…

    Inside are eight boxes waiting to be picked up by Jodie, the store manager. But something's not quite right about the delivery. Jodie can sense it as soon as she touches the large, coffin-shaped crates: something unnatural and dangerous is stored inside. Almost as soon as the crates are brought into the store, things start to go wrong. Customers seem reluctant to linger. Clothes are thrown off the racks during the middle of the night. And Jodie's co-workers stop answering their phones. As a deadly storm grows on the horizon, Jodie begins to realise just how dangerous the unknown can be.