Soon Sarah and the old lady become friends, and Sarah also gets to know each of the cats' personalities. But when an angry neighbor complains to the town council, they tell Miss Tabitha the cats must go. Then Sarah has an idea: if she can match cats with people, perhaps she can find all her feline friends new homes.

    With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    What will be the outcome of the conflict between smugglers and revenue men? How can the hero, John Trenchard, discover the secret of Colonel John Mohune's treasure? As the book progresses these two interwoven themes resolve themselves into a third and richer one, with the friendship and suffering of both John Trenchard and the craggy, taciturn Elzevir Block. Falkner's feeling for history and for the landscape of his Dorset setting combine with his gift for storytelling to turn Moonfleet into a historical romance of moving intensity.

    When a mysterious carriage brings a visitor to the house, Lucas hopes he’s found a friend at last. But the newcomer, Anna Marie, is unfriendly and spoiled—and French. Just when Lucas thinks things can’t get any worse, disastrous circumstances force him and Anna Marie, parentless and penniless, into the dark and unfriendly streets of Blastburn.

    English novelist and playwright, winner of the Nobel Prize for Literature in 1932, Galsworthy became known for his portrayal of the British upper middle class and for his social satire. The novel begins: The year was 1891, the month October, the day Monday. In the dark outside the railway station at Worsted Skeynes Mr. Horace Pendyce's omnibus, his brougham, his luggage-cart, monopolized space. The face of Mr. Horace Pendyce's coachman monopolized the light of the solitary station lantern. Rosy-gilled, with fat close-clipped grey whiskers and inscrutably pursed lips, it presided high up in the easterly air like an emblem of the feudal system. See other titles by this author available from Kessinger Publishing.

    This irresistible version is illustrated, and has an introduction by, Chris Riddell.This is a luxury edition with both black and white and colour artwork, ribbon marker and metallic blue sprayed edges.It was first published by Macmillan in 1876.

    A Christmas package with two miniature dolls reminds Chrystal of the year she and her best friend Cordelia were thirteen and writing a "romantical" novel...

    A year in the wild turns a scrawny, runty collie pup into the pedigree beauty who wins ribbons and displays the loyalty expected of his line.

    The Indians believe such a horse is sacred -- that neither bullet nor arrow can harm its rider. As they explore the prairie together, a bond forms between Peter and San Domingo that can never be broken. But Peter's father, Jethro Lundy, knows only one love: bargaining. He trades San Domingo for a thoroughbred. How can Peter ever forgive his father? His only choice is to leave home forever!

    Children meet Bragi, the god of poetry, and the famous Valkyrie maidens, among other gods, goddesses, heroes, and giants. Illustrations throughout depict the wondrous other world of Norse folklore and its fantastical Northern landscape.

    Standing head and shoulders above his comrades, Beowulf single-handedly saves the land of the Danes from a merciless ogre named Grendel and then from his sea-hag mother. But it is his third terrible battle, with the death-dragon of the deep, in which he truly meets his match. Lovers of heroes, monsters, and the drama of battle will find this retelling as enthralling as it is tragic.

    Her fears are confirmed when a youth fires a gun at the administrator, but that isn't the only shooting!

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    But after the initial strangeness of a new life is over, life with the Kennedys gets better and better. The Kowalskis make their own young friends; Grandmother Kennedy gradually warms to the newcomers and when Hedy's aunt returns to try to claim her, new love and security keep Hedy where she is.

    Lenoble de Beaubocage, but he did not insist upon this distinction; and on sending out his only son to begin the battle of life in the great world of Paris, he recommended the young man to call himself Lenoble, tout court.