The adventures of Old Shatterhand, the young German adventurer, and Winnetou, the young Apache chief. During his first journey into the Wild West, a young greenhorn—Karl May, the adventurer—meets a young Apache, called Winnetou, while performing his job as a railroad surveyor in the Wild West. The first encounter is not at all amicable and during a violent Indian attack, the young German is near-fatally wounded. He is taken to the Apache pueblo to be nursed back to health, destined to die by torture at the stake…

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    Stanton devoted her life to the cause of advancing the political, legal, and social standing of women, and she became its most eloquent spokesperson. Whereas Susan B. Anthony, her "steadfast friend for half a century," had a gift for organizing and mobilizing women to take action, Stanton's talent was for publicizing the key issues of the movement and speech writing. This talent is evident on every page of this autobiography, which records as much about the cause that was her life's work as it does about her personal reminiscences.Here she vividly describes the momentous occasion of organizing the Seneca Falls Convention in the summer of 1848, her first speech before the New York State legislature, the preparation and delivery (by Susan B. Anthony) of the Woman's Declaration of Rights at the national centennial celebration in Philadelphia in 1876, writing the History of Woman Suffrage and The Woman's Bible, plus her views on theology, marriage, and divorce, as well as reminiscences of her parents, husband, and seven children. Two chapters are devoted to Susan B. Anthony, and there are many anecdotes about Lucretia Mott, Matilda Joslyn Gage, and other leading feminists of the day.This fascinating account of history in the making conveys the amazing commitment of all of these pioneering women's rights advocates, against the indifference and derision of what seemed to be a hopelessly patriarchal society. Through it all Stanton displays an unflagging, exuberant optimism and the determination that the noble goal to which she dedicated her life would someday be accomplished.This unabridged edition is enhanced by an introduction by Denise M. Marshall, trustee of the Elizabeth Cady Stanton Foundation.

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    When the mature man finally reaches the source of the river that has haunted his imagination for so many years, he finds that the wellsprings of magic and delight were always there, in the world all around him at the time, inexhaustible and irreverent. Awarded the James Tait Memorial Prize 1937, Highland River is written in prose as cool and clear as the water it describes, and is the simplest, most poetic, and perhaps the greatest of Neil Gunn's novels.

    DC Books' catalog primarily includes books in Malayalam literature, and also children's literature, poetry, reference, biography, self-help, yoga, management titles, and foreign translations.

    Jekyll and Mr. Hyde --The Suicide Club --The bottle imp --The body-snatcher --Olalla.

    He was the leading spirit in the bloody Lincoln County, New Mexico, war. By the age of twenty-one he had killed twenty-one men. His six years of daring outlawry has never been equalled in the annals of criminal history.

    Inheriting his father?s empire at the age of twenty, Alexander resolved to expand it, and by the time of his death at thirty- two, his empire covered most of the known world?from Greece to India?encompassing two million square miles. Comprising selections from the writings of Arrian, Plutarch, and Quintus Curtius Rufus, this definitive biography of the greatest conqueror in history features an introduction on Alexander?s enduring legacy by acclaimed British television personality Michael Wood.

    Includes "The Ghost of Captain Brand," "Tom Chist and the Treasure Box," "Jack Ballister's Fortunes," "The Ruby of Kishmoor," and other tales. Enhanced with 63 of the author's own illustrations, including 11 full-color plates.

    The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing." – Ernest Hemingway, Death in the Afternoon (from Amazon)

    Rose (1815-1899) was a Rocky Mountain trapper and mountain man. No novel was ever written depicting more thrilling encounters with Indians or hair-breadth escapes than were experienced by Isaac Rose and his companions. These are fully recounted in a volume entitled, "Four Years in the Rockies," the authorship of which is accredited to James B. Marsh. It is a work full of interest for all readers. He was nineteen years old when he left his plough and, in company with a companion, Joe Lewis, he made his way to Pittsburg. The boys had cherished the hope of securing employment as stage drivers but, as they found no opening in that direction, they accepted berths at $15 per month as deck hands on a steamboat that was then loading for St. Louis. When they reached the latter city, Rose found employment as a hack driver in a livery stable, and Lewis a job of attending to the horses. Here the boys became acquainted with a number of "Rocky Mountain Boys," as they were called, and became fascinated with their stories of mountain life, of fights with bear and adventures in buffalo, elk and deer hunting, together with skirmishes with the Indians. Soon after this he joined a company formed by Nathaniel Wyeth, which started from Independence for the Rocky Mountains, with an outfit worth $100,000, sixty men and 200 horses and mules heavily loaded with goods. At the Gallatin River Isaac Rose and his party were joined by some trappers belonging to the American Fur Company, one of whom was Kit Carson. For years this noted trapper and Mr. Rose were closely associated in their adventurous life. Later, Mr. Rose became so expert a trapper himself that he won a prize of $300 as a trapper of beaver. In 1836 he had a thrilling experience with Indians, which almost caused the loss of his arm. The author writes: "The hunters and trappers of the far west, at the time when the incidents I am about to relate occurred, were a brave, hardy and adventurous set of men, and they had peculiarities in their characters that cannot be found in any other people. From the time they leave civilization they—metaphorically speaking—carry their lives in their hands. An enemy may be concealed in every thicket or looked for behind every rock. They have not only the wild and savage beasts to contend with, but the still more wily and savage Indian, and their life is one continual round of watchfulness and excitement. Their character is a compound of two extremes— recklessness and caution—and isolation from the world makes them at all times self-reliant. In moments of the greatest peril, or under the most trying circumstances, they never lose their presence of mind, but are ready to take advantage of any incident that may occur to benefit themselves or foil their enemies. "As, in the course of this narrative, we may have occasion to describe some of the trappers who were comrades of Mr. Rose, and who took part in many of his adventures, I wish my readers to be fully aware of the character of these men, and that their camp stories are not all idle boasting. A more hardy, fearless, improvident set of men can nowhere else be found." This book originally published in 1884 has been reformatted for the Kindle and may contain an occasional defect from the original publication or from the reformatting.

    The Weary Blues announced the arrival of a rare voice in American poetry. A literary descendant of Walt Whitman ("I, too, sing America," Hughes wrote), he chanted the joys and sorrows of black America in unprecedented language. A gifted lyricist, he offered rhythms and cadences that epitomized the particularities of African American creativity, especially jazz and the blues. His second volume, steeped in the blues and controversial because of its frankness, confirmed Hughes as a poet of uncompromising integrity. Then in the 1930s came Dear Lovely Death (1931) and the radical A New Song (1938). Poems such as "Good Morning Revolution" and "Let America Be America Again" made his pen one of the most forceful in America during the Great Depression.