John Sheppard gets that Reagan-era rage and humor just right. This novel is an ode to those kids at the dead-end jobs who knew that the Morning in America was really dusk at best, but had each other, a little weed, some beer, and gas.--Sam LipsyteTrapped in dreary Sarasota, Florida in the early 1980s—during Reagan’s “Morning in America,”—going to high school with junior fascists by day, working at Pizza Hut by night, his family a dysfunctional nightmare, 17-year old Buzz Pepper feels that nothing matters in life beyond drinking, drugs and punk rock.As the country around him is becoming more conservative and corporate, and adulthood seems like the ultimate corrupt existence, Buzz can only find solace within a close-knit group of fellow disillusioned teens, which includes his devoted younger sister, Sissy. As they drive around in Buzz’s beat-up van, encountering redneck cops, mocking the local “geezers,” and wondering if there is any meaning in what seems to be a meaningless world, Small Town Punk perfectly captures how it is to be young, yet feel that you have no future.In the tradition of Hairstyles of the Dammed and Perks of Being A Wallflower, Small Town Punk is a brutally funny and poignant coming of age story that brilliantly evokes the surging joy, confusion and rage of youth.

    After her father leaves the family, she is raised among a commune of mothers in a low-income housing complex. Then, no longer able to care for the only daughter she has left at home, Mary's mother sends Mary away to Oklahoma to live with her maternal grandparents, who have also been raising her younger sister, Rebecca. When Mary is legally adopted by her grandparents, the result is a family story like no other. Because Mary was adopted by her grandparents, Mary’s mother, Peggy, is legally her sister, while her brother, Jacob, is legally her nephew.Living in Oklahoma with her maternal grandfather, Mary gets a new name and a new life. But she's haunted by the past: by the baby girls she’s sure will come looking for her someday, by the mother she left behind, by the father who left her. Mary is a college student when her sisters start to get back in touch. With each subsequent reunion, her family becomes closer to whole again. Moving, haunting, and at times wickedly funny, Bastards is about finding one's family and oneself.

    Henrys, and shared the Young Lions Award. Now he has written one of the most beautiful, wise, and compelling first novels of recent times. David Winkler begins life in Anchorage, Alaska, a quiet boy drawn to the volatility of weather and obsessed with snow. Sometimes he sees things before they happen—a man carrying a hatbox will be hit by a bus; Winkler will fall in love with a woman in a supermarket. When David dreams that his infant daughter will drown in a flood as he tries to save her, he comes undone. He travels thousands of miles, fleeing family, home, and the future itself, to deny the dream. On a Caribbean island, destitute, alone, and unsure if his child has survived or his wife can forgive him, David is sheltered by a couple with a daughter of their own. Ultimately it is she who will pull him back into the world, to search for the people he left behind. Doerr's characters are full of grief and longing, but also replete with grace. His compassion for human frailty is extraordinarily moving. In luminous prose, he writes about the power and beauty of nature and about the tiny miracles that transform our lives. About Grace is heartbreaking, radiant, and astonishingly accomplished.

    She can’t live a lie any more.The invitation goes out far and wide, calling her three children and their families back home to Winterfold, their rambling house in the heart of the English countryside. They are Bill, the doctor; Florence, the eccentric academic; and Daisy, the child who never fit in. As the story unfolds, each character reveals the secrets, joys, and tragedies they are wrestling with through the confines of the family. What will happen when Martha finally tells the truth?

    Fans of The Hunger Games had hotly debated which actors would bring their beloved characters to life in the upcoming movie. The movie's director, Gary Ross, had finally selected the lead character, Katniss. His pick: Jennifer Lawrence. Jennifer started acting professionally in 2004 at age fourteen. But she quickly proved her major talent. For the 2008 movie The Burning Plain, she earned a best new young actress award at the Venice Film Festival. And for her performance in the 2010 movie Winter's Bone, Jennifer received nominations for both a Golden Globe and an Academy Award. The Hunger Games's author, Suzanne Collins, celebrated the selection of Katniss. "I never thought we'd find somebody this amazing for the role," she said. And Jennifer—who is a huge fan of the books—was thrilled to play such a complex character. Did she pull it off? Fans will be the judge!

    The Dukes of Hazzard is on TV and Curly Wurlys are in the shops. And trying to find a place in it all is young Leon.Leon is nine, and has a perfect baby brother called Jake. They have gone to live with Maureen, who has fuzzy red hair like a halo, a belly like Father Christmas, and mutters swearwords under her breath when she thinks can't hear. Maureen feeds and looks after them, and claims everything will be okay.But will they ever see their mother again? Who are the couple who secretly visit Joke? The adults are speaking in low voices, and wearing pretend faces. They are threatening to take Jake away and give him to strangers. Because Jake is white and Leon is not. As Leon struggles to cope with his anger, certain things can still make him smile – like Curly Wurlys, riding his bike fast downhill, burying his hands deep in the soil, hanging out with Tufty (who reminds him of his dad), and stealing enough coins so that one day he can rescue Jake and his mum.Evoking a Britain of the early eighties, My Name is Leon is a story of love, identity and learning to overcome unbearable loss. Of the fierce bond between siblings. And how – just when we least expect it – we somehow manage to find our way home.

    Yet Gavin often dreams of what could have been—if only a consuming disease didn’t restrict his aspirations. Instead, fear caused him to pursue what others deemed appropriate, and he committed an unforgivable mistake. But after receiving a letter from his deceased father, Gavin needs to escape.Young Horemheb from ancient Egypt also desires to alter fate. He inspires Gavin through a lost tale that spans eons and cultures, weaving their lives together. Frightening enemies, magic, unexpected friendship, betrayal, love, and death emerge at every turn.But if either of them are to survive, they must choose between life, love, and the revealing of secrets from the ages.

    But all boundaries vanish when Thomas experiences first love with Alice, his new history teacher, a woman eight years his senior—and when he meets Shiloh, a misfit vagabond and anarchist who becomes his new role model. Fleeing to rural Vermont, this unlikely trio boldly pursues freedom, intimacy, and seclusion, unfettered by commitments and rules. But a life apart from the world does not ensure a life apart from the past—and for one of them, the past that emerges will threaten tragedy.

    . . WAITING IN DETROIT FOR A BORN-AGAIN CON MAN TRYING TO SAVE HIS FAMILY.Former con man Fletcher Doyle is finally home after six years in the pen. He’s working a menial job, regaining his bearings in the world, and trying to revive his relationships with his wife and twelve-year-old daughter. No easy feat.But when Fletcher and his family go on a mission trip to Detroit—in the company of the condescending church leader who also happens to be his landlord—Fletcher finds his old life waiting for him. Within hours of arriving in the city, he’s been blackmailed into doing a job for a mysterious criminal who calls himself The Alchemist.A series of relics hidden by the Knights of Malta, as ancient as they are priceless, are in the sights of The Alchemist. What he needs is a gifted grifter with a background in ecclesiastical history . . . what he needs is Fletcher Doyle.Between hiding his reawakened criminal life from his wife and trying to hide her from their relentless landlord, Fletcher is ready to give up. But when his family is drawn into the dangerous world he can’t shake, Fletcher is forced to rely on his years in the game to save the only people who mean more to him than the biggest con in history.

    Arthur is raised in an enchanted world of smoke and mirrors where the only unshifting truth is his father’s and his beloved twin sister’s deep and abiding love for the works of William Shakespeare—a love so pervasive that Arthur becomes a writer in a misguided bid for their approval and affection.Years later, Arthur’s father, imprisoned for decades and nearing the end of his life, shares with Arthur a treasure he’s kept secret for half a century: a previously unknown play by Shakespeare, titled The Tragedy of Arthur. But Arthur and his sister also inherit their father’s mission: to see the play published and acknowledged as the Bard’s last great gift to humanity. . . .Unless it’s their father’s last great con.By turns hilarious and haunting, this virtuosic novel—which includes Shakespeare’s (?) lost King Arthur play in its five-act entirety—captures the very essence of romantic and familial love and betrayal. The Tragedy of Arthur explores the tension between storytelling and truth-telling, the thirst for originality in all our lives, and the act of literary mythmaking, both now and four centuries ago, as the two Arthurs—Arthur the novelist and Arthur the ancient king—play out their individual but strangely intertwined fates.A New York Times Notable Book • A New Yorker Reviewers’ Favorite of the Year • A Wall Street Journal Best Novel of the Year • A San Francisco Chronicle Best Book of the Year • A Chicago Tribune Favorite Book of the Year • A Library Journal Top Ten Book of the Year • A Kirkus Reviews Best Book of the Year • One of Salon’s five best novels of the year

    Clare comes to learn that in this conflict the dead do not stay buried, and the missing return in other forms--such as the small child present in her daughter's last days who has reappeared, posing as Clare's official biographer. Sam Leroux, a South African expatriate returning to Cape Town after many years in New York, gradually earns Clare's trust, his own ghosts emerging from the histories that he and Clare begin to unravel, leading them both along a path in search of reconciliation and forgiveness.

    Definition: A U.S. soldier stationed at a Forward Operating Base who avoids combat by remaining at the base, esp. during Operation Iraqi Freedom (2003-2011). Pejorative.In the satirical tradition of Catch-22 and M*A*S*H, Fobbit takes us into the chaotic world of Baghdad’s Forward Operating Base Triumph. The Forward Operating base, or FOB, is like the back-office of the battlefield – where people eat and sleep, and where a lot of soldiers have what looks suspiciously like an office job. Male and female soldiers are trying to find an empty Porta Potty in which to get acquainted, grunts are playing Xbox and watching NASCAR between missions, and a lot of the senior staff are more concerned about getting to the chow hall in time for the Friday night all-you-can-eat seafood special than worrying about little things like military strategy.Darkly humorous and based on the author's own experiences in Iraq, Fobbit is a fantastic debut that shows us a behind-the-scenes portrait of the real Iraq war.

    One of the first -- and still one of the best -- dissections of the wildly destructive rock-and-roll lifestyle, Spider Kiss isn't about giant cockroaches that attack Detroit or space invaders that smell like chicken soup. Instead, it's the story of Luther Sellers, a poor kid from Louisville with a voice like an angel who's renamed Stag Preston by a ruthless promoter. Preston's meteoric rise on the music scene is matched only by the rise in his enormous appetites -- and not just for home cooking -- and soon the invisible monkey named Success is riding him straight to hell. This raucous early novel reinforces Ellison's reputation as one of America's most dynamic writers.

    Widowed at twenty-two, Martha has no desire to lose the independence she has gained in the wake of her husband's death. But she cannot deny her feelings indefinitely. Despite her intentions, her friendship with Thomas develops into an intense and all-consuming love. History casts a shadow on Martha's newfound joy. Through her father's slave and mistress, Betty Hemings, she comes to understand the true nature of slavery, an institution she has always taken for granted. As Betty's revelations tear down the walls of her ignorance, Martha begins to work with her husband to end the despicable practice forever. This story is essentially true. Thomas Jefferson was such an obsessive record-keeper that we know what he was doing nearly every day of his adult life, and all the public things he is quoted as saying in My Thomas come from his contemporary writings. Martha's marriage to Thomas spanned the decade from 1772 to 1782, so it put her at the center of the audacious grab at freedom that was the American Revolution. Jefferson's writings suggest that if he had not been widowed, he would have retired from politics following the war and devoted himself to finding a way to end slavery that could have truly and forever healed the separations between the races. It is hard to read Martha's story now and not think about what might have been.

    Set in 1927, this novel confronts the spectacle of the freak show, steps through the curtains and out the other side, taking the reader to a candid, complex and human space where they can know outsiders as intimates.