After having to give up his brother to save his own life, hitman Blake Saunders flees the Mob and seeks refuge on the other side of the world. Two years later he has been reborn in a tiny coastal Australian town. The ghosts of the past still haunt him, but otherwise Coral Shoals is paradise. Blake surfs, and plays guitar in his own bar, the Surf Shack. But then the body of a young woman is found at a local motel, and evidence links her to the Surf Shack. When Blake’s friend is arrested, and the local sergeant doesn’t want to know, it becomes clear to Blake – who knows a thing or two about murder – that the only way to protect his paradise is to find the killer.'Part Goodfellas and part love letter to Australian coastal towns, this wonderfully imagined crime novel is like riding the perfect wave.' Michael Robotham‘Dave Warner captures the heyday and spirit of the surf music scene perfectly. This is a pitch-perfect crime thriller of epic twists and turns.’ Jim Skiathitis, composer, guitarist, The Atlantics

    Ahoy, Ava! Welcome home, my sweet jet-setting twin! So glad you were able to wrest yourself away from your dazzling life in the City of Light; I hope my death hasn't interrupted anything too crucial.Ava Antipova has her reasons for running away: a failing family vineyard, a romantic betrayal, a mercurial sister, an absent father, a mother slipping into dementia. In Paris, Ava renounces her terribly practical undergraduate degree, acquires a French boyfriend and a taste for much better wine, and erases her past. Two years later, she must return to upstate New York. Her twin sister, Zelda, is dead.Even in a family of alcoholics, Zelda Antipova was the wild one, notorious for her mind games and destructive behavior. Stuck tending the vineyard and the girls increasingly unstable mother, Zelda was allegedly burned alive when she passed out in the barn with a lit cigarette. But Ava finds the official explanation a little too neat. A little too Zelda. Then she receives a cryptic message from her sister.Just as Ava suspected, Zelda's playing one of her games. In fact, she's outdone herself, leaving a series of clues about her disappearance. With the police stuck on a red herring, Ava follows the trail laid just for her, thinking like her sister, keeping her secrets, immersing herself in Zelda's drama and her outlandish circle of friends and lovers. Along the way, Zelda forces her twin to confront their twisted history and the boy who broke Ava's heart. But why? Is Zelda trying to punish Ava for leaving, or to teach her a lesson? Or is she simply trying to write her own ending?Featuring a colorful, raucous cast of characters, Caite Dolan-Leach's debut thriller takes readers on a literary scavenger hunt for clues concealed throughout the seemingly idyllic wine country, hidden in plain sight on social media, and buried at the heart of one tremendously dysfunctional, utterly unforgettable family.

    But all is not as it appears at the Asherley estate. The house is steeped in the memory of Max’s beautiful first wife Rebekah, who haunts the young woman’s imagination and feeds her uncertainties, while his very alive teenage daughter Dani makes her life a living hell. She soon realizes there is no clear place for her in this twisted little family: Max and Dani circle each other like cats, a dynamic that both repels and fascinates her, and he harbors political ambitions with which he will allow no woman—alive or dead—to interfere.As the soon-to-be second Mrs. Winter grows more in love with Max, and more afraid of Dani, she is drawn deeper into the family’s dark secrets—the kind of secrets that could kill her, too. The Winters is a riveting story about what happens when a family’s ghosts resurface and threaten to upend everything.

    That same year, she began receiving scattered chapters in the mail of a self-help manual, the Guidebook, whose anonymous author promised to make her life soar to heights beyond her wildest dreams.The Guidebook’s missives have remained a constant in Abi’s life—a befuddling yet oddly comforting voice through her family’s grief over her brother’s disappearance, a move across continents, the devastating dissolution of her marriage, and the new beginning as a single mother and café owner in Sydney.Now, two decades after receiving those first pages, Abi is invited to an all-expenses paid weekend retreat to learn “the truth” about the Guidebook. It’s an opportunity too intriguing to refuse. If Everything is Connected, then surely the twin mysteries of the Guidebook and a missing brother must be linked?What follows is completely the opposite of what Abi expected––but it will lead her on a journey of discovery that will change her life––and enchant readers. Gravity Is the Thing is a smart, unusual, wickedly funny novel about the search for happiness that will break your heart into a million pieces and put it back together, bigger and better than before.

    The perfect family. Too good to be true.Kate Webb still grieves for her young son, ten years after his loss. She spends her weekends hungover, attending open houses on Sydney's wealthy north shore and imagining the lives of the people who live there.Then Kate visits the Harding house - the perfect house with, it seems, the perfect family. A photograph captures a kind-looking man, a beautiful woman she once knew from university days, and a boy - a boy that for one heartbreaking moment she believes is her own son.When her curiosity turns to obsession, she uncovers the cracks that lie beneath a glossy facade of perfection, sordid truths she could never have imagined.But is it her imagination? As events start to spiral dangerously out of control, could the real threat come from Kate herself?

    They're searching for Ruby's father, missing in the arctic wilderness.More isolated with each frozen mile they cover, they travel deeper into an endless night. And Ruby, deaf since birth, must brave the darkness where sight cannot guide her.She won't abandon her father. But winter has tightened its grip, and there is somebody out there who wants to stop them.Somebody tracking them through the dark.

    A sweeping work of historical fiction, it shimmers between past and present as it tells the story of the rise and fall of a prodigious film studio and one man’s doomed obsession with all that passes in front of the viewfinder.For nearly half a century, Claude Ballard has been living at the Hollywood Knickerbocker Hotel. A French pioneer of silent films, who started out as a concession agent for the Lumière brothers, the inventors of cinema, Claude now spends his days foraging mushrooms in the hills of Los Angeles and taking photographs of runaways and the striplings along Sunset Boulevard. But when a film-history student comes to interview Claude about The Electric Hotel—the lost masterpiece that bankrupted him and ended the career of his muse, Sabine Montrose—the past comes surging back. In his run-down hotel suite, the ravages of the past are waiting to be excavated: celluloid fragments and reels in desperate need of restoration, and Claude’s memories of the woman who inspired and beguiled him.

    But as the days tick by with no arrest, Chris's suspicion of those around her grows.

    When Alma falls pregnant, her daughter Molly is born in secret. As Molly grows up, there is a man who sometimes follows her on her way to school.Anna meets Neil in 1952 at her parents’ shack at Cockatoo. She later enters a Salvation Army home for unmarried mothers, but is determined to keep her baby.Fitzroy, 1975. Student life. Things are different now, aren’t they? Cathy and David are living together, determined not to get married. Against the background of the tumultuous events of the sacking of the Whitlam government, a new chapter is added to the family’s story.The Mothers is a book about secrets. It interweaves the intimate lives of three generations of Australian women who learn that it’s the stories we can’t tell that continue to shape us and make us who we are.

    In Australia's 1930s the Sinclair name is respectable and influential, yet Rowland has a talent for scandal.Even with thousands of unemployed lining the streets, Rowland's sheltered world is one of exorbitant wealth, culture and impeccable tailoring. He relies on the Sinclair fortune to indulge his artistic passions and friends ... a poet, a painter and a brazen sculptress.Mounting tensions fuelled by the Great Depression take Australia to the brink of revolution.

    Two very different people. They were there, and then they were gone, as if through a crack in the sky. After that, in a small town like Goodwood, where we had what Nan called 'a high density of acquaintanceship', everything stopped. Or at least it felt that way. The normal feeling of things stopped.Goodwood is a small town where everyone knows everything about everyone. It's a place where it's impossible to keep a secret.In 1992, when Jean Brown is seventeen, a terrible thing happens. Two terrible things. Rosie White, the coolest girl in town, vanishes overnight. One week later, Goodwood's most popular resident, Bart McDonald, sets off on a fishing trip and never comes home.People die in Goodwood, of course, but never like this. They don't just disappear.As the intensity of speculation about the fates of Rosie and Bart heightens, Jean, who is keeping secrets of her own, and the rest of Goodwood are left reeling.Rich in character and complexity, its humour both droll and tender, Goodwood is a compelling ride into a small community, torn apart by dark rumours and mystery.

    She knows what's expected of her. She knows what to do to please her elders, and how to make sure life in the community remains happy and calm. That is, until a new young girl joins the group. She isn't fitting in; she doesn't want to stay. What happens next will turn life as Amy knows it on its head. Freya has gone to great lengths to feel like a 'normal person'. In fact, if you saw her go about her day with her young son, you'd think she was an everyday mum. That is, until a young girl goes missing and someone from her past, someone she hasn't seen for a very long time, arrives in town. As Amy and Freya's story intertwines the secrets of the past bubble up to the surface. This rural Aussie town's dark underbelly is about to be exposed and lives will be destroyed.

    Hoping to gain some financial independence, she advertises her services as a personal secretary. It is unfortunate that she should discover her first client, Sir Oswald Newbold--explorer, mine magnate and president of the exclusive Explorers and Geographers' Club--dead with a knife in his throat.When Inspector Robert Curran is put on the case, he realizes that he has an unusual witness in Harriet. Harriet's keen eye for detail and strong sense of duty interests him, as does her distrust of the police and her traumatic past, which she is at pains to keep secret from the gossips of Singapore society.When a second body is dragged from the canal, Harriet feels compelled to help with the case. She and Curran are soon drawn into a complex web of stolen gemstones and a mysterious gang of thieves who have no qualms about killing again to protect their secrets.

    But unlike her famous detective Hercule Poirot, she can’t neatly unravel the mysteries she encounters on this fateful journey.Agatha isn’t the only passenger on board with secrets. Her cabinmate Katharine Keeling’s first marriage ended in tragedy, propelling her toward a second relationship mired in deceit. Nancy Nelson—newly married but carrying another man’s child—is desperate to conceal the pregnancy and teeters on the brink of utter despair. Each woman hides her past from the others, ferociously guarding her secrets. But as the train bound for the Middle East speeds down the track, the parallel courses of their lives shift to intersect—with lasting repercussions.Filled with evocative imagery, suspense, and emotional complexity, The Woman on the Orient Express explores the bonds of sisterhood forged by shared pain and the power of secrets.

    Hal and his little brother, newly arrived in Moorabool with their parents, are exploring the creek near their new home when they find the body of a dog.Not just dead, but recently killed.Not just killed, but mutilated.Constable Mick Goodenough, recently demoted from his city job as a detective, is also new in town—and one of his dogs has gone missing. He’s experienced enough to know what it means when someone tortures an animal to death: it means they’re practising. So when Hal’s mother starts getting anonymous calls—a man whistling, then hanging up—Goodenough, alone among the Moorabool cops, takes her seriously.The question is: will that be enough to keep her safe?Nostalgic yet clear-eyed, simmering with small-town menace, Greg Woodland’s wildly impressive debut populates the rural Australia of the 1960s with memorable characters and almost unbearable tension.