As her mother sinks deeper into alcoholism, the violent lodger with whom they share their one-room slum has been turning his attentions to Ettie, and she can’t stand it any longer. So when debonair Professor Jacob Protsky picks Ettie out of the crowd at a penny gaff, she is determined to seize her chance. Despite the warnings of her friends, Ettie goes to live with Protsky in Bow, assisting him with his skilful brand of spiritual clairvoyance. But when Ettie befriends Celia Tressing, she soon finds herself increasingly worried by events down the road in Whitechapel. A series of gruesome murders and whispers of a man called ‘Jack the Ripper’ have shaken even that resilient community, and outsiders like Protsky are prime suspects… An East End drama perfect for fans of Rosie Goodwin and Sheila Newberry.

    E. Rölvaag lyrically chronicles the experiences of Nils Vaag, a young Norwegian immigrant. Abandoning the life of a fisherman in Nordland, a region poor but full of mystical beauty, Nils emigrates to the New World in 1912. There he sweeps saloons, lives in a boardinghouse called "Babel" for the many languages used by its residents, and begins to find his way among the people of the city.The Boat of Longing was Rölvaag's favorite of all his books and the only one set in urban America. When it was first published in English in 1933, it received wide praise from American critics. This edition includes an introduction by Einar Haugen, professor emeritus of Scandinavian and Linguistics at Harvard University and author of a critical study of Rölvaag.

    Controlled and calculating, his world begins to splinter when he learns - in the middle of a corporate meeting - that his father has committed suicide. Returning home to the Gulf Coast, Jack struggles with a host of unresolved feelings as he buries the man he hated most. Interwoven throughout the novel, chapters set in the 1970s depict Jack as a boy, chronicling his relationships with a storm-tossed mother and a menacing father, living in the shadows of the petrochemical plants scattered along the Gulf Coast. The novel highlights the differences between life in California at the end of the Dot-Com era and life in blue collar Texas during the 1970s, contrasting Jack as a man and as a child, and showing how the people who bring us into the world shape us forever.

    Leon Uris magnificently portrays the birth of a new nation in the midst of enemies--the beginning of an earthshaking struggle for power. Here is the tale that swept the world with its fury: the story of an American nurse, an Israeli freedom fighter caught up in a glorious, heartbreaking, triumphant era.

    Astonished by each new complication, and yet resigned to a life of evasion, Herman navigates a crowded, Yiddish New York with a sense of perpetually impending doom.

    A divided America is debating whether or not to go to war. The FBI and police, scrambling to thwart any attacks, round up the plotters. Experts declare that our intelligence capabilities are insufficient and that a new agency must be created. The year is 1941. Fifth Column is the story of Johanna Falck, a German immigrant who joins the new American central intelligence service. As Americans focus on the war in Europe and whether the United States should intervene, the FBI is rounding up scores of German spies. The German-American Bund, a pro-Nazi group of Americans suspected of being saboteurs and subversives, is at the center of the FBI's investigations. Johanna is recruited to infiltrate the Bund and discover what they and the Nazis have planned. Soon she is caught up in a far-reaching conspiracy, one that stretches from the top of the Nazi state to the streets of New York. What she finds shatters her most basic assumption about the Third Reich.

    Spending his days walking the streets and his nights drinking and gambling, meeting revolutionaries, zealots, lovers and libertines, he adjusts his eyes to the darkness that falls over Europe, and threatens to destroy him. Mihail Sebastian's 1934 masterpiece, now translated into English for the first time, was written amid the anti-Semitism which would, by the end of the decade, force him out of his career and turn his friends and colleagues against him. For Two Thousand Years is a prescient, heart-wrenching chronicle of resilience and despair, broken layers of memory and the terrible forces of history.

    They are supposed to bring her back before school starts in the fall. They don't. They can't. It's Autumn of 1939; Hitler's Blitzkrieg is in motion. Europe is at war! Sylvia is going to have to wait a lifetime. A US citizen, she will become an Enemy Alien when America enters WWII. Through the duration she lives with another aunt, a nun in a convent, has to go to German schools in the Rhineland then run east to Bavaria where her uncle is drafted into the German Army. Alone with Betty and her two babies she must survive the Allied invasion, her only hope of rescue. Her mother, deserted by her husband will go years without any knowledge of her only child. Everyone is waiting and wants to know, "Where's Sylvia?".

    Letitia Johnson, a young black mother and the nanny for one of the town’s most distinguished couples, knows this only too well when the couple’s baby is found drowned in its bath. Accused by the grieving family and the enraged townspeople, Letitia quickly sends her twelve-year-old daughter, Sally, out to hide in the brush before she is taken into custody. The angry mob would get revenge when they drag Letitia from her jail cell and hang her that very night. But they wouldn’t get Sally.Baby Allen, a courageous social worker, is assigned to Sally’s case, and gradually coaxes the young girl out of hiding, wins her trust, and secures her protection. But once Sally is safe, Baby is left with the greater mission of uncovering the truth about who is responsible for the infant’s death—a shocking revelation that will change the ways and attitudes of a town that has been long in need of changing. Beautiful and gripping, Cotton Song is the story of a woman’s fight to save the child left behind after the horrific lynching that took her mother’s life.

    These shattering stories describe the lives of ordinary people as they are compelled to do the unimaginable.

    Now an old woman, she waits to be reunited after sixty-two years with her son, fathered by an S.S. officer and stolen from her by the German authorities during the War as part of Himmler's clandestine 'Lebensborn' project, which strove for a 'racially pure' Germany. Haya's reflection on her Catholicized Jewish family's experiences deals unsparingly with the massacre of Italian Jews in the concentration camps of Trieste. Her obsessive search for her son leads her to photographs, maps and fragments of verse, to testimonies from the Nuremberg trials and interviews with second-generation Jews, as well as witness accounts of atrocities that took place on her doorstep. A broad collage of material is assembled, and the lesser-known horror of Nazi occupation in northern Italy is gradually unveiled. Written in immensely powerful language, and employing a range of astonishing conceptual devices, Trieste is a novel like no other. Dasa Drndic has produced a shattering contribution to the literature of our twentieth-century history.

    Inga Clendinnen seeks to dispel what she calls the "Gorgon effect" the sickening of imagination and the draining of the will that afflict so many of us when we try to confront the horrors of this history. Clendinnen explores the experience of the Holocaust from both the victims' and the perpetrators' points of view. She discusses the remarkable survivor testimonies of writers such as Primo Levi and Charlotte Delbo, the vexing issue of "resistance" in the camps, and survivors' strategies for understanding the motivations of the Nazi leadership. She focuses an anthropologist's precise gaze on the actions of the murderers in the police battalions and among the SS in the camps. Finally she considers how the Holocaust has been portrayed in poetry, fiction and film. Searching and eloquent, Reading the Holocaust is an uncompromising attempt to extract the comprehensible--the recognizably human--from the unthinkable inhuman acts of the Holocaust. Inga Clendinnen is the author of Ambivalent Conquests: Maya and Spaniard in Yucatan, 1517-1570 and Aztecs: An Interpretation, both published by Cambridge University Press.

    Nelson - praised as "a master of both his period and the English language" by Patrick O'Brian - returns to the world of sea and sail in The French Prize, a page-turning historical novel.Jack Biddlecomb has much to live up to, being as he is the eldest son of the esteemed Captain Isaac Biddlecomb, wealthy merchant captain, leading light of the War for American Independence, and newly minted congressman. Jack finds himself off to a promising start, however, when he's given command of the merchant vessel Abigail bound from Philadelphia for Barbados.But even before the dock lines are cast off, the voyage, which should have been routine, begins to look like a stormy passage indeed. Jack is saddled with two passengers, one as unpleasant as he is highborn, the other a confidant of the Abigail's owner who cannot help meddling in the running of the ship. What's more, with the French making prizes of American merchantmen, Abigail's owner has armed the ship and instructed Jack to fight if need be, thrusting the first-time captain and his small crew into a naval war for which they are totally unprepared.What Jack does not know, but soon begins to suspect, is that he is being used as part of a bigger plot, one that will have repercussions on an international scale.

    When Sabby is sent to a boarding school in northern India, he witnesses a strict regime in which the schoolboys are beaten and brutalized by the teachers.The boys themselves take on their abusers' cruel traits, mindlessly killing animals and hanging their skins on a cactus, before their thoughts turn to even more sinister schemes. Conspiratorial whisperings and plans of revenge spiral into a tragedy engulfing Sabby in a chilling exploration of human nature's darkest facets.