Once on board, Tess catches the eye of two men, one a roughly-hewn but kind sailor and the other an enigmatic Chicago millionaire. But on the fourth night, disaster strikes.Amidst the chaos and desperate urging of two very different suitors, Tess is one of the last people allowed on a lifeboat. Tess’s sailor also manages to survive unharmed, witness to Lady Duff Gordon’s questionable actions during the tragedy. Others—including the gallant Midwestern tycoon—are not so lucky.On dry land, rumors about the survivors begin to circulate, and Lady Duff Gordon quickly becomes the subject of media scorn and later, the hearings on the Titanic. Set against a historical tragedy but told from a completely fresh angle, The Dressmaker is an atmospheric delight filled with all the period's glitz and glamour, all the raw feelings of a national tragedy and all the contradictory emotions of young love.

    In June of that year, Hitler’s army captures the Channel Islands—the only part of Great Britain occupied by German forces. Abandoned by Mr. Churchill, forgotten by the Allies and cut off from all help, the Islands’ situation is increasingly desperate.Hedy Bercu is a young Jewish girl who fled Vienna for the island of Jersey two years earlier during the Anschluss, only to find herself trapped by the Nazis once more—this time with no escape. Her only hope is to make herself invaluable to the Germans by working as a translator, hiding in plain sight with the help of her friends and community—and a sympathetic German officer. But as the war intensifies, rations dwindle and neighbors are increasingly suspicious of one another. Hedy’s life is in greater danger every day. It will take a definitive, daring act to save her from certain deportation to the concentration camps.A sweeping tale of bravery and love under impossible circumstances, Hedy’s remarkable story reminds us that it’s often up to ordinary people to be quiet heroes in the face of injustice.

    Instability. Audacity. Adventure.But when the king learns of their relationship, the suitability of the foreign prince is questioned by all at court.He is the risk she has never been allowed to take. The risk not even the shadow of the crown will stop her from taking…Step through the palace gates and discover a captivating historical novel of royal secrets and forbidden love exploring the tempestuous courtship between Princess Elizabeth and Prince Philip in the wake of WWII.Readers are LOVING Before the Crown:‘Magnificent. It carries so much depth and warmness, and closeness to the characters that you do not want to part from them…a page-turner’ Best Historical Fiction Reviews‘To say that I adored this book is an absolute understatement. Beautifully written, well crafted and researched. A must read for fans of The Crown’ Kim‘Any fans of The Crown will adore this read…the story is well researched and written so beautifully I didn't want it to end’ Lucy‘What a pleasure it was to read this charming and heartfelt historical romance… never have I felt so romantically moved’ Jena‘Magnificent… It carries so much depth and warmness, and closeness to the characters that you do not want to part from them’ Annette‘I really enjoyed this book… Anyone who loved The Crown series will love this book!’ Pat‘Perfect for fans of Netflix’s The Crown’ Elizabeth‘This is the story that we ALL want to read…I loved every single page’ Vicki

    Yet for centuries Edward III (1327-77) was celebrated as the most brilliant of all English monarchs. In this first full study of his character and life, Ian Mortimer shows how under Edward the feudal kingdom of England became a highly organised nation, capable of raising large revenues and deploying a new type of projectile-based warfare, culminating in the crushing victory over the French at Crecy. Yet under his rule England also experienced its longest period of domestic peace in the middle ages, giving rise to a massive increase of the nation's wealth through the wool trade, with huge consequences for society, art and architecture. It is to Edward that England owes its system of parliamentary representation, its local justice system, its national flag and the recognition of English as the language of the nation. Nineteenth century historians saw in Edward the opportunity to decry a warmonger, and painted him as a self-seeking, rapacious, tax-gathering conqueror. Yet as this book shows, beneath the strong warrior king was a compassionate, conscientious and often merciful man - resolute yet devoted to his wife, friends and family. He emerges as a strikingly modern figure, to whom many will be able to relate - the father of both the English people and the English nation.

    During bizarre nightly rites, she tortured and killed the young women she had taken on as servants. A devil, a demon, the terror of Royal Hungary—she bathed in their blood to preserve her own youth.400 years later, echoes of the Countess’s legendary brutality reach Aspen, Colorado. Betsy Path, a psychoanalyst of uncommon intuition, has a breakthrough with sullen teenager Daisy Hart. Together, they are haunted by the past, as they struggle to understand its imprint upon the present. Betsy and her troubled but perceptive patient learn the truth: the curse of the House of Bathory lives still and has the power to do evil even now.The story, brimming with palace intrigue, memorable characters intimately realized, and a wealth of evocative detail, travels back and forth between the familiar, modern world and a seventeenth-century Eastern Europe brought startlingly to life.Inspired by the actual crimes of Elizabeth Báthory, The House of Bathory is another thrilling historical fiction from Linda Lafferty (The Bloodletter’s Daughter and The Drowning Guard). The novel carries readers along with suspense and the sweep of historical events both repellent and fascinating.

    1911: Inside an asylum at the edge of the Yorkshire moors, where men and women are kept apart by high walls and barred windows, there is a ballroom vast and beautiful. For one bright evening every week they come together and dance. When John and Ella meet It is a dance that will change two lives forever.Set over the heatwave summer of 1911, the end of the Edwardian era, THE BALLROOM is a tale of unlikely love and dangerous obsession, of madness and sanity, and of who gets to decide which is which.

    Petersburg, 1725. Peter the Great lies dying in his magnificent Winter Palace. The weakness and treachery of his only son has driven his father to an appalling act of cruelty and left the empire without an heir. Russia risks falling into chaos. Into the void steps the woman who has been by his side for decades: his second wife, Catherine Alexeyevna, as ambitious, ruthless and passionate as Peter himself.Born into devastating poverty, Catherine used her extraordinary beauty and shrewd intelligence to ingratiate herself with Peter’s powerful generals, finally seducing the Tsar himself. But even amongst the splendor and opulence of her new life—the lavish feasts, glittering jewels, and candle-lit hours in Peter’s bedchamber—she knows the peril of her position. Peter’s attentions are fickle and his rages powerful; his first wife is condemned to a prison cell, her lover impaled alive in Red Square. And now Catherine faces the ultimate test: can she keep the Tsar’s death a secret as she plays a lethal game to destroy her enemies and take the Crown for herself?From the sensuous pleasures of a decadent aristocracy, to the incense-filled rites of the Orthodox Church and the terror of Peter’s torture chambers, the intoxicating and dangerous world of Imperial Russia is brought to vivid life. Tsarina is the story of one remarkable woman whose bid for power would transform the Russian Empire."

    Her beautiful middle sister Katherine Grey charms all the right people--until loyalties shift. And finally Lady Mary Grey, a dwarf with a twisted spine whose goal is simply to protect people she loves--but at a terrible cost.   In an age in which begetting sons was all that mattered and queens rose and fell on the sex of their child, these three girls with royal Tudor blood lived under the dangerous whims of parents with a passion for gambling. The stakes they would wager: their daughters' lives against rampant ambition.

    My name is Katherine Parr.I'm 31 years old and already twice widowed.I'm in love with a man I can't have, and am about to wed a man no-one would want - for my husband-to-be is none other than Henry VIII, who has already beheaded two wives, cast aside two more, and watched one die in childbirth.What will become of me once I'm wearing his ring and become Queen of England?They say that the sharpest blades are sheathed in the softest pouches.Only time will tell what I am really made of...For fans of Hilary Mantel, Philippa Gregory and Alison Weir, Elizabeth Fremantle's first novel, Queen's Gambit, is a riveting account of the Tudor queen who married four men and outlived three of them - including Henry VIII. Rich in atmosphere and period detail, and told through the eyes of Katherine and her young maid Dot, it tells the story of two very different women during a terrifying and turbulent time. If you loved Wolf Hall, The Other Boleyn Girl or the BBC drama series The Tudors, then Elizabeth Fremantle's Queen's Gambit is the book for you.

    A marriage surprisingly happy, with the king pouring wealth upon his young wife's relatives...incurring the wrath of the Barons. Eleanor, devoted mother, who fought the will of the monks to stay in a monastery and nurse her sick son, the future Edward I. Eleanor, caught in court intrigue, with the powerful, disturbing Baron, Simon de Montfort, looming at every turn--friend or foe? Or what else? Eleanor, attacked while on a barge passing under London Bridge, as the kingdom seems to slip away from her and Henry. Eleanor in victory, de Montfort slain at Evesham by her son's mighty forces. But there is a price to pay. Eleanor, a widow, seeking peace after so many years of strife, ending her days in Amesbury Priory in the shadow of Stonehenge, a convent thought in Eleanor's time to be the final refuge of Queen Guinevere, whose legends the queen had ever loved. Today, Eleanor of Provence is lost to time, one of the lesser known English Queens, her gravesite obliterated, its whereabouts forgotten—one of the few English monarchs to have no known tomb. MY FAIR LADY is first person novel written from the viewpoint of Eleanor herself. A woman’s look at her own Queenship and life and loves in the 13th century, at the time of the Second Barons Revolt.

    When Cardinal Rodrigo Borgia buys his way into the papacy as Alexander VI, he is defined not just by his wealth or his passionate love for his illegitimate children, but by his blood: He is a Spanish Pope in a city run by Italians. If the Borgias are to triumph, this charismatic, consummate politician with a huge appetite for life, women, and power must use papacy and family—in particular, his eldest son, Cesare, and his daughter Lucrezia—in order to succeed.Cesare, with a dazzlingly cold intelligence and an even colder soul, is his greatest—though increasingly unstable—weapon. Later immortalized in Machiavelli’s The Prince, he provides the energy and the muscle. Lucrezia, beloved by both men, is the prime dynastic tool. Twelve years old when the novel opens, hers is a journey through three marriages, and from childish innocence to painful experience, from pawn to political player.

    His reign was one of the most dramatic and important of the entire Middle Ages, leading to war and conquest on an unprecedented scale, and leaving a legacy of division between the peoples of Britain that has lasted from his day to our own.Edward I is familiar to millions as ‘Longshanks’, conqueror of Scotland and nemesis of Sir William Wallace (‘Braveheart’). Yet this story forms only the final chapter of the king’s astonishingly action-packed life. Earlier Edward had defeated and killed the famous Simon de Montfort in battle; travelled across Europe to the Holy Land on crusade; conquered Wales, extinguishing forever its native rulers, and constructing – at Conwy, Harlech, Beaumaris and Caernarfon – the most magnificent chain of castles ever created. He raised the greatest armies of the English Middle Ages, and summoned the largest parliaments; notoriously, he expelled all the Jews from his kingdom. The longest-lived of all England’s medieval kings, he fathered no fewer than fifteen children with his first wife, Eleanor of Castile, and after her death he erected the Eleanor Crosses – the grandest funeral monuments ever fashioned for an English monarch.In this book, Marc Morris examines afresh the forces that drove Edward throughout his relentless career: his character, his Christian faith, and his sense of England’s destiny – a sense shaped in particular by the tales of the legendary King Arthur. He also explores the competing reasons that led Edward’s opponents (including Llywelyn ap Gruffudd and Robert Bruce) to resist him, and the very different societies that then existed in Scotland, Wales and Ireland. The result is a sweeping story, immaculately researched yet compellingly told, and a vivid picture of medieval Britain at the moment when its future was decided.

    One road.England, 1348. A gentlewoman is fleeing an odious arranged marriage, a Scottish proctor is returning home to Avignon and a handsome young ploughman in search of adventure is on his way to volunteer with a company of archers. All come together on the road to Calais.Coming in their direction from across the Channel is the Black Death, the plague that will wipe out half of the population of Northern Europe. As the journey unfolds, overshadowed by the archers' past misdeeds and clerical warnings of the imminent end of the world, the wayfarers must confront the nature of their loves and desires.A tremendous feat of language and empathy, it summons a medieval world that is at once uncannily plausible, utterly alien and eerily reflective of our own. James Meek's extraordinary To Calais, In Ordinary Time is a novel about love, class, faith, loss, gender and desire—set against one of the biggest cataclysms of human history.

    Rich and influential in her own right, her tumultuous marriages thrust Eleanor into the political and cultural spotlight, where she would remain for more than half a century. Still in her teens, young Eleanor of Aquitaine married Louis VII of France, a sickly religious fanatic so obsessed with fears of adultery that he kept his beautiful wife under lock and key, even forcing her to go on a long and dangerous crusade with him. But Eleanor was delighted by the freedom of the crusader’s life. Her handsome Aquitanian knights, her deeds on horseback, and her scandalous attire were the talk of Europe; it soon became clear that Louis’s young wife was more than he could handle. A lifelong rebel, Eleanor would defy her husband and the Church, and eventually strong-arm the Pope into annulling her unhappy marriage.Once free of Louis, Eleanor thought to marry Baron Rancon, her childhood love, but found herself forced into another political marriage, this time with a younger and more dangerous husband—Henry II of England, a ruthless soldier known throughout Europe as “the red star of malice.” In Henry Eleanor found a man whose iron will and political cunning matched her own, but the marriage was a bitter and brutal one, which escalated into open warfare when Eleanor backed their sons in an armed rebellion against Henry. Vowing revenge, he imprisoned her for fifteen years, hoping she would die in obscurity. But Eleanor would not go quietly. In prison, she wrote her memoir; this is Eleanor’s book.

    For the first time, all the contenders for the crown were female.In 1553, England was about to experience the ‘monstrous regiment’ - the unnatural rule - of a woman. But female rule in England also had a past. Four hundred years before Edward’s death, Matilda, daughter of Henry I and granddaughter of William the Conquerer, came tantalisingly close to securing her hold on the power of the crown. And between the 12th and the 15th centuries three more exceptional women - Eleanor of Aquitaine, Isabella of France, and Margaret of Anjou - discovered, as queens consort and dowager, how much was possible if the presumptions of male rule were not confronted so explicitly.The stories of these women - told here in all their vivid humanity - illustrate the paradox which the female heirs to the Tudor throne had no choice but to negotiate. Man was the head of woman; and the king was the head of all. How, then, could a woman be king, how could royal power lie in female hands?