White-skinned daddy, not white like milk or snow, lighter than brown, With pinks and tiny tans, whose face gets tomato red when he puffs and yells their children into bed. Children who are all the colors of the race, growing up happy in a house full of love. This is the way it is for them; this is the way they are, but the joy they feel extends to every reader of this book.Black is brown is tan is a story poem about being, a beautiful true song about a family delighting in each other and in the good things of the earth.

    He could play the piano, throw a curveball, and tie a triple bowline knot in three seconds flat. But in the 1950s and 60s, he could not bake bread at the Wonder Bread factory. Factory bosses said white people would not want to eat bread touched by the hands of the African Americans who worked there. In this powerful intergenerational story, Joseph learns that people joined their hands together to fight discrimination so that one day, their hands—Joseph’s hands—could do anything at all in this whole wide world.

    It is altering the lives of the Inupiat people who call the island home. A young girl and her family are forced to move to the center of the island for refuge from the rising sea level. Soon the entire village will have to relocate to the mainland. Heartbroken, the young girl and her grandfather worry: what else will be lost when they are forced to abandon their homes and their community? Addressing the topic of climate refugees, My Wounded Island is based on the challenges faced by the Inupiat people who live on the small islands north of the Bering Strait near the Arctic Circle.

    But what really terrified those bad men was that peculiar gun of his. It didn't shoot bullets. It shot light. And Larry always aimed for the heart. Can Larry save the town of Brimstone from Evil-Eye McNeevil's outlaw gang? Find out in this rip-roaring original tale of a gunfighter with a huge smile and a hankering for lemonade. TEACHERS AND LIBRARIANS -- A READER'S THEATER SCRIPT OF THIS BOOK IS AVAILABLE IN AARON'S BOOK -STORIES ON STAGE, - OR FREE ON AARON'S WEB SITE. ///////////////////////////////////////////////// Aaron Shepard is the award-winning author of -The Baker's Dozen, - -The Sea King's Daughter, - -The Monkey King, - and many more children's books. His stories have appeared often in Cricket magazine, while his Web site is known internationally as a prime resource for folktales, storytelling, and reader's theater. Once a professional storyteller, Aaron specializes in lively retellings of folktales and other traditional literature, which have won him honors from the American Library Association, the New York Public Library, the Bank Street College of Education, the National Council for the Social Studies, and the American Folklore Society. Toni Goffe is the British illustrator of numerous well-loved children's books and is a winner of the 1993 Gold Medallion Book Award. He is also illustrator of Aaron's -The Legend of Slappy Hooper.- ///////////////////////////////////////////////// -One of the books every boy should have on his bookshelf; girls will probably like the story too . . . The language is perfect, [with] the right dose of silliness to make both parents and children chuckle . . . The illustrations are ideal.- -- Cindi Rose, San Francisco Examiner, Aug. 20, 2012 -A tall-tale superhero for our time. . . . A readaloud that could lighten up classes well up in the elementary grades.- -- Kirkus Reviews, Mar. 1, 1993 -Pass out the bandanas and dig out the spittoon. Read this story in an old-timer's voice, and everyone will have a good time.- -- Chris Sherman, American Library Association Booklist, Mar. 1, 1993 -Move over Wyatt Earp. Make room for a cowboy of a different caliber. A wide age range of listeners will request this one again and again.- -- School Library Journal, Nov. 1993 -A rib-tickler. . . . Kids will enjoy acting this out as readers theatre.- -- Jan Lieberman, TNT, Spring 1993 -Lovely. . . . Should reach the tickly bone of youngsters.- -- Storyline, June 1993 -Perfect for telling or reading out loud.- -- Katy Rydell, Stories, Spring 1993 -My class loved this story. Great to use when introducing tall tales.- -- D. Peccianti, Reviews of All Resources (Monterey Peninsula United School District) -Introduces one amazing cowpoke. . . . Will have young listeners laughing out loud and asking you to 'read it again.'- -- Smithsonian, Nov. 1993 -Told in the spirited language of a true yarn-spinner, this is a rollicking picture book to warm the heart of just about everyone.- -- Kids' Line, Summer 1993

    Feelings arrive effortlessly enough but deciding what to do with them when they turn isn't so easy - especially when you are a child. Cue: this book! It provides children with several straightforward, entertaining and appropriate interactive ideas to help them deal with a selection of significant emotions. This is a great dip-in book where children can choose a feeling that relates to them and then turn to the page that provides child-friendly strategies for dealing with that feeling.

    He has a life filled with art, music, and long summer nights on the Cape. He has hours and days and months of baseball. But, more than anything in this world, Jake knows he has Edward. From the moment he was born, Jake knew Edward was destined for something. Edward could make anyone laugh and everyone think. During one special year, he became the only one in the neighborhood who could throw a perfect knuckleball. It was a pitch you could not hit. That same year, Jake learned there are also some things you cannot hold. Patricia MacLachlan, one of the most beloved children's book authors writing today, has painted a deeply stirring, delicately lyrical portrait of a child, a son, a family, and a brother. Through Edward's eyes, we see what gifts all of these things truly are to those around them, and how those gifts live on and grow.

    Some are adopted. This is the story of how one baby found his family in the New York City subway."So begins the true story of Kevin and how he found his Daddy Danny and Papa Pete. Written in a direct address to his son, Pete's moving and emotional text tells how his partner, Danny, found a baby tucked away in the corner of a subway station on his way home from work one day. Pete and Danny ended up adopting the baby together. Although neither of them had prepared for the prospect of parenthood, they are reminded, "Where there is love, anything is possible."

    Their hair billows in brilliant hues, their dresses end in fishtails, and their joy fills the train car. When Julián gets home, daydreaming of the magic he's seen, all he can think about is dressing up just like the ladies in his own fabulous mermaid costume: a periwinkle curtain for his tail, the fronds of a potted fern for his headdress. But what will Abuela think about the mess he makes—and even more importantly, what will she think about how Julián sees himself? Mesmerizing and full of heart, Jessica Love's author-illustrator debut is a jubilant picture of self-love and a radiant celebration of individuality.

    There's a problem outside and this cute bug is going to fix it by swapping colors. TThis is a fun and colorful, fully illustrated ebook, for ages 18 months and up.

    Reynolds creates a tender, lyrical story of multigenerational love, tradition, and family coming together with gratitude and thanks.Celebrated, bestselling creator Peter H. Reynolds brings his signature touch of love and kindness to this special, timely picture book, as families now, more than ever, are rediscovering and reevaluating what means the most: time together with one another.Violet longs for the time when her family was connected: before life, distractions, and technology pulled them all away from each other. They used to gather at the table, with food and love, to make memories, share their lives, and revel in time spent together. But now her family has been drifting apart, and with nobody to gather around it, the table grows smaller and smaller.Can Violet remind her family of the warmth of time spent together, and gather around the table once more?A mystical fable that feels at once timeless and utterly of the present moment, The Table Fable is renowned, bestselling creator Peter H. Reynolds at his best. Exquisite, expressive watercolor tells a tender story, growing from monochrome into luscious, joyful color as Violet's family is reunited around the beloved table. An ode to traditions that unite families, The Table Fable brings readers together with a universal message of gratitude.

    Children will love these bright pictures and fun characters while learning about animals of the snow and ice.

    As the year passes, the narrator’s favorite dress goes through a series of creative changes, from dress to shirt to tank top to scarf and so on, until all that’s left of it is a good memory. Assisted by her patient and crafty mama, the narrator finds that when disaster strikes her favorite things, she doesn’t need to make mountains out of molehills—she “makes molehills out of mountains” instead! Structured around the days of the week, the story is also illustrated to show the passing of the seasons, a perfect complement to the themes of growing older and keeping hold (and letting go) of special mementos.

    What's left to do? Nothing! Ten seconds of nothing! Can they do it? Can they act like stone statues in the park? Can they simply hold their breath and not blink an eye? With a wink to the reader and a command of visual humor, feature film animator Tony Fucile demonstrates the Zen-like art of doing nothing...oops! Couldn't do it!

    He asks Grandmother to join him, but she has many reasons to delay their outing: she needs to put eyeliner around her eyes—which are as sad as a moonless night—and color in her hair—which is as gray as an autumn cloud. Grandfather counters with loving arguments of his own: her sad eyes look like stars and her hair is as perfect and white as a summer cloud.Playful illustrations complement this touching banter, which culminates in a trip to the dance where Grandmother tells Grandfather, “You are as pretty as the moon.”

    Sheila McGraw's soft and colorful pastels perfectly complement the sentiment of the book--one that will be read repeatedly for years.