He only has one friend, Harry, and school is...Well, it's pure HELL. Why can't Noah be normal, like everyone else at school? Maybe if he struck up a romantic relationship with someone - maybe Sophie, who is perfect and lovely - he'd be seen in a different light? But Noah's plans for romance are derailed when Harry kisses him at a party. That's when things go from bad to worse utter chaos.

    Although Walter has never so much as seen a photograph of his mother, it doesn't stop him from keeping an eye out for her in the groups of tourists he caters to in his dead-end job along the Strip.Then Walter meets Chrysto and Acacia, a brother and sister working as living statues at the Venetian Hotel, and his world cracks open. Spending less time caring for his father, and more time riding on the backs of Vespas and drawing, Walter finds life has more to offer than he could have imagined. But as his feelings for Chrysto deepen, and as clues behind his mother's disappearance start to reveal themselves, Walter is forced to face the truth about himself and his family history.Threading through this coming-of-age story are beautiful and heart-wrenching graphic illustrations, depicting how Walter’s mother Emily, a Vietnamese-born accordion player, abandoned her family to chase a vision of Liberace across the country; and how Walter’s father went searching for her amongst the gondolas of the Venetian Hotel.In Still Life Las Vegas, the magical collides with the mundane; memory, sexual awakening and familial ties all lead to a place where everything is illuminated, and nothing is real.

    While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women's lives and the violence visited upon their bodies.A wife refuses her husband's entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store's prom dresses. One woman's surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella Especially Heinous, Machado reimagines every episode of Law & Order: Special Victims Unit, a show we naively assumed had shown it all, generating a phantasmagoric police procedural full of doppelgangers, ghosts, and girls with bells for eyes.Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction.The husband stitch --Inventory --Mothers --Especially heinous --Real women have bodies --Eight bites --The resident --Difficult at parties

    Uniting fact and fiction into an original romantic vision, The Danish Girl eloquently portrays the unique intimacy that defines every marriage and the remarkable story of Lili Elbe, a pioneer in transgender history, and the woman torn between loyalty to her marriage and her own ambitions and desires.The Danish Girl is an evocative and deeply moving novel about one of the most passionate and unusual love stories of the 20th century.

    Kiernan is one of dark fantasy and horror’s most acclaimed and influential short fiction writers. Her powerful, unexpected stories shatter morality, gender, and sexuality: a reporter is goaded by her toxic girlfriend into visiting sadistic art exhibits; a countess in a decaying movie theater is sated by her servants; a collector offers his greatest achievement to ensnare a musician who grieves for her missing sister.In this retrospective collection of her finest work—previously only available in limited editions—Kiernan cuts straight to the heart of the emotional truths we cannot ignore.

    Twenty years have passed since Joseph left behind his entire life—his wife Rebecca, his five sons, his father, and the religious Israeli farming community where he grew up—when he fell in love with a man, the genius rabbi Yoel Rosenzweig. Their affair is long over, but its echoes continue to reverberate through the lives of Joseph, Rebecca, and their sons in ways that none of them could have predicted. Now, for his fiftieth birthday, Joseph is preparing to have his five sons and the daughter-in-law he has never met spend the Sabbath with him in the Tel Aviv penthouse that he shares with a man—who is conveniently out of town that weekend. This will be the first time Joseph and all his sons will be together in nearly two decades. The boys’ lives have taken widely varying paths. While some have become extremely religious, another is completely cosmopolitan and secular, and their feelings toward their father range from acceptance to bitter resentment. As they prepare for this reunion, Joseph, his sons, and even Rebecca, must confront what was, what is, and what could have been. Evan Fallenberg is a native of Cleveland, Ohio, and has since 1985 lived in Israel, where he is a writer, teacher, and translator. His recent translations include novels by Batya Gur and Meir Shalev. He is a graduate of the School of Foreign Service at Georgetown University and the Vermont College MFA program. He is the father of two sons.

    One boy's love of a soldier leads to the death of a stranger. The present takes a bittersweet journey into the past when a man revisits the summer school where he had "an accidental romance." And a forgotten mother writes a poignant letter to the teenage daughter she hasn't seen for fourteen years.Poised between the past and the future are the stories of now. In nontraditional narratives, short stories, and brief graphics, tales of anticipation and regret, eagerness and confusion present distinctively modern views of love, sexuality, and gender identification. Together, they reflect the vibrant possibilities available for young people learning to love others—and themselves—in today's multifaceted and quickly changing world.

    Tourists flock to the cities within the city: the Magic City of the World’s Fair on an island created of artifice and illusion; the forbidden city of Chinatown, a separate, alien world of exotic food and nightclubs that offer “authentic” experiences, straight from the pages of the pulps; and the twilight world of forbidden love, where outcasts from conventional society can meet.Six women find their lives as tangled with each other’s as they are with the city they call home. They discover love and danger on the borders where mystery, science, and art intersect.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    In collections such as Will You Please Be Quiet, Please? and What We Talk About When We Talk About Love, Carver wrote with unflinching exactness about men and women enduring lives on the knife-edge of poverty and other deprivations. Beneath his pared-down surfaces run disturbing, violent undercurrents. Suggestive rather than explicit, and seeming all the more powerful for what is left unsaid, Carver’s stories were held up as exemplars of a new school in American fiction known as minimalism or “dirty realism,” a movement whose wide influence continues to this day. Carver’s stories were brilliant in their detachment and use of the oblique, ambiguous gesture, yet there were signs of a different sort of sensibility at work. In books such as Cathedral and the later tales included in the collected stories volume Where I’m Calling From, Carver revealed himself to be a more expansive writer than in the earlier published books, displaying Chekhovian sympathies toward his characters and relying less on elliptical effects.In gathering all of Carver’s stories, including early sketches and posthumously discovered works, The Library of America’s Collected Stories provides a comprehensive overview of Carver’s career as we have come to know it: the promise of Will You Please Be Quiet, Please? and the breakthrough of What We Talk About, on through the departures taken in Cathedral and the pathos of the late stories. But it also prompts a fresh consideration of Carver by presenting Beginners, an edition of the manuscript of What We Talk About When We Talk About Love that Carver submitted to Gordon Lish, his editor and a crucial influence on his development. Lish’s editing was so extensive that at one point Carver wrote him an anguished letter asking him not to publish the book; now, for the first time, readers can read both the manuscript and published versions of the collection that established Carver as a major American writer. Offering a fascinating window into the complex, fraught relationship between writer and editor, Beginners expands our sense of Carver and is essential reading for anyone who cares about his achievement.Contents--What We Talk About When We Talk About LoveWhy Don’t You Dance?ViewfinderMr. Coffee and Mr. FixitGazeboI Could See the Smallest ThingsSacksThe BathTell the Women We’re GoingAfter the DenimSo Much Water So Close to HomeThe Third Thing That Killed My Father OffA Serious TalkThe CalmPopular MechanicsEverything Stuck to HimWhat We Talk About When We Talk About LoveOne More ThingStories from FiresThe LieThe CabinHarry’s DeathThe PheasantCathedralFeathersChef’s HousePreservationThe CompartmentA Small, Good ThingVitaminsCarefulWhere I’m Calling FromThe TrainFeverThe BridleCathedralFrom Where I’m Calling FromBoxesWhoever Was Using This BedIntimacyMenudoElephantBlackbird PieErrandOther FictionThe HairThe AficionadosPoseidon and CompanyBright Red ApplesFrom The Augustine NotebooksKindlingWhat Would You Like to See?DreamsVandalsCall If You Need MeSelected EssaysMy Father’s LifeOn WritingFiresAuthor’s Note to Where I’m Calling FromBeginners (The Manuscript Version of What We Talk About When We Talk About Love)Why Don’t You Dance?ViewfinderWhere Is Everyone?GazeboWant to See Something?The FlingA Small, Good ThingTell the Women We’re GoingIf It Please YouSo Much Water So Close to HomeDummyPieThe CalmMineDistanceBeginnersOne More Thing--loa.org

    Best friends. At least they used to be. But a year ago Sam cut Charlie out of his life--no explanation, no discussion, nothing. Fast-forward one year, and both Sam's and Charlie's lives are spiraling out of control. Sam has a secret he's finding harder and harder to hide, and Charlie is dealing with an increasingly absent dad and a dealer whose threats are anything but empty. As told in alternating chapters from Sam and Charlie during the sticky Florida summer before their senior year, the ex-best friends are thrown together once again when they have no one else to turn to. P. E. Ryan's Saints of Augustine is a witty, enthralling, and unforgettable novel about the power of friendship.

    Jimmy is immediately rescued by the burly owner of Stonewall Saloon, who has had his eye on Jimmy since the first time he came in months before.Jimmy's fine with being saved but wants to know the bartender's real name since the guy has worn name tags with an assortment of names every time Jimmy has spoken to him. After Jimmy nicknames him Guy, the bartender decides to turn guessing his first name into a game, giving Jimmy a guess a day for a week and promising to wine and dine him during that time. If Jimmy's guess is wrong, he owes Guy a zing-zow, knock-your-socks-off kiss. Jimmy agrees since this sounds like a slam-dunk, win-win deal.While he searches for cringe-worthy given names, Jimmy is distracted by the destruction of his shopping mall coffee shop. He is also beset by the town council that doesn't want him to buy an historic bank building in Old Town Stone Acres to set up another coffee shop. The celestial high of being romanced by Guy and the abyss of business worries don't seem like the road to happily ever after. However, Jimmy and Guy might be in for a big surprise.

    And not hot-off-the-press, still-drying-in-your-hands ink. Instead, you are holding twelve stories with endings that are still being written--whose next chapters are up to you.Because these stories are meant to be read. And shared.Thirteen of the most accomplished YA authors deliver a label-defying anthology that includes ten short stories, a graphic novel, and a one-act play. This collection will inspire you to break conventions, bend the rules, and color outside the lines. All you need is fresh ink.

    In 'The River Nemunas', a teenaged orphan moves from Kansas to Lithuania to live with her grandfather, and discovers a world in which myth becomes real. 'Village 113' is about the building of the Three Gorges Dam and the seedkeeper who guards the history of a village soon to be submerged. And in 'Afterworld,' the radiant, cathartic final story, a woman who escaped the Holocaust is haunted by visions of her childhood friends in Germany, yet finds solace in the tender ministrations of her grandson.The stories in Memory Wall show us how we figure the world, and show Anthony Doerr to be one of the masters of the form.

    In FUNNY BOY we follow the life of the family through Arjie's eyes, as he comes to terms both with his own homosexuality and with the racism of the society in which he lives. In the north of Sri Lanka there is a war going on between the army and the Tamil Tigers, and gradually it begins to encroach on the family's comfortable life. Sporadic acts of violence flare into full scale riots and lead, ultimately, to tragedy. Written in clear, simple prose, Syam Selvadurai's first novel is masterly in its mingling of the personal and political.