. .And there’s no BLACK in rainbows.From the wheels of a bicycle to the robe on Thurgood Marshall's back, Black surrounds our lives. It is a color to simply describe some of our favorite things, but it also evokes a deeper sentiment about the incredible people who helped change the world and a community that continues to grow and thrive.Stunningly illustrated by Caldecott Honoree and Coretta Scott King Award winner Ekua Holmes, Black Is a Rainbow Color is a sweeping celebration told through debut author Angela Joy’s rhythmically captivating and unforgettable words.

    A prodigy, he was leading his own band by age six, and today this Grammy-nominated artist headlines the legendary New Orleans Jazz Fest. Along with esteemed illustrator Bryan Collier, Andrews has created a lively picture book autobiography about how he followed his dream of becoming a musician, despite the odds, until he reached international stardom. Trombone Shorty is a celebration of the rich cultural history of New Orleans and the power of music.

    He was a leader of the abolitionist movement, a celebrated writer, an esteemed speaker, and a social reformer, proving that, as he said, “Once you learn to read, you will be forever free.”The story of one of America’s most revered figures is brought to life by the text of award-winning author Walter Dean Myers and the sweeping, lush illustrations of artist Floyd Cooper.

    Martin Luther King Jr. An extraordinary picture-book biography, Martin's Big Words consists of Rappaport's own words interwoven with quotes from Dr. King...all powerfully brought to life by Collier's striking, glorious art. Rappaport's spare, gripping text and Collier's distinctive collage-and-watercolor illustrations depict King's life journey with reverence and dignity -- beginning with his childhood experience of seeing "White Only" signs throughout his hometown, presenting his efforts as a civil rights crusader, and ending abruptly with his assassination. The front cover of the book immediately conveys King's power and spiritual strength, consisting entirely of a lifelike portrait of him -- the title and the author's and illustrator's names are relegated to the back cover. As Collier says in his illustrator's note, he "tried to push [the imagery] to an emotional level that allows the reader to bring his or her own experience to it, without actually losing the intensity or the intention of the story." His technique is utterly effective. By using simple, direct language -- much of it King's -- the text offers young readers an accessible yet profound introduction to King's legacy. It explains that as a child, he listened to his minister father's "big words" and vowed to inspire others with such words when he grew up. The book's final sentence: "His big words are alive for us today," testifies to King's success -- and to the timeless importance of this great leader's ideals. As further inspiration for interested readers, Martin's Big Words includes a list of significant dates as well as a bibliography of resources for them to explore. (Jamie Levine)

    

    This companion book to the award-winning We Are Grateful: Otsaliheliga offers readers everything they never learned in school about Native American people's past, present, and future. Precise, lyrical writing presents topics including: forced assimilation (such as boarding schools), land allotment and Native tribal reorganization, termination (the US government not recognizing tribes as nations), Native urban relocation (from reservations), self-determination (tribal self-empowerment), Native civil rights, the Indian Child Welfare Act (ICWA), religious freedom, economic development (including casino development), Native language revival efforts, cultural persistence, and nationhood.

    purple mountains’ majesty, mauvelous, jungle green, razzmatazz… What child doesn't love to hold a crayon in their hands?  But children didn't always have such magical boxes of crayons. Here’s the true story of an inventor who so loved nature’s vibrant colors that he found a way to bring the outside world to children – in a box for only a nickel!

    When Grandma Della said the blues wouldn’t put food on the table, Muddy didn’t listen. And when record producers told him no one wanted to listen to a country boy playing country blues, Muddy ignored them as well. This tenacious streak carried Muddy from the hardscrabble fields of Mississippi to the smoky juke joints of Chicago and finally to a recording studio where a landmark record was made.Soon the world fell in love with the tough spirit of Muddy Waters. In blues-infused prose and soulful illustrations, Michael Mahin and award-winning artist Evan Turk tell Muddy’s fascinating and inspiring story of struggle, determination, and hope.

    While this momentous event showcased the uniqueness of her voice, the strength of her character, and the struggles of the times in which she lived, it is only part of her story. Like the operatic arias Marian would come to sing, Ryan's text is as moving as a libretto, and Selznick's pictures as exquisitely detailed and elaborately designed as a stage set. What emerges most profoundly from their shared vision is a role model of courage.

    She has no idea the rope will become part of her family’s history. But for three generations, that rope is passed down, used for everything from jump rope games to tying suitcases onto a car for the big move north to New York City, and even for a family reunion where that first little girl is now a grandmother. Newbery Honor–winning author Jacqueline Woodson and Coretta Scott King Award–winning illustrator James Ransome use the rope to frame a thoughtful and moving story as readers follow the little girl’s journey. During the time of the Great Migration, millions of African American families relocated from the South, seeking better opportunities. With grace and poignancy, Woodson’s lilting storytelling and Ransome’s masterful oil paintings of country and city life tell a rich story of a family adapting to change as they hold on to the past and embrace the future.

    She tries to remember who she is and where she came from, despite the efforts of the nuns who are in charge at the school and who tell her that she is not to use her own name but instead use the number they have assigned to her. When she goes home for summer holidays, Irene's parents decide never to send her and her brothers away again. But where will they hide? And what will happen when her parents disobey the law? Based on the life of co-author Jenny Kay Dupuis’ grandmother, I Am Not a Number is a hugely necessary book that brings a terrible part of Canada’s history to light in a way that children can learn from and relate to.

    The appendixes include texts of some of King's most famous speeches.

    Now, her mama always told her that if she wanted something, “to jump at de sun”, because even though you might not land quite that high, at least you’d get off the ground. So Zora jumped from place to place, from the porch of the general store where she listened to folktales, to Howard University, to Harlem. And everywhere she jumped, she shined sunlight on the tales most people hadn’t been bothered to listen to until Zora. The tales no one had written down until Zora. Tales on a whole culture of literature overlooked…until Zora. Until Zora jumped.

    Harry was a veterinarian. But he was also a soldier in training for World War I. Harry named the bear Winnie, short for Winnipeg, his company’s home town, and he brought her along to the training camp in England. Winnie followed Harry everywhere and slept under his cot every night. Before long, she became the regiment’s much-loved mascot. But who could care for the bear when Harry had to go to the battleground in France? Harry found just the right place for Winnie while he was away — the London Zoo. There a little boy named Christopher Robin came along and played with Winnie — he could care for this bear too! Sally Walker’s heartwarming story, paired with Jonathan Voss’s evocative illustrations, brings to life the story of the real bear who inspired Winnie the Pooh.

    Even when he played as a boy with his friends he drew with a stick in the mud. And he never left home without a sketchbook. He would draw the junk man, families walking home from church, or the old man on the sofa. He drew what he saw.But in the segregated south, Ernie didn’t know how to make a living as an artist. Ernie grew tall and athletic and became a football star. Soon enough the colleges came calling. Still, in his heart Ernie longed to paint. Would that day ever come?Ernie Barnes was one of the most important artists of his time known for his style of elongation and movement. His work has influenced a generation of painters and illustrators and can be found in museums and collections, such as the African American Museum in Philadelphia and the California African American Museum.Between the Lines is a story of inspiration, spirit, and of an American original who pursued his dream. This enchanting picture book includes pieces of artwork created by this little known artist who captured the truth and beauty of the world he saw around him.