Book picks similar to
Southern Cross by Laurence Hyde


graphic-novels
art
graphic-novel
fiction

Great Expectations (Classic Illustrated)


Rick Geary - 1990
    Into an engrossing mystery, Dickens weaves a heartfelt inquiry into morals and virtues – as the orphan Pip, the convict Magwitch, the beautiful Estella, the bitter Miss Havisham, the goodhearted Biddy, the kind Joe and other memorable characters entwine in a battle of human nature.Rick Geary's delightful illustrations capture the newfound awe and frustrations of young Pip as he comes of age, and begins to understand the opportunities that life presents.

Nufonia Must Fall [With CD]


Kid Koala - 2003
    A graphic novel set to music by one of the world's top DJs

Underworld, Vol. 1: Cruel and Unusual Comics


Kaz - 1997
    The lead character in most is Bitchy Bitch, the perma-nently PMS'd and PO'd embodiment of the female id, who also stars in her own series of cartoon shorts on the Oxygen Network's X-Chromosome animated series.The raunchiest collection, focusing on Bitchy's sexual excapades.

Lève ta jambe, mon poisson est mort! (Lift Your Leg, My Fish is Dead!)


Julie Doucet - 1993
    You'll find it all in here: fatal kisses, early misadventures with tampons, ecstatic lovemaking with giant beer bottles, and a host of other strange and unconventional themes from the unfettered imagination of Ms. Doucet.

Dante's Divine Comedy: Boxed Set; Adapted by Marcus Sanders


Marcus Sanders - 2006
    The pair's innovative and authentic adaptation of Dante's epic, coupled with Birk's striking play on Gustave Dor's classic illustrations, make this a "Divine Comedy" for the 21st century. Acclaimed by both the literary and art worlds; rife with contemporary turns of phrase and slang (just as the original poem was written in the vernacular of its day) and pointed visions of the afterlife as contemporary cities; and rich with bold allusion, cultural critique, and witthis is the must-have collection of modern classics.

Walt and Skeezix, Vol. 1: 1921-1922


Frank King - 2005
    Not only does this volume reprint the first two years of the strip in which King’s friendly and nostalgic imagination took shape but each book in the series features an eighty-page color introduction by Jeet Heer of Canada’s National Post. Each introduction will also feature never-before-seen archival photos and ephemera from the personal collection of King’s granddaughter. Walt & Skeezix is not just a collection of a classic comic strip—it is the story of a great American cartoonist. Few cartoon strips have this kind of longevity and quality; Gasoline Alley has been with us since 1919 and is a gentle mirror held up to ordinary American life in the early twentieth century. It started as a mild satire on the post-WWI “craze” for cars, but it wasn’t long before it developed into a quirky family story attracting an audience of more than thirty million readers in four hundred–plus newspapers. Gasoline Alley, an affectionate portrait of modern living, is remembered for being the first strip to set itself in contemporary American history. The characters of Gasoline Alley grow up, go to war, and have grandchildren. The strip always reflects the kind, sweet pace of life.

Never Learn Anything From History


Kate Beaton - 2009
    First pressing, limited to 1000.From publisher Topatoco.com:"When Kate Beaton was first asked to make a book, she said "ok, but I only have about five comics on my website, gimme a while." Now the time has come! This is a collection of comics made between late 2007 and early 2009. It is 68 pages of the ones she likes the best! It should be noted that younger self comics aren't there, but perhaps they will have a home all their own someday!"

Wendy's Revenge


Walter K. Scott - 2016
    Filled with sardonic wit and ample realness, Wendy has her eyes set on the art world and she's out for revenge.Walter Scott is an artist from Montreal, Quebec. His work has been exhibited across Canada and Wendy has been serialized on Random House Canada's literary digital magazine Hazlitt. The eponymous first volume of Wendy was released in 2014 and was nominated for the Ignatz Award for Outstanding Graphic Novel.

It's a Good Life, If You Don't Weaken: A Picture Novella


Seth - 1998
    While trying to understand his dissatisfaction with the present, Seth discovers the life and work of Kalo, a forgotten New Yorker cartoonist from the 1940s. But his obsession blinds him to the needs of his lover and the quiet desperation of his family. Wry self-reflection and moody colours characterize Seth's style in this tale about learning lessons from nostalgia. His playful and sophisticated experiment with memoir provoked a furious debate among cartoon historians and archivists about the existence of Kalo, and prompted a Details feature about Seth's "hoax".

Was She Pretty?


Leanne Shapton - 2006
    Entire relationships are encapsulated in a few, stingingly perfect lines: "Colleen was Walter's ex-girlfriend from med school. She loved to dance with men at weddings." Pricking our insecurities, Shapton introduces us to Kim, whose ex "kept a drawerful of love letters in a kitchen drawer . . . She would stare at it while she cooked." And Ben's ex, "a physiotherapist for the U.S. men's and women's Olympic swim teams. She wore small white shorts year-round."Fascinated by her own jealousy, Shapton interviewed acquaintances about their anxieties and peccadilloes, and the result is a book of surpassing originality: one of those unusual books that comes along to delight us all, like An Exaltation of Larks or Love, Loss, and What I Wore or Griffin and Sabine. Was She Pretty? can also share the shelf with the work of the legendary William Steig, whose early, psychologically revealing work inspired Shapton. An unflinching observer of human behavior, she invites us to peer into the hearts and minds of her characters--while reminding us that we shouldn't be surprised if we see ourselves staring right back.

Puffin Graphics: Frankenstein


Gary Reed - 2005
    But when his creature first stirs, he realizes he has constructed a monster. Abandoned by its maker and shunned by everyone who sees it, the monster turns on its creator and haunts Dr. Frankenstein with murder and horrors to the very ends of the earth. Artist Frazer Irving's cinematic and moving portrayal of the doctor and his creation is sympathetic and powerful.

Judenhass


Dave Sim - 2008
    For one thing, Arabs are Semites as well and the prejudice as it generally understood certainly doesn't apply equally to Arabs and Jews. It was in the early stages of researching this graphic narrative that I first encountered the German term Judenhass. Literally, Jew-Hatred. It seemed to me that the term served to distill the ancient problem to its essence, and in such a way as to hopefully allow other non-Jews (like myself) to see the problem 'unlaundered' and through fresh eyes. Europe and various other jurisdictions aren't experiencing a sudden upsurge in 'anti-Semitism'. What they are experiencing is an upsurge in Judenhass -- Jew-Hatred. So that's what I've chosen to call this story. - Dave Sim, Writer/Artist/Publisher

The Arrival


Shaun Tan - 2007
    He's embarking on the most painful yet important journey of his life—he's leaving home to build a better future for his family. Shaun Tan evokes universal aspects of an immigrant's experience through a singular work of the imagination. He does so using brilliantly clear and mesmerizing images. Because the main character can't communicate in words, the book forgoes them too. But while the reader experiences the main character's isolation, he also shares his ultimate joy.

Scrapbook: Uncollected Work, 1990-2004


Adrian Tomine - 2004
    'Scrapbook' presents a comprehensive collection of the work of Adrian Tomine, ranging from the strips originally published in Tower Records' 'Pulse' magazine to his illustration and design work.

Soft City


Pushwagner - 2009
    Though it was found in 2002, Brofoss didn’t learn of the discovery until some segments were published.Soft City is both a creation of its time and timeless: the almost hallucinatory story of a society tight in the grip of an omnipresent corporation, one that employs them, feeds them, informs them, entertains them–but which may or may not be what it seems. It conveys the political sentiments of its time in a simple, pure line offering only meager spots of color.This pictorial novel describes the standardized daily life in an Orwellian, dystopian city. With compassion, feeling for the absurd and a sometimes satirical view, Pushwagner perceives the life of a family in a top-down organized city.