Bright and brilliant, they are destined for great things, and the youngest of the group—Aurora Jackson—is delighted to be allowed to tag along. The evening starts like any other—they drink, they dance, they fight, they kiss. Some of them slip off into the woods in pairs, others are left jealous and heartbroken. But by morning, Aurora has disappeared. Her friends claim that she was safe the last time they saw her, right before she went to sleep. An exhaustive investigation is launched, but no trace of the teenager is ever found.Thirty years later, Aurora’s body is unearthed in a hideaway that only the six friends knew about, and Jonah Sheens is put in charge of solving the long-cold case. Back in 1983, as a young cop in their small town, he had known the teenagers—including Aurora—personally, even before taking part in the search. Now he’s determined to finally get to the truth of what happened that night. Sheens’s investigation brings the members of the camping party back to the forest, where they will be confronted once again with the events that left one of them dead, and all of them profoundly changed forever.

    Their daughter, Anna, has struggled to come to terms with their loss ever since.Now with a young baby of her own, Anna misses her mother more than ever and starts to question her parents’ deaths. But by digging up their past, she’ll put her future in danger. Sometimes it’s safer to let things lie…The stunning, twisty new psychological thriller from number one bestseller Clare Mackintosh, author of I Let You Go and I See You.

    She’s been trying to put the crime out of her mind; what could she have done, really? It’s a dangerous road to be on in the middle of a storm. Her husband would be furious if he knew she’d broken her promise not to take that shortcut home. And she probably would only have been hurt herself if she’d stopped.But since then, she’s been forgetting every little thing: where she left the car, if she took her pills, the alarm code, why she ordered a pram when she doesn’t have a baby.The only thing she can’t forget is that woman, the woman she might have saved, and the terrible nagging guilt.Or the silent calls she’s receiving, or the feeling that someone’s watching her…

    But there will be more to regret than a nasty hangover.She starts receiving mementos from that night: A photo of a hallway kiss. A video of her complaining about her husband. And worse...much worse. The problem is she doesn't remember any of it.As the blackmailing and menace ramp up, Gemma fears for her already shaky marriage. The paranoia, the feeling that her life is spiraling out of control, will take her back to another night--years ago--that changed everything. And Gemma will realize just how far the shadows from her past can reach...

    But none of the apartments she sees are affordable or feel safe. Until One Folgate Street. The house is an architectural masterpiece: a minimalist design of pale stone, plate glass, and soaring ceilings. But there are rules. The enigmatic architect who designed the house retains full control: no books, no throw pillows, no photos or clutter or personal effects of any kind. The space is intended to transform its occupant - and it does.JaneAfter a personal tragedy, Jane needs a fresh start. When she finds One Folgate Street, she is instantly drawn to the space - and to its aloof but seductive creator. Moving in, Jane soon learns about the untimely death of the home's previous tenant, a woman similar to Jane in age and appearance. As Jane tries to untangle truth from lies, she unwittingly follows the same patterns, makes the same choices, crosses paths with the same people, and experiences the same terror as the girl before.

    Laura is the troubled one-night-stand last seen in the victim’s home. Carla is his grief-stricken aunt, already mourning the recent death of yet another family member. And Miriam is the nosy neighbor clearly keeping secrets from the police. Three women with separate connections to the victim. Three women who are – for different reasons – simmering with resentment. Who are, whether they know it or not, burning to right the wrongs done to them. When it comes to revenge, even good people might be capable of terrible deeds. How far might any one of them go to find peace? How long can secrets smolder before they explode into flame?Look what you started.

    A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger,” left by her body, Clare is horrified to see her life collide with the storylines of her favourite literature. To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: "Hallo, Clare. You don’t know me." Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?

    Laetitia Rodd, aged fifty-two, is the widow of an archdeacon. Living in Hampstead with her confidante and landlady, Mrs. Benson, who once let rooms to John Keats, Laetitia makes her living as a highly discreet private investigator.Her brother, Frederick Tyson, is a criminal barrister living in the neighboring village of Highgate with his wife and ten children. Frederick finds the cases, and Laetitia solves them using her arch intelligence, her iron discretion, and her immaculate cover as an unsuspecting widow. When Frederick brings to her attention a case involving the son of the well-respected, highly connected Sir James Calderstone, Laetitia sets off for Lincolnshire to take up a position as the family’s new governess—quickly making herself indispensable. But the seemingly simple case—looking into young Charles Calderstone’s “inappropriate” love interest—soon takes a rather unpleasant turn. And as the family’s secrets begin to unfold, Laetitia discovers the Calderstones have more to hide than most.

    Detective Sergeant Manon Bradshaw tries to sleep after yet another soul-destroying Internet date – the low murmuring of her police radio her only solace.Over the airwaves come reports of a missing woman – door ajar, keys and phone left behind, a spatter of blood on the kitchen floor. Manon knows the first 72 hours are critical: you find her, or you look for a body. And as soon as she sees a picture of Edith Hind, a Cambridge post-graduate from a well-connected family, she knows this case will be big.Is Edith alive or dead? Was her ‘complex love life’ at the heart of her disappearance, as a senior officer tells the increasingly hungry press? And when a body is found, is it the end or only the beginning?

    She’s found the perfect vessel: Revenge of the Tide. She already feels less lonely; as if the boat is looking after her.But the night of her boat-warming party, a body washes up, and to Genevieve’s horror, she recognizes the victim. She isn’t about to tell the police, though; hardly anyone knows about her past as a dancer at a private members’ club, The Barclay. The death can’t have anything to do with her. Or so she thinks...Soon, the lull of the waves against Revenge feels anything but soothing, as Genevieve begins to receive strange calls and can’t reach the one person who links the present danger with her history at the club. Fearing for her safety, Genevieve recalls the moment when it all started to go wrong: the night she saw her daytime boss in the crowd at The Barclay...Dark, sexy, and exquisitely chilling, Dark Tide is another superb mystery from acclaimed rising star Elizabeth Haynes.

    Half-starved and filthy, she won’t tell anyone her name, or her age, or where she came from. Maybe she is twelve, maybe fifteen. She doesn’t appear in any missing persons file, and her DNA can’t be matched to an identity. Six years later, still unidentified, she is living in a secure children’s home with a new name, Evie Cormac. When she initiates a court case demanding the right to be released as an adult, forensic psychologist Cyrus Haven must determine if Evie is ready to go free. But she is unlike anyone he’s ever met—fascinating and dangerous in equal measure. Evie knows when someone is lying, and no one around her is telling the truth.Meanwhile, Cyrus is called in to investigate the shocking murder of a high school figure-skating champion, Jodie Sheehan, who dies on a lonely footpath close to her home. Pretty and popular, Jodie is portrayed by everyone as the ultimate girl-next-door, but as Cyrus peels back the layers, a secret life emerges—one that Evie Cormac, the girl with no past, knows something about. A man haunted by his own tragic history, Cyrus is caught between the two cases—one girl who needs saving and another who needs justice. What price will he pay for the truth?

    Only fifteen years old, Amy disappeared walking home from school one day and was found in a coma three days later. Her attacker was never identified and her angelic face was plastered across every paper and nightly news segment.Fifteen years later, Amy lies in the hospital, surrounded by 90’s Britpop posters, forgotten by the world until reporter Alex Dale stumbles across her while researching a routine story on vegetative patients.Remembering Amy’s story like it was yesterday, she feels compelled to solve the long-cold case.The only problem is, Alex is just as lost as Amy—her alcoholism has cost her everything including her marriage and her professional reputation.In the hopes that finding Amy’s attacker will be her own salvation as well, Alex embarks on a dangerous investigation, suspecting someone close to Amy.Told in the present by an increasingly fragile Alex and in dream-like flashbacks by Amy as she floats in a fog of memories, dreams, and music from 1995, Try Not to Breathe unfolds layer by layer to a breathtaking conclusion.

    A beautiful townhouse on the best street in the neighbourhood. Three bright children who are her pride and joy. Sometimes her past still hurts: losing her mother early, growing up in foster care. But her husband, Simon, is always there. A successful surgeon, he’s the envy of every woman they’ve ever met. Flowers, gifts, trips to France: nothing is too good for his family. Then Simon says another woman’s name. The way he lingers on it, Caroline , gives Marianne a shudder of suspicion, but she knows it’s nothing – she can’t entertain this flash of paranoia. In the old days, she’d have distracted herself by excelling at work, but Marianne left her glamorous career when she married. She’d speak to a friend, but she’s too busy with her children and besides, Simon doesn’t approve of the few she has left. It’s almost by accident that Marianne starts to learn more about Caroline. But once started, she can’t stop, because what she finds makes her wonder: is the question she should be asking not ‘should she be jealous’, but... ‘should she be scared?’ Fans of The Girl on the Train and I Let You Go, who are looking for a dark, gripping psychological thriller with a final twist to put their jaw on the floor, will love Our Little Lies.

    1 bestselling author of the Logan McRae series.Welcome to the Misfit Mob…It’s where Police Scotland dumps the officers it can’t get rid of, but wants to: the outcasts, the troublemakers, the compromised. Officers like DC Callum MacGregor, lumbered with all the boring go-nowhere cases. So when an ancient mummy turns up at the Oldcastle tip, it’s his job to find out which museum it’s been stolen from.But then Callum uncovers links between his ancient corpse and three missing young men, and life starts to get a lot more interesting. O Division’s Major Investigation Teams already have more cases than they can cope with, so, against everyone’s better judgement, the Misfit Mob are just going to have to manage this one on their own.No one expects them to succeed, but right now they’re the only thing standing between the killer’s victims and a slow, lingering death. The question is, can they prove everyone wrong before he strikes again?

    Out of favour Detective Constable Ian Bradshaw struggles to find any leads - and fears that the only thing this investigation will unravel is himself.Journalist Tom Carney is suspended by his London tabloid and returns to his home village in County Durham. Helen Norton is the reporter who replaced Tom on the local newspaper. Together, they are drawn into a case that will change their lives forever.When a body is found, it's not the latest victim but a decades-old corpse. Secrets buried for years are waiting to be found, while in the present-day an unstoppable killer continues to evade justice