It's not a place many would choose to live - yet the Governor of Dartmoor Prison did just that. When Herbert Russell retired, he bought All Hallow's Hall - a rambling Tudor mansion on the edge of the moor, and lived there all his life.Now he's dead, and his estranged family are set to inherit his estate. But when the dead man's family come to stay, the atmosphere of the moors seems to drift into every room. Floorboards creak, secret passageways echo, and wind whistles in the house's famous priest hole. And then, on the morning the family decide to leave All Hallow's Hall once and for all, their young son Timmy goes missing.

    "Robert Aickman was a master of what he called 'strange stories,' and though his fiction has been categorized as horror, it's actually its own beast.As we move further away from the horror boom of the last century and its focus on the mainstream appeal of small town horrors, we are encountering successive generations of writers open to exploring new avenues of the subtly bizarre, an area Aickman frequently mastered.This book is a sampler of how Robert Aickman's work has beoome a significant source of inspiration for contemporary writers."

    A couple are invited over to a neighbor's daughter's exorcism. A country witch with a sea-captain's head in a glass globe intercedes on behalf of abused and abandoned children. In July of 1915, in Hardin County, Ohio, a boy sees ghosts. Explore contemporary natural history in a baker's dozen of exhilarating visions.Contains:-The Blameless-Word Doll-The Angel Seems-Mount Chary Galore-A Natural History of Autumn-Blood Drive-A Terror Rocket Ship to Hell-The Fairy Enterprise-The Last Triangle-Spirits of Salt: A Tale of the Coral Heart The Thyme Fiend-The Prelate's Commission

    A gripping, chilling collection of 47 stories and six poems, dating back to Shelley and Stevenson, but also including modern masters.

    I envy those of you making your first acquaintance with this author.” – From the introduction by Matthew Carpenter Respected as one of today’s leading figures of weird fiction for his striking imagination, versatility, and deeply emotional stories, Jeffrey Thomas here offers up fourteen searing tales. Included are the haunting and surreal "Ghosts in Amber," in which a man is compelled to visit a mysterious derelict factory that harbors chilling secrets; "Jar of Mist," which focuses on a father who, in seeking to understand his daughter’s suicide, encounters a dream-like other realm; "Those Above," which imagines an alternate Victorian society controlled by vast monstrous entities from beyond; and the title novelette "The Endless Fall," which concerns an astronaut who crash-lands on an unknown forested world where time seems to work in an alien way, and where he finds he is unfortunately not alone. “With brutal elegance and chilling subtlety, Thomas pulls his readers into his dark visions immediately from every opening line.” – Paul Di Filippo, in ASIMOV’S “Jeffrey Thomas’ imagination is as twisted as it is relentless.” – F. Paul Wilson “In time he will, in this reviewer’s opinion, be listed alongside King, Barker, Koontz, and McCammon.” – Brian Keene

    It includes stories by Charles Dickens, Wilkie Collins, M. R. James, W. W. Jacobs, and L. P. Hartley, among other masters of the fine art of making the flesh creep, all accompanied by Gorey's inimitable illustrations.ALGERNON BLACKWOOD, "The Empty House"W.F. HARVEY, "August Heat"CHARLES DICKENS, "The Signalman"L.P. HARTLEY, "A Visitor from Down Under"R.H. MALDEN, "The Thirteenth Tree"ROBERT LOUIS STEVENSON, "The Body-Snatcher"E. NESBIT, "Man-Size in Marble"BRAM STOKER, "The Judge's House"TOM HOOD, "The Shadow of a Shade"W.W. JACOBS, "The Monkey's Paw,"WILKIE COLLINS, "The Dream Woman"M.R. JAMES, "Casting the Runes"

    We boys used to overrun the place, and I can still recall my youthful terror not only at the morbid strangeness of this sinister vegetation, but at the eldritch atmosphere and odor of the dilapidated house, whose unlocked front door was often entered in quest of shudders.

    But it is in her short stories that her extraordinary talents—as a fabulist, feminist, social critic, and weaver of tales—are most penetratingly evident. This volume presents Carter's considerable legacy of short fiction gathered from published books, and includes early and previously unpublished stories. From reflections on jazz and Japan, through vigorous refashionings of classic folklore and fairy tales, to stunning snapshots of modern life in all its tawdry glory, we are able to chart the evolution of Carter's marvelous, magical vision.

    Lavishly designed and illustrated, Wagner's psychological portrayals and ingenious use of Southern landscape make this publication an event.

    In the tradition of Defoe, Stevenson, Hawthorne, Coleridge, Poe, and other master writers, these frightful stories conjure the creaks and shadows of the very places where they came to life: haunted St. Andrews, the Isle of Eigg, Kellie Castle, Balcarres House, Durie House ("which has the most persistent of all country-house spectres"), and Kirk's own ancestral spooky house in Mecosta, Michigan.

    Here are tales of suspense and the supernatural that will chill, amuse, and exhilarate.

    There they create the album that will make their reputation, but at a terrifying cost: Julian Blake, the group’s lead singer, disappears within the mansion and is never seen or heard from again.Now, years later, the surviving musicians, along with their friends and lovers—including a psychic, a photographer, and the band’s manager—meet with a young documentary filmmaker to tell their own versions of what happened that summer. But whose story is true? And what really happened to Julian Blake?

    When originally published in 1985 by Harry Morris’s Silver Scarab Press, the book was hardly noticed. In 1989, an expanded version appeared that garnered accolades from several quarters. Writing in the Washington Post, the celebrated science fiction and fantasy author Michael Swanwick extolled: “Put this volume on the shelf right between H. P. Lovecraft and Edgar Allan Poe. Where it belongs.”The revisions in the present volume of Songs of a Dead Dreamer have been calculated to make its stories into enhanced incarnations of the originals. This edition is and will remain definitive.For those already familiar with the stories in Songs of a Dead Dreamer, an invitation is extended to return to them in their ultimate state. For those new to the collection, it is submitted to engage them with some of the most extraordinary tales of their kind. In either case, this publication of Songs of a Dead Dreamer offers evidence for why Ligotti has been judged to be among the most important authors in the history of supernatural horror.

    Told by individual inhabitants, the stories recount tales of disappearing dead deer, enchanted gardens, invisible killer dogs, and rattlesnakes that fall from the sky; each contribution adds to a composite portrait that skitters between eerie, ghoulish, and poignant. Miller is a master storyteller, clearly delighting in his mischievous creations.” Thirty-Three Tales. Thirty-Three Tellers. One Lost Town.

    A. Macalla Whitcomb. By deciding to investigate how Mrs. Whitcomb's obsessions might have led to her mysterious disappearance, Lois unwittingly invites the forces which literally haunt Mrs. Whitcomb's films into her life, eventually putting her son, her husband and herself in danger. Experimental Film mixes painful character detail with a creeping aura of dread to produce a fictionalized "memoir" designed to play on its readers' narrative expectations and pack an existentialist punch.