Built in 1878 and closed in 1992, this abandoned mental institution is rumored to be the birthplace of the lobotomy. Locals have long believed the place to be haunted. They tell stories about the unmarked graves in the back, of the cold spots felt throughout the underground tunnels, and of the treasures found inside: patients' personal items like journals, hair combs, and bars of soap, or even their old medical records, left behind by the state for trespassers to view. On the eve of the hospital's demolition, six teens break in to spend the night and film a movie about their adventures. For Derik, it's an opportunity to win a filmmaking contest and save himself from a future of flipping burgers at his parents' diner. For the others, it's a chance to be on TV, or a night with no parents. But what starts as a playful dare quickly escalates into a frenzy of nightmarish action. Behind the crumbling walls, down every dark passageway, and in each deserted room, they will unravel the mysteries of those who once lived there and the spirits who still might.

    Dysfunctional like her parents' marriage; her doll-crazy twelve-year-old sister, Kasey; and even her own anti-social, anti-cheerleader attitude. When a family fight results in some tearful sisterly bonding, Alexis realizes that her life is creeping from dysfunction into danger. Kasey is acting stranger than ever: her blue eyes go green sometimes; she uses old-fashioned language; and she even loses track of chunks of time, claiming to know nothing about her strange behavior. Their old house is changing, too. Doors open and close by themselves; water boils on the unlit stove; and an unplugged air conditioner turns the house cold enough to see their breath in.Alexis wants to think that it's all in her head, but soon, what she liked to think of as silly parlor tricks are becoming life-threatening--to her, her family, and to her budding relationship with the class president. Alexis knows she's the only person who can stop Kasey -- but what if that green-eyed girl isn't even Kasey anymore?

    It is a crossways, a place where the dead and the living can find no peace. Not that Forest, an 18-year-old foster kid who works the graveyard shift at Lincoln Hospital, knew this when she applied for the job. Lincoln is a huge state mental institution, a good place for Forest to make some money to pay for college. But along with hundreds of very unstable patients, it also has underground tunnels, bell towers that ring unexpectedly, and a closet that holds more than just donated clothing....When the dead husband of one of Forest's patients makes an appearance late one night, seemingly accompanied by an agent of the Devil, Forest loses all sense of reality and all sense of time. Terrified, she knows she has a part to play, and when she does so, she finds a heritage that she never expected. With her deep knowledge of mental illness and mental institutions, Susan Vaught brings readers a fascinating and completely creepy new book intertwining the stories of three young people who find themselves haunted beyond imagining in the depths of Lincoln Hospital.

    Instead, the ghosts aren’t disappearing—they’re gaining power. When Veronica and her friend, Kirk, decide to investigate why, they stumble upon a more sinister plot than they ever could have imagined. One of Veronica’s high school teachers is crippled by the fact that his dead daughter has never returned as a ghost, and he’s haunted by the possibility that she’s waiting to reappear within a fresh body. Veronica seems like the perfect host. And even if he’s wrong, what’s the harm in creating one more ghost?From critically acclaimed Generation Dead author Daniel Waters, comes a delectably creepy and suspenseful thriller. Break My Heart 1,000 Times will leave readers with the chills. Or is that a ghost reading over the page?

    Phin doesn't return. Instead, a girl named Lenora May climbs out, and now Sterling is the only person in Sticks who remembers her brother ever existed.Sterling needs to figure out what the swamp's done with her beloved brother and how Lenora May is connected to his disappearance—and loner boy Heath Durham might be the only one who can help her. This debut novel is full of atmosphere, twists and turns, and a swoon-worthy romance.

    The dead are called Histories, and the vast realm in which they rest is the Archive.Da first brought Mackenzie Bishop here four years ago, when she was twelve years old, frightened but determined to prove herself. Now Da is dead, and Mac has grown into what he once was: a ruthless Keeper, tasked with stopping often violent Histories from waking up and getting out. Because of her job, she lies to the people she loves, and she knows fear for what it is: a useful tool for staying alive.Being a Keeper isn't just dangerous—it's a constant reminder of those Mac has lost, Da's death was hard enough, but now that her little brother is gone too, Mac starts to wonder about the boundary between living and dying, sleeping and waking. In the Archive, the dead must never be disturbed. And yet, someone is deliberately altering Histories, erasing essential chapters. Unless Mac can piece together what remains, the Archive itself may crumble and fall.In this haunting, richly imagined novel, Victoria Schwab reveals the thin lines between past and present, love and pain, trust and deceit, unbearable loss and hard-won redemption.

    But is that possible?Mara has become used to the extraordinary. Roaming from place to place with Gideon Davorin’s Traveling Carnival, she longs for an ordinary life where no one has the ability to levitate or predict the future.She gets her chance when the struggling sideshow sets up camp in the small town of Caudry and she meets a gorgeous local guy named Gabe. But before long, Mara realizes there’s a dark presence lurking in the town that’s threatening the lives of her friends. She has seven days to take control of a power she didn’t know she had in order to save everyone she cares about—and change the future forever.

    Until she woke up in a coffin.Ushers die young. Ushers are cursed. Ushers can never leave their house, a house that haunts and is haunted, a house that almost seems to have a mind of its own. Madeline’s life—revealed through short bursts of memory—has hinged around her desperate plan to escape, to save herself and her brother. Her only chance lies in destroying the house.In the end, can Madeline keep her own sanity and bring the house down? The Fall is a literary psychological thriller, reimagining Edgar Allan Poe’s classic The Fall of the House of Usher.

    First she is orphaned and forced to live at the mercy of her stingy, indifferent relatives. Then her fiancé falls on the battlefield, leaving her heartbroken and alone. Jennie struggles to pick up the pieces of her shattered life, but is haunted by a mysterious figure that refuses to let her bury the past.

    Through the windows, she is shocked to find what seem to be living people in the tiny rooms, and gradually she realizes that scenes from the lives of the big house’s past inhabitants are being replayed there.

    No one outside of these dank basement walls knows she’s here. No one can hear her scream.   Sofia Flores knows she shouldn’t have gotten involved. When she befriended Riley, Grace, and Alexis on her first day at school, she admired them, with their perfect hair and their good-girl ways. They said they wanted to save Brooklyn. They wanted to help her. Sofia didn’t realize they believed Brooklyn was possessed.   Now, Riley and the girls are performing an exorcism on Brooklyn—but their idea of an exorcism is closer to torture than salvation. All Sofia wants is to get out of this house. But there is no way out. Sofia can’t go against the other girls . . . unless she wants to be next. . . .   In this chilling debut, Danielle Vega delivers blood-curdling suspense and terror on every page. By the shockingly twisted end, readers will be faced with the most haunting question of all: Is there evil in all of us?

    The endless creaking of the house at night and the eerie stillness of the woods surrounding them would be enough of a sign, but there are secrets too—questions that Silla can’t ignore: Why does it seem that, ever since they arrived, the trees have been creeping closer? Who is the beautiful boy who’s appeared from the woods? And who is the tall man with no eyes who Nori plays with in the basement at night… a man no one else can see?