He lives with his father, Rasheed, who is enamored of his concept of American culture—baseball and barbeques—and tries to shed his Lebanese heritage completely. “When we are in America,” Reed (for he goes by Reed in America, not Rasheed) tells Max, “we are Americans.”Rasheed has a singular purpose in life: to provide Max with a joyful childhood. He showers his son with gifts out of a belief that he deserves all and is capable of anything. Max wants nothing more than to convince his father that he is a successful single parent. The only thing that can disrupt their peaceful universe is the truth—which it does, with force.When Max turns seventeen, he learns from Rasheed’s ex-girlfriend that his father has been lying to him. Max’s understanding of the world is so rocked that he is subsequently launched on an uncertain mission to Beirut and then Paris.Lifted by the Great Nothing is a startlingly graceful, and often hilarious, coming-of-age story about the lengths we go to preserve the untruths we live by. With its poignant relationships, unsettling misadventures, and surprising love stories, it is a touching and devastating portrait of a young man coming to terms with his country’s—and his own—violent past.

    To them, these coverings seemed irrelevant to both modern life and Islamic piety. Today, however, the majority of Muslim women throughout the Islamic world again wear the veil. Why, Ahmed asks, did this change take root so swiftly, and what does this shift mean for women, Islam, and the West?When she began her study, Ahmed assumed that the veil's return indicated a backward step for Muslim women worldwide. What she discovered, however, in the stories of British colonial officials, young Muslim feminists, Arab nationalists, pious Islamic daughters, American Muslim immigrants, violent jihadists, and peaceful Islamic activists, confounded her expectations. Ahmed observed that Islamism, with its commitments to activism in the service of the poor and in pursuit of social justice, is the strain of Islam most easily and naturally merging with western democracies' own tradition of activism in the cause of justice and social change. It is often Islamists, even more than secular Muslims, who are at the forefront of such contemporary activist struggles as civil rights and women's rights. Ahmed's surprising conclusions represent a near reversal of her thinking on this topic.Richly insightful, intricately drawn, and passionately argued, this absorbing story of the veil's resurgence, from Egypt through Saudi Arabia and into the West, suggests a dramatically new portrait of contemporary Islam.

    Dreams and Shadows is an extraordinary tour de horizon of the new Middle East, with on-the-ground reportage of the ideas and movements driving change across the region--and the obstacles they confront.

    Through dramatic stories of unforgettable characters, Kaplan illuminates the tragic history of this unstable area that he describes as the new fault line between East and West. He ventures from Turkey, Syria, and Israel to the turbulent countries of the Caucasus, from the newly rich city of Baku to the deserts of Turkmenistan and the killing fields of Armenia. The result is must reading for anyone concerned about the state of our world in the decades to come.

    An incisive observer, writer, and participant in today’s social movements, Zeynep Tufekci explains in this accessible and compelling book the nuanced trajectories of modern protests—how they form, how they operate differently from past protests, and why they have difficulty persisting in their long-term quests for change.   Tufekci speaks from direct experience, combining on-the-ground interviews with insightful analysis. She describes how the internet helped the Zapatista uprisings in Mexico, the necessity of remote Twitter users to organize medical supplies during Arab Spring, the refusal to use bullhorns in the Occupy Movement that started in New York, and the empowering effect of tear gas in Istanbul’s Gezi Park. These details from life inside social movements complete a moving investigation of authority, technology, and culture—and offer essential insights into the future of governance.From New York Times opinion columnist Zeynep Tufekci, an firsthand account and incisive analysis of the role of social media in modern protest“[Tufekci’s] personal experience in the squares and streets, melded with her scholarly insights on technology and communication platforms, makes [this] such an unusual and illuminating work.”—Carlos Lozada, Washington Post “Twitter and Tear Gas is packed with evidence on how social media has changed social movements, based on rigorous research and placed in historical context.”—Hannah Kuchler, Financial Times

    In 1975 she was ten years old and living in Southern Lebanon when militant Muslims from throughout the Middle East poured into her country and declared jihad against the Lebanese Christians. Lebanon was the only Christian influenced country in the Middle East, and the Lebanese Civil War was the first front in what has become the worldwide jihad of fundamentalist Islam against non-Muslim peoples. For seven years, Brigitte and her parents lived in an underground bomb shelter. They had no running water or electricity and very little food; at times they were reduced to boiling grass to survive. "Because They Hate" is a political wake-up call told through a very personal memoir frame. Brigitte warns that the US is threatened by fundamentalist Islamic theology in the same way Lebanon was-- radical Islam will stop at nothing short of domination of all non-Muslim countries. Gabriel saw this mission start in Lebanon, and she refuses to stand silently by while it happens here. Gabriel sees in the West a lack of understanding and a blatant ignorance of the ways and thinking of the Middle East. She also points out mistakes the West has made in consistently underestimating the single-mindedness with which fundamentalist Islam has pursued its goals over the past thirty years. Fiercely articulate and passionately committed, Gabriel tells her own story as well as outlines the history, social movements, and religious divisions that have led to this critical historical conflict.

    It is a bold and radical novel, full of black humor and cynical observations about life in war-torn Beirut. In 1990, when it first appeared in Arabic, it was hailed by critics throughout the Arab world as the best novel set against the background of the Lebanese civil war.The fractured narrative is woven around Khalil, a gay man who tried to avoid ideological or military affiliations as he finds himself confronted with the collapse of his civil society. His only contact with the world at large is through his friends at a newspaper, for whom falling bombs meant great stories rather than tragedy and destruction. Khalil struggles to keep himself away from the war but is inevitably drawn in as he realizes that in a city of war, no one can remain neutral.Written sensitively, and without a trace of sentimentality or political propaganda, The Stone of Laughter shook the Arab readers' preconceptions about women's writing and questioned the necessity of political affiliation for Arab authors.

    At 30, he sees no point in getting a job, finding a wife or stopping the endless round of parties. Golan had always considered life to be about marrying well and attaining money, but after a blind date with his best friend's quirky sister, he begins to question such beliefs. Golan then begins a personal journey that has him challenge everything he has ever believed, about himself, about love and about the nature of life in contemporary Israel.

    Using the graphic novel as his medium, Lebanon-born Toufic El Rassi chronicles his experience growing up Arab in America. Keen observations, clever insights and painful honesty make El Rassi's work shine as a critical 21st century memoir. From childhood through adolescence, and as an adult, El Rassi illustrates the prejudice and discrimination Arabs and Muslims experience in American society. He contends with ignorant teachers, racist neighbors, bullying classmates, and a growing sense of alienation. El Rassi recounts his personal experiences after the 9/11 attacks and during the implementation of new security and immigration laws that followed. El Rassi gives context to current world events, providing readers with an overview of the modern history of the Middle East, including the Gulf wars. He also examines the roles American films and news media play in creating negative stereotypes of Arab-Americans, showing how difficult it is to have an Arab identity in a society saturated with anti-Arab images and messages.

    Hirsh's internationally acclaimed 1986 novel, Kabul, provides an almost miraculous window into a country and its people that now have captured the world's attention.When the last Afghan king is deposed in the summer of 1973, the family of Omar Anwari, his loyal cabinet minister, is torn apart along with their country. Over seven turbulent years while Catherine, their American mother, struggles to hold them together, Mangal, the eldest son, breaks with his father to follow his own political conscience; daughter Saira in New York is torn between two cultures; and Tor, the youngest, most passionate of the three grows up to become perhaps the bravest of them all.An epic tale of civil war, political intrigue, and family tragedy, Kabul is a moving, insightful portrayal of a proud nation brought to chaos.

    Anna has survived the worst. So has Nat. Two broken souls, struggling to find a place in a world they no longer fit.Anna, 62, is the victim of a terrorist attack in which eleven others were murdered. Nat, 35, is an Army veteran who fought in Afghanistan. They have so little in common. And so much.A friendship stirs between them, tentative and unlikely, its foundation the violence they have seen and the memories that stalk them. Together, they begin to search for a way back home.But when Nat's wife falls unexpectedly pregnant, terrible ghosts from his wartime past rise up and much more than a friendship is at stake.Here in the After is a poignant and uplifting exploration of the legacy of trauma and the healing power of connection.'Bold, unflinching and courageous, this book dives with sensitivity and compassion into the dark shadows of PTSD to uncover light and acceptance. Heartbreaking and devastating, but luminous, tender and hopeful. The last book I read that moved me so deeply was A Thousand Splendid Suns by Khaled Hosseini.' Karen Viggers, author of The Orchardist's Daughter'A moving meditation on the toll trauma takes on the body and mind, and the human connection that can be its balm.' Vanessa McCausland, author of The Lost Summers of Driftwood'Powerful, insightful and ultimately hopeful, Here in the After is a compelling and poignant exploration of the price exacted by terror and warfare and the redemptive powers of an unlikely friendship.' Suzanne Leal, author of The Deceptions

     This book is an eye opener on Mughal history in India. Mughals have been glorified as great rulers in Indian history books despite being maniacs, incest-lovers, rapists and merciless invaders. The book is a compilation of all hidden facts. Straight from their authentic biographies. To make Indians realise, enough is enough. Do not glorify these filthy creatures in the name of preserving the secular fabric of India. Note: This is the latest edition of the book “Great Ruler of India” with different title and few additional chapters.

    The reasons for these interventions have also been extremely diverse, and the methods by which the United States pursued regime change have likewise been highly varied, ranging from diplomatic pressure alone to outright military invasion and occupation. What is common to all the operations, however, is that they failed to achieve their ultimate goals, produced a range of unintended and even catastrophic consequences, carried heavy financial and human costs, and in many cases left the countries in question worse off than they were before.Philip H. Gordon's Losing the Long Game is a thorough and riveting look at the U.S. experience with regime change over the past seventy years, and an insider’s view on U.S. policymaking in the region at the highest levels. It is the story of repeated U.S. interventions in the region that always started out with high hopes and often the best of intentions, but never turned out well. No future discussion of U.S. policy in the Middle East will be complete without taking into account the lessons of the past, especially at a time of intense domestic polarization and reckoning with America's standing in world.

    Exiled from his homeland, forced to watch the horrors unfold from afar. His family, still living – or surviving – in war-torn Syria struggle daily to feed, clothe, and educate their children.Adam tries to be a ‘global citizen’ and become a part of his new community in Malaysia, but is constantly faced with intolerance, bigotry, and plain old racism. Opportunities are few and Adam finds himself working long hours for poor pay so that he can help his family.The increasingly distressing news bulletins, along with Adam’s haunting childhood memories, compel him to examine his own beliefs; in God, in humanity, in himself and his integrity as a reluctant bystander in the worst human catastrophe of the twenty-first century.

    Through her rich and lyrical descriptions, Alia Mamdouh vividly recreates a city of public steam baths, roadside butchers, and childhood games played in the same streets where political demonstrations against British colonialism are beginning to take place.At the heart of the novel is nine-year-old Huda, a girl whose fiery, defiant nature contrasts sharply with her own inherent powerlessness. Through Mamdouh's strikingly inventive use of language, Huda's stream-of-consciousness narrative expands to take in the life not only of a young girl and her family, but of her street, her neighborhood, and her country. Alia Mamdouh, winner of the Naguib Mahfouz Award in Arabic Literature, is a journalist, essayist and novelist living in exile in Paris. Long banned from publishing in Saddam Hussein's Iraq, she is the author of essays, short stories, and four novels, of which Naphtalene is the most widely acclaimed and translated.