Features chapters such as “Barry Bonds is Gonna Git Your Mama: The Last Word on Steroids,” “Pro Basketball and the Two Souls of Hip-Hop,” “An Icon’s Redemption: The Great Roberto Clemente,” and “Beisbol: How the Major Leagues Eat Their Young.” Zirin’s commentary is always insightful, never predictable. Dave Zirin is the author of the widely acclaimed book What’s My Name, Fool? (Haymarket Books) and writes the weekly column “Edge of Sports” (edgeofsports.com). He writes a regular column for The Nation and Slam magazine and has appeared as a sports commentator on ESPN TV and radio, CBNC, WNBC, Democracy Now!, Air America, Radio Nation, and Pacifica. Chuck D redefined rap music and hip-hop culture as leader and co-founder of the legendary rap group Public Enemy. Spike Lee calls him “one of the most politically and socially conscious artists of any generation.” He co-hosts a weekly radio show on Air America.

    Thrown into a profession of gallows humor and vivid characters (both living and very dead), Caitlin learned to navigate the secretive culture of those who care for the deceased.Smoke Gets in Your Eyes tells an unusual coming-of-age story full of bizarre encounters and unforgettable scenes. Caring for dead bodies of every color, shape, and affliction, Caitlin soon becomes an intrepid explorer in the world of the dead. She describes how she swept ashes from the machines (and sometimes onto her clothes) and reveals the strange history of cremation and undertaking, marveling at bizarre and wonderful funeral practices from different cultures.Her eye-opening, candid, and often hilarious story is like going on a journey with your bravest friend to the cemetery at midnight. She demystifies death, leading us behind the black curtain of her unique profession. And she answers questions you didn’t know you had: Can you catch a disease from a corpse? How many dead bodies can you fit in a Dodge van? What exactly does a flaming skull look like?Honest and heartfelt, self-deprecating and ironic, Caitlin's engaging style makes this otherwise taboo topic both approachable and engrossing. Now a licensed mortician with an alternative funeral practice, Caitlin argues that our fear of dying warps our culture and society, and she calls for better ways of dealing with death (and our dead).

    The contest has been a mirror for cultural, social and political developments in Europe ever since its inauguration, when an audience in dinner jackets and ball-gowns politely applauded each song. It has been a voice of rebellion across the Iron Curtain, an inspiration for new European nations in the 1990s and 2000s, the voice of liberation for both sexual and regional minorities. It even once triggered a national revolution. Eurovision charts both the history of Europe and the history of the Eurovision Song Contest over the last six decades, and shows how seamlessly they interlink and what an amazing journey it has been.

    Moving between the South of France, the East Coast of the U.S., and Algeria, The Last Life explores the weight of isolation and exile in one French family. Of course, the adjective French is already inadequate, as at least some of the LaBasses still long for the paradise lost of Algeria. And Alex LaBasse's wife, Carol, try as she might with her Continental impersonations, will always be an American sporting a metaphorical twin set. The narrator, Sagesse, too, soon finds herself equally stranded. Only her autocratic grandfather, Jacques, is ostensibly comfortable with the identity he has wrought: successful owner of the Bellevue Hotel and head of his dynasty. It is thanks to this man that 14-year-old Sagesse comes to crave invisibility. Having lost of all of her friends, she sees herself as "a member of the Witness Protection Program, surrounded by an odd human assortment chosen only for the efficiency of disguise; but somehow, nevertheless, inescapable."The cause of this loss? Jacques, fed up with Sagesse and her pals' late-night noise at the hotel pool--or perhaps with their failure to take him seriously--shoots at one girl. This incident ruptures life for each LaBasse, the Bellevue no longer "their bulwark against absurdity." Looking back on the crucial two years following the patriarch's "target practice," Sagesse possesses both a teenager's slant self-interest and an older, acute eye for the mechanisms of shame. The Last Life is that rare thing, a fast-moving philosophical novel masquerading as a bildungsroman. In her efforts at identity and affection, its heroine is increasingly alive to the subterfuges of narrative, forcing herself to sort through versions of reality. Her grandmother, for instance, relates one myth about her husband, only to have Carol undercut it entirely. And Sagesse herself can't figure out whether Jacques is "sentimental or heartless." What if both, she realizes, are possible?As Messud's narrator navigates her way through the past--and the Algerian sections are among the book's most extraordinary--there is everything to savor in her wavelike sentences, many of which possess a dangerously witty undertow. And the scenes of familial tedium are the opposite of tedious. The dialogue snaps with subverted emotion, anxiety, and irony. At one of the LaBasses' bleaker fests, much is made of the mouna, a special (if dry) Algerian cake. Nonetheless, the grandmother does her best to fob it off at evening's end. "I've never cared for it myself, although it's a lovely memory." Retrospect, as Sagesse realizes, is "a light in which we may not see more clearly, but at least have the illusion of doing so."

    In these days of oligarch owners, superstar managers and players on sky-high wages, the tide is turning against the big teams as fans search for football with a soul. Enter non-league football – the heartland of the beautiful game.Nige Tassell spends a season among the characters who inhabit this world. The raffle-ticket seller who wants her ashes scattered in the centre-circle. The envelope salesman who discovered a future England international. The ex-pros still playing with undiluted passion on Sunday mornings. One thing unites them: they are all dreamers.Tassell ventures all over the footballing map, from the giantkillers of Salford City to hungover cloggers on Hackney Marshes, interviewing obsessive groundhoppers, record-smashing goalscorers, dictatorial managers, ukulele-strumming fans and the captain of the Filipino national team. He makes extended stopovers at both new boys Tranmere Rovers looking for a speedy return to the Football League and the inhabitants of the ‘bottom corner’ Bishop Sutton, who are just trying to get eleven men on a pitch.Hope and ambition. Triumph and tragedy. Faith and despair. All human life is here in the win-or-sink drama of non-league football.

    Social networks surrender their original missions to more immediately profitable data mining, while brokerage houses abandon value investing for algorithms that drain markets and our 401ks alike--all tactics driven by the need to stoke growth by any means necessary. Instead of taking this opportunity to reprogram our economy for sustainability, we have doubled down on growth as its core command. We have reached the limits of this approach. We must escape the growth trap, once and for all. Media scholar and technology author Douglas Rushkoff--one of today's most original and influential thinkers--argues for a new economic program that utilizes the unique distributive power of the internet while breaking free of the winner-take-all system the growth trap leaves in its wake. Drawing on sources both contemporary and historical, Rushkoff pioneers a new understanding of the old economic paradigm, from central currency to debt to corporations and labor.Most importantly, he offers a series of practical steps for businesses, consumers, investors, and policymakers to remake the economic operating system from the inside out--and prosper along the way. Instead of boycotting Wal-Mart or overtaxing the wealthy, we simply implement strategies that foster the creation of value by stakeholders other than just ourselves. From our currency to our labor to the corporation, every aspect of the economy can be reprogrammed with minimal disruption to create a more equitably distributed prosperity for all.Inspiring and challenging, Throwing Rocks at the Google Bus provides a pragmatic, optimistic, and human-centered model for economic progress in the digital age.

    Now clean and reflective, David holds nothing back in this account of his dark years.Longlisted for the William Hill Sports Book of the Year Award 2011.

    Provides fans the skills to watch a football game by showing readers how to compile data from a game, introducing the players and their roles, and mastering the NFL draft.

    Buried beneath these parallel conflicts--one for the soul of baseball, the other for the soul of the city--was the subtext of race. Deftly intertwined by journalist Jonathan Mahler, these braided Big Apple narratives reverberate to reveal a year that also saw the opening of Studio 54, the acquisition of the New York Post by Rupert Murdoch, a murderer dubbed the "Son of Sam," the infamous blackout, and the evolution of punk rock. As Koch defeated Cuomo, and as Reggie Jackson rescued a team racked with dissension, 1977 became a year of survival--and also of hope.

    Dr. Manheimer describes the plights of twelve very different patients--from dignitaries at the nearby UN, to supermax prisoners at Riker's Island, to illegal immigrants, and Wall Street tycoons.Manheimer was not only the medical director of the country's oldest public hospital for over 13 years, but he was also a patient. As the book unfolds, the narrator is diagnosed with cancer, and he is forced to wrestle with the end of his own life even as he struggles to save the lives of others.

    Her most cherished sights and experiences color this timeless, graceful portrait of a city that's as famous as it is alluring.

    Candid, outspoken and supremely honest, this is his story: from the early days as a schoolboy trying to impress the local kids on the muddy pitches of Peckham, through to picking up the Champions League trophy on a rainy summer’s night in Moscow, #2Sides is the tell-all account of a unique life in the game. On winning and losing; on defending and attacking; on managers and fellow players; on friendships and rivalries; on the ups and downs of the beautiful game; and on playing for club, country and for yourself – this is a full spectrum of life at the very top of the footballing tree, and a superb retrospective of a truly fascinating career.

    In this classic summation of half a lifetime spent playing, watching and writing about the sport, he recounts the story of his overriding passion and tells us of the players whom he knew and loved, exploring the game's psychology and aesthetics, and the issues of class, race and politics that surround it.Part memoir of a West Indian boyhood, part passionate celebration and defence of cricket as an art form, part indictment of colonialism, Beyond a Boundary addresses not just a sport but a whole culture and asks the question, 'What do they know of cricket who only cricket know?