Wong Kar Wai is known for his romantic and stylish films that explore—in saturated, cinematic scenes—themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong’s complete oeuvre in the locations of some of his most famous scenes. The book is structured as six conversations between Powers and Wong (each in a different locale), including the restaurant where he shot In the Mood for Love and the snack bar where he shot Chungking Express. Discussing each of Wong’s eleven films, the conversations also explore Wong’s trademark themes of time, nostalgia, and beauty, and their roots in his personal life. This first book by Wong Kar Wai, lavishly illustrated with more than 250 photographs and film stills and featuring an opening critical essay by Powers, is as evocative as walking into one of Wong’s lush films.

    The runaway evacuees who give her shelter call her Nellie, the only girl in 'Toff' Hecht's gang, until, yet again, tragedy strikes, and she is forced to move on. But when Nellie meets the great music hall illusionists, Monsieur and Madame Pierre - alias Bert and Doris Beckwith - her life begins again. In the magical world of bright lights and greasepaint she finds a wonderful new family. But even as she is happily stitching costumes backstage, Nellie can't stop thinking about her old life in the bombed-out rubble - and more particularly, about the restless young Jewish boy, 'Toff' Hecht...

    For fans of Bernard Cornwell and Michael Jecks.' Richard Foreman 1330. Edward III of England calls on Lancastrian baron and longbow archer Sir Thomas Holland to capture Roger Mortimer, the regent who usurped the young king’s throne and murdered his father. Holland and his bowmen next help butcher the Scots at Dupplin Moor and destroy the French fleet at Sluys. Yet the archer's greatest challenge is still to come. The Black Prince and Holland lead a great raid across Normandy. But not all goes according to plan. Two French armies pin the heavily-outnumbered English between the Seine and Somme. Their one hope of escape is to cross a dangerous ford. Thomas personally leads the vanguard and although he engineers the defeat of a waiting enemy force, there is still blood to be spilled. The archer and the Prince must still face a desperate battle against the might of France - at a village called Crecy. Recommended for fans of Bernard Cornwell, Michael Jecks and Robyn Young. The archer and the Prince must still face a desperate battle against the might of France - at a village called Crecy. Paul Bannister is a journalist and author. He has written for national newspapers in Britain and America, covering assignments in about 40 countries. His is also the author of the Forgotten Emperor and Crusader series.

    Although her career was brief, she lit up the screen in films like High Society, Rear Window, and The Country Girl, for which she won an Oscar. She was not only a fine actress, great beauty, and icon of American style, but she was also a passionate philanthropist, known for her generosity and kindness. Published on the 25th anniversary of her death, Grace Kelly: A Life in Pictures is the definitive photographic portrait—160 images capturing the early years, film career, royal marriage, and private life of this remarkable woman.

    What more can there be to say about a masterpiece so universally acknowledged? As Laura Mulvey shows in a fresh and original reading, the richness of the film, both thematically and stylistically, is inexhaustible. In a lucid and perceptive critique she investigates the psychoanalytic structure that underlines the film's presentation of Kane's biography, for once taking seriously what Orson Welles himself disparagingly referred to as "dollar-book Freud." She also illuminates the film's historical context, revealing it to be a prescient commentary on the isolationist politics of prewar America.

    Aspiring directors, cinematographers, editors, and producers, many of whom are now working professionals, learned the craft of visual storytelling from Shot by Shot, the most com-plete source for preplanning the look of a movie.The book contains over 800 photos and illustrations, and is by far the most comprehensive look at shot design in print, containing storyboards from movies such as Citizen Kane, Blade Runner, Dead-pool, and Moonrise Kingdom. Also introduced is the concept of A, I, and L patterns as a way to sim-plify the hundreds of staging choices facing a director in every scene.Shot by Shot uniquely blends story analysis with compositional strategies, citing examples then il-lustrated with the storyboards used for the actual films. Throughout the book, various visual ap-proaches to short scenes are shown, exposing the directing processes of our most celebrated au-teurs — including a meticulous, lavishly illustrated analysis of Steven Spielberg’s scene design for Empire of the Sun.

    Reserved seats went on sale at premium prices. Audience members dressed up and arrived early to peruse the program during the overture that preceded the curtain's rise. And when the show began, it was--a rather disappointing film musical.In Roadshow!, film historian Matthew Kennedy tells the fascinating story of the downfall of the big-screen musical in the late 1960s. It is a tale of revolutionary cultural change, business transformation, and artistic missteps, all of which led to the obsolescence of the roadshow, a marketing extravaganza designed to make a movie opening in a regional city seem like a Broadway premier. Ironically, the Hollywood musical suffered from unexpected success. Facing doom after its bygone heyday, it suddenly broke box-office records with three rapid-fire successes in 1964 and 1965: Mary Poppins, My Fair Lady, and The Sound of Music. Studios rushed to catch the wave, but everything went wrong. Kennedy takes readers inside the making of such movies as Hello, Dolly! and Man of La Mancha, showing how corporate management imposed financial pressures that led to poor artistic decisions-for example, the casting of established stars regardless of vocal or dancing talent (such as Clint Eastwood in Paint Your Wagon). And Kennedy explores the impact of profound social, political, and cultural change. The traditional-sounding Camelot and Doctor Dolittle were released in the same year as Sergeant Pepper's Lonely Hearts Club Band, representing a vast gulf in taste. The artifice of musicals seemed outdated to baby boomers who grew up with the Cuban missile crisis, the Kennedy and Martin Luther King Jr. assassinations, race riots, and the Vietnam War.From Julie Andrews to Barbra Streisand, from Fred Astaire to Rock Hudson, Roadshow! offers a brilliant, gripping history of film musicals and their changing place in our culture.

    According to Vogel--founder of Cinema 16, North America's legendary film society--the book details the "accelerating worldwide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthinkable or forbidden are boldly explored." So ahead of his time was Vogel that the ideas that he penned some 30 years ago are still relevant today, and readily accessible in this classic volume. Accompanied by over 300 rare film stills, "Film as a Subversive Art" analyzes how aesthetic, sexual and ideological subversives use one of the most powerful art forms of our day to exchange or manipulate our conscious and unconscious, demystify visual taboos, destroy dated cinematic forms, and undermine existing value systems and institutions. This subversion of form, as well as of content, is placed within the context of the contemporary world view of science, philosophy, and modern art, and is illuminated by a detailed examination of over 500 films, including many banned, rarely seen, or never released works.

    The blast from a powerful handgun brings a halt to proceedings.Three days and two hundred miles separate the finding of a mutilated corpse in a Staffordshire beauty spot – there seems no connection.Interesting police work and pathology establish a shocking and unexpected history to the corpse and then another body is discovered. Detective inspector Doug Taylor knows that plenty of long days lie ahead.Sinister characters from different walks of life emerge as tales of rape, murder, corruption and horrific torture develop.A vigilante chase crosses the North Sea. Peril and intrigue loiter at every corner as the struggle to determine the criminal mastermind’s objectives intensifies with terrifying events in two different countries.Matters become all the more curious when a bizarre secret held by a cathedral and a church appear pivotal to the core of the affair – it is a secret surrounded by lies, a secret which stretches back decades and one which the main players will go to any lengths to obtain.Go to the interactive website www.cathedraloflies.com – when you have read the book you can open the secret pages and discover the truth of the real unsolved crime behind the book.

    Broken by tragedy. Consumed by revenge.Fleur de La Fontaine attends the court of King Louis XIV at Versailles for the first time. Dazzled by the opulence, she is soon besotted with handsome courtier, Philippe de Mortain. When she believes his words of love, she gives in to his seduction – with devastating consequences.Nine months later, when the boy she has given birth to is whisked from her grasp, she flees the convent and finds shelter at the brothel of Madame Claudette.Jacques de Montagnac, a spy working for the Lieutenant General, investigates a spate of abducted children from the poorer quartiers of Paris when his path crosses Fleur’s. He searches for her son, but the trail leads to a dead end – and a dreadful realisation.Her son’s suspected fate too much to bear, Fleur decides to avenge him. With the help of her new acquaintance, the Duchess de Bouillon, Fleur visits the famous midwife, La Voisin, but it’s not the woman’s skills in childbirth that Fleur seeks.La Voisin dabbles in poisons.Will Fleur see her plan through? Or can she save herself from a tragic fate?Delve into The Shadows of Versailles and enter the sinister world of potions and black masses during the Affairs of the Poisons, a real series of events that stunned the court of the Sun King!

    He’s also a former professor of American Studies who writes in-depth profiles about film and music legends who changed our culture.Few film actors had the lasting popularity of John Wayne, especially in westerns. During his lifetime, Wayne was a top-ten box office star for twenty-four years. Three decades after his death, a 2012 Harris poll continued to place him among the top 5 most-liked film actors. In this comprehensive essay, award-winner David Morrell analyzes Wayne’s career in westerns and explores his fascinating personality, including his Latin studies in high school and his skills as a chess player. Even Wayne’s most knowledgeable fans will be surprised by this insightful study.Morrell’s fascination with Wayne motivated him to use this iconic actor as the inspiration for the main character of a historical novel LAST REVEILLE, which dramatizes America’s 1916 invasion of Mexico, supposedly to pursue the Mexican bandit, Pancho Villa, but actually to practice military exercises for America’s entry into World War I.Critical reaction:“John Wayne: the name still conjures political reaction and cinematic fascination. In this excellent e-essay, author David Morrell (First Blood) presents a thorough and evenhanded consideration of Wayne and his Westerns, from THE BIG TRAIL (1930) to THE SHOOTIST (1976). He’s precise about the narrative problems in THE SEARCHERS, insightful regarding the remarkable emotional range Wayne demonstrates in THE MAN WHO SHOT LIBERTY VALANCE, and mystified at the meaning critics find in RIO BRAVO. While also examining Wayne’s drinking (16 martinis before a Thanksgiving dinner), smoking (five packs a day on THE ALAMO) and expertise as a chess player, Morrell allows us to appreciate and understand how Wayne, ‘an undeniable phenomenon,’ helped create that unique film category: John Wayne Westerns.”—Tom Clagett, ROUNDUP MAGAZINE (WESTERN WRITERS OF AMERICA)David Morrell is the award-winning author of First Blood, the novel in which Rambo was created. A former professor of American literature at the University of Iowa, he has written numerous New York Times bestsellers, including the classic Brotherhood of the Rose spy trilogy. The main character in Morrell’s western novel, Last Reveille, was inspired by Wayne’s career. “David Morrell is, to me, the finest thriller writer living today, bar none.”—Steve Berry, New York Times bestselling author of The Columbus Affair“Morrell, an absolute master of the thriller, plays by his on rules and leaves you dazzled.”—Dean Koontz, New York Times bestselling author of 77 Shadow Street

    Relates the life of the secretly gay Hollywood director who guided to stardom such legendary actresses as Garbo, Bergman, Garland, and Hepburn.

    Here is the complete history of cult films, their makers, and their audience; an examination of how films become "midnight movies," and what keeps audiences coming back to see them over and over; an exploration of the connections between subversive film and the subcultures from which it emerges. Supplemented with a new afterward detailing the accommodation of midnight movies into the mainstream and speculating on the future of the genre, Midnight Movies is essential reading for anyone interested in the history and future of American cinema.

    In this comprehensive guidebook, three experienced entertainment lawyers tell you everything you need to know to produce and market an independent film-from the development process to deal making, financing, setting up the production, hiring directors and actors, distributing and marketing your film.

    When his tentative efforts at a relationship with elegant political campaign worker Betsy come to naught, Travis conceives of an assassination attempt upon her boss, Senator Charles Palantine. But as he cruises the streets at night, Travis encounters a hapless child prostitute, Iris, and her sinister pimp, sport. Travis's mounting psychosis acquires a new focus, and violence erupts . . .One of the key films of the 1970s and winner of the Palme d'Or at the 1976 Cannes Film Festival, Taxi Driver was the first of several potent collaborations between Paul Schrader and director Martin Scorsese. Inspired by Ford's The Searchers, Bresson's Diary of a Country Priest, the diaries of real-life gunman Arthur Bremer, and an especially tormented period in Schrader's own life, Taxi Driver remains a devastating portrait of a man in urban purgatory.