A haunting letter addressed to My Dearest is found among her possessions, leaving her roommate Quinn Collins to question how well she really knew her friend. Meanwhile, in a small town an hour outside Chicago, a mysterious woman appears in the quiet coffee shop where eighteen-year-old Alex Gallo works as a dishwasher. He is immediately drawn to her, but what starts as an innocent crush quickly spirals into something far more sinister.As Quinn searches for answers about Esther, and Alex is drawn further under the stranger's spell, master of suspense Mary Kubica takes readers on a taut and twisted thrill ride that builds to a stunning conclusion and shows that no matter how fast and far we run, the past always catches up with us.

    No body—only a hiking boot—has ever been found. Billie’s husband and teenage daughter cope with her death the best they can: Jonathan drinks, Olive grows remote.But then Olive starts having waking dreams—or are they hallucinations?—that her mother is still alive. Jonathan worries about Olive’s emotional stability, until he starts unearthing secrets from Billie’s past that bring into question everything he thought he knew about his wife. Together, Olive and Jonathan embark on a quest for the truth—about Billie, their family, and the stories we tell ourselves about the people we love.

    A change of clothes. A wig. An inconspicuous sedan. We doubled back once, twice, then drove south when we were really headed east. In San Francisco we had a girl who looked like me board a plane to Hawaii.Oh, I thought I was so clever.But you probably already know that I'm not.LA IT girl Janie Jenkins has it all. The looks, the brains, the connections. The criminal record.Ten years ago, in a trial that transfixed America, Janie was convicted of murdering her mother. Now she's been released on a technicality she's determined to unravel the mystery of her mother's last words, words that send her to a tiny town in the very back of beyond. But with the whole of America's media on her tail, convinced she's literally got away with murder, she has to do everything she can to throw her pursuers off the scent.She knows she really didn't like her mother. Could she have killed her?

    A lifetime of regrets.Sweet sixteen. It’s an exciting coming of age, a milestone, and a rite of passage. Jeff and Kim Sanders plan on throwing a party for their daughter, Hannah—a sweet girl with good grades and nice friends. Rather than an extravagant, indulgent affair, they invite four girls over for pizza, cake, movies, and a sleepover. What could possibly go wrong?But things do go wrong, horrifically so. After a tragic accident occurs, Jeff and Kim’s flawless life in a wealthy San Francisco suburb suddenly begins to come apart. In the ugly aftermath, friends become enemies, dark secrets are revealed in the Sanders’ marriage, and the truth about their perfect daughter, Hannah, is exposed.Harkening to Herman Koch’s The Dinner, Christos Tsiolkas’s The Slap, and Liane Moriarty’s Big Little Lies, The Party takes us behind the façade of the picture-perfect family, exposing the lies, betrayals, and moral lapses that neighbors don’t see—and the secrets that children and parents keep from themselves and each other.

    Even better, her life is coming together: she’s got a great job, her own place, and a boyfriend, Paolo, who adores her. So when Paolo suggests a weekend sailing trip, Emily agrees—wine, water, and the man she loves? What could be better? But when Emily wakes the morning after they set sail, the boat is still adrift…and Paolo is gone.A strong swimmer, there’s no way Paolo drowned, but Emily is at a loss for any other explanation. Where else could he have gone? And why? As the hours and days pass by, each moment marking Paolo’s disappearance, Emily’s hard-won stability begins to slip.But when Emily uncovers evidence suggesting Paolo was murdered, the investigation throws her mania into overdrive, even as she becomes a person of interest in her own personal tragedy. To clear her name, Emily must find the truth—but can she hold onto her own sanity in the process?

    After everything she's been through, Georgia knows she deserves someone like him, to make her feel loved. Safe.The only problem is his ex-girlfriend. Luke says Cadence is having trouble accepting their break-up, but Georgia thinks there's more to the story. She also has the feeling someone is watching her.When everything starts to go wrong at work, at home, in her old friendships and her happy new relationship with Luke, Georgia starts to feel truly afraid.Cadence wants what she has. What would she do to get it?And can Georgia trust anyone at all? Praise for Nicola Moriarty 'I devoured it' Marian Keyes 'Accelerates in intensity and sheer originality with every page' Australian Women's Weekly 'Dramatic, mysterious and compelling' Vogue

    J. Tudor.Welcome to Chapel Croft. Five hundred years ago, eight protestant martyrs were burned at the stake here. Thirty years ago, two teenage girls disappeared without a trace. And two months ago, the vicar of the local parish killed himself.Reverend Jack Brooks, a single parent with a fourteen-year-old daughter and a heavy conscience, arrives in the village hoping to make a fresh start and find some peace. Instead, Jack finds a town mired in secrecy and a strange welcome package: an old exorcism kit and a note quoting scripture. "But there is nothing covered up that will not be revealed and hidden that will not be known."The more Jack and her daughter Flo get acquainted with the town and its strange denizens, the deeper they are drawn into their rifts, mysteries, and suspicions. And when Flo is troubled by strange sightings in the old chapel, it becomes apparent that there are ghosts here that refuse to be laid to rest.But uncovering the truth can be deadly in a village where everyone has something to protect, everyone has links with the village's bloody past, and no one trusts an outsider.

    Only a chance encounter with a dog walker saved her life. Melody's neighbor and close friend David Alden was found guilty of the crime and imprisoned, and the attack and David's betrayal of her friendship left Melody a different person. She no longer trusts her own judgment, she no longer trusts her friends. In fact, she no longer really has any friends. She's built a life behind walls and gates and security codes; she's cloistered herself away from the world almost entirely.And then, soon after David is released from prison, Eve Elliot is murdered in an attack almost identical to Melody's. With the start of a new police investigation, Melody is suddenly pulled from her ordered, secluded life and back into the messy world around her. But as she learns more about Eve's murder, Melody starts to wonder if perhaps David hadn't betrayed her after all...if perhaps the killer is someone else entirely, someone who's still out there, preparing to strike again.Narrated alternately by Melody and by Eve's lingering ghost, The Life I Left Behind is a taut thriller and an intimate look at two young women bound together in ways neither of them could ever have predicted. Colette McBeth has proven once again that she is a master of suspense.

    They seem made for each other, but the truth is ugly. Consumed by professional and personal betrayals and financial woes, the two both love and hate each other. As tensions mount, Sutton disappears, leaving behind a note saying not to look for her.Ethan finds himself the target of vicious gossip as friends, family and the media speculate on what really happened to Sutton Montclair. As the police investigate, the lies the couple have been spinning for years quickly unravel. Is Ethan a killer? Is he being set up? Did Sutton hate him enough to kill the child she never wanted and then herself? The path to the answers is full of twists that will leave the reader breathless.

    Why would Beth do that, and risk dredging up painful memories? She hasn't seen Flora for twelve years. She doesn't want to see her today, or ever again.But she can't resist. She parks outside the open gates of Newnham House, watches from across the road as Flora and her children Thomas and Emily step out of the car. Except... There's something terribly wrong. Flora looks the same, only older. As Beth would have expected. It's the children. Twelve years ago, Thomas and Emily were five and three years old. Today, they look precisely as they did then. They are still five and three. They are Thomas and Emily without a doubt - Hilary hears Flora call them by their names - but they haven't changed at all. They are no taller, no older... Why haven't they grown?

    But no one is listening to her. After her husband, Mark, died suddenly in a terrible accident a few months earlier, the only thing keeping Tess together is Jamie. As they struggle to make sense of their new life without Mark, they find joy in brief moments of normalcy like walking to school and watching television together. Life is hard without Mark, but Tess has Jamie, and that's what matters.But there in the hospital, confused and surrounded by people who won't listen, Tess’s world falls apart. To save her son, she must piece together what happened between Mark's death and Jamie's birthday, but the truth might just be too much for her to bear.

    The other, she has never seen. But everything in it is accurate. Recent photos of her and her friends, her and her husband, her and her kids. Even of her new kitchen. A photo taken inside her house.She is bemused, angry, and worried. Who was able to do this? Any why?But this, it soon turns out, is just the beginning. It is only now–almost as though someone has been watching, waiting for her to find the profile–that her problems really start…

    That's all it takes.She stabbed little Robbie Harris. To change a life -She's living under a new name.For ever.She's reformed. So they say . . . Joanna is going to regret the day she ever said a word.

    Recent evidence suggests that Luke had a stalker, and Clara worries that he's been kidnapped. Then Luke's older sister, Emily, who vanished twenty years ago, suddenly reappears.Emily wants to help Clara with her search for Luke, but she refuses to talk about what happened--even though it nearly destroyed her family when she vanished. And the deeper Clara digs into Luke's mysterious disappearance, the more convinced she is that the two incidents are connected.

    Psychologically absorbing, original and atmospheric. I could not turn the pages fast enough."--Elin Hilderbrand, #1 New York Times bestselling author of 28 SummersIt's been a decade since Trumanell Branson disappeared, leaving only a bloody handprint behind. Her pretty face still hangs like a watchful queen on the posters on the walls of the town's Baptist church, the police station, and in the high school. They all promise the same thing: We will find you. Meanwhile, her brother, Wyatt, lives as a pariah in the desolation of the old family house, cleared of wrongdoing by the police but tried and sentenced in the court of public opinion and in a new documentary about the crime.When Wyatt finds a lost girl dumped in a field of dandelions, making silent wishes, he believes she is a sign. The town's youngest cop, Odette Tucker, believes she is a catalyst that will ignite a seething town still waiting for its own missing girl to come home. But Odette can't look away. She shares a wound that won't close with the mute, one-eyed mystery girl. And she is haunted by her own history with the missing Tru.Desperate to solve both cases, Odette fights to save the lost girl in the present and to dig up the shocking truth about a fateful night in the past--the night her friend disappeared, the night that inspired her to become a cop, the night that wrote them all a role in the town's dark, violent mythology.In this twisty psychological thriller, Julia Heaberlin paints unforgettable portraits of a woman and a girl who redefine perceptions of physical beauty and strength.Praise for We Are All the Same in the Dark"[Julia] Heaberlin knows how to build to a truly shocking twist, how to break a reader's heart and then begin mending it. 'What's coming is always unimaginable, ' Odette's one-time therapist tells her, 'and by that, I mean just that. It cannot be imagined. What's coming never acts or behaves the way we think it will.' That's true for this novel, too."--Dallas Morning News