"This isn't strictly speaking an instructional manual, but a work of comedic philosophy."Elvis Costello—songwriter, singer, author, and Fender Jazzmaster known to his admirers as "The Little Hands of Concrete"—spins his tale with wit, grit, and spit to spare.How to Play the Guitar and Y, Costello’s new entry into Audible’s Words + Music series, combines recitation, impersonation, and musical illustration to show you how to turn a three-chord trick into a four-chord caper and let your curiosity take you where it will.Part madcap musical method, part comic chronicle, How to Play the Guitar and Y is accompanied by the author throughout on a number of different instruments with his 10 wandering fingers.So gather round your favorite listening device to hear a storyteller and musician at his most captivating as he reminds you not to be afraid to fail and to never forget to play.

    Sauveur, Quebec, and New York City. He’s intimately familiar with the route, from its topography to its emotional touchstones—each mile nearly etched into his psyche. The starting point, nestled in the Laurentian Mountains, is an hour northeast of Montreal, and home to a large part of his fabled upbringing with its rich maternal lineage and musical legacy. It’s also loaded with some good ol’ fashioned baggage. The end point, New York, like for so many before and after him, serves as a storied stomping ground for his rise as an artist and person, independent of his family. It’s an ever-alluring, but uneasy place, as it’s dished out equal measures of validation and indifference throughout their testy relationship. In Road Trip Elegies, Rufus sets out on the trek with his usual personal effects: a treasure trove of memories; a razor-sharp-wit; and big appetite for healthy self-reflection. But on this particular trip, he’s packed two additional items to help navigate the experience: something to record himself with, and, someone to talk to. For the latter, Rufus has tapped his therapist. Yes, Mark the Analyst. (Hey, why not go for the best?) What ensues over the course of three one-hour episodes is a captivating, detailed, and candid coming of age story—an artist’s awakening—shared by a man who uniquely understands from whence he came and how it’s all played out ever since. As satisfying or soulful a premise that may be, Rufus is the consummate showman, Road Trip Elegies offers its listeners much, much more.If Elegies is anchored in Rufus’s driving excavation as an artist and son (his beloved mother, Canadian folk icon Kate McGarrigle, is an essential and enduring force in his life), the title is truly lifted and made whole by its spectacular musical counterpart. Generously woven throughout the duration of the drive, each live cut (more than twenty tracks in total) is plucked from an exquisite, recent set of performances some 3,000 miles west. Captured at McCabe's Guitar Store, a music venue in Los Angeles, the three-night run was designed specifically to accompany and punctuate moments and themes derived from his Road Trip. Backed by a tightknit, 4-piece band, including his sister, Lucy Wainwright Roche (vocals), Petra Haden (vocals/violin), and featuring top-notch stage banter throughout, Rufus seamlessly moves between a sweeping breadth of songs that span generation, genre, and timbre. Many tunes penned by his own notable family members, Kate and Anna McGarrigle, or his distinguished folk writing father, Loudon Wainwright III; others are gorgeously Rufus-ized versions of standards from the stage, the Great American Songbook or more modern classics. Cue: Dylan’s "A Hard Rain's a-Gonna Fall," and Barry Gibb’s always welcome "Islands in the Stream." Enveloped in the warmth of devoted fans and a host of admiring special attendees (Burt Bacharach, Jessica Chastain, Mike Stoller, Shirley Maclaine, Chris Guest, Darren Criss, Anjelica Huston, Jackson Browne, and Vandyke Parks to name-drop a few) the performance, throughout, conveys a fantastic sense of both intimacy and electricity.By the time Rufus approaches the City, we’ve been richly serenaded with beautiful melodies courtesy of the West coast, and moving stories down the state thruway. Driving solo now (don’t worry, his intrepid therapist was safely dropped off in Westchester), Rufus is admittedly, fully loopy: emotionally drained but highly entertaining. The final leg has the remarkably palpable vibe of just Rufus and you, working in parallel, looking to land closure. Total catharsis is of course out of reach, but Rufus’s Road Trip Elegies is a bold and beautiful testament to the power of not compartmentalizing our various parts, or striving to disown our past, but rather, willfully embracing the full extent of us; seeking to grasp and contain even our most challenging of pieces, to arrive, more completely, at peace of mind.©2020 Rufus Wainwright (P)2020 Audible Originals LLCShow less

    Listen to this bold duo speak openly about the places, people, and movements that have shaped their career as well as the evolution of their creative and personal relationship. The bandmates and friends trace how their ambitions and their relationship have continued to inform each other and how they’ve navigated through the ups and downs for the sake of the band and their art. They move seamlessly through the different chapters of the band, sharing peeks behind the curtain, like the story behind their beloved autobiographical song "One More Hour," which they wrote about their own experience breaking up as a romantic couple and finding their way back to each other as friends and bandmates.They dive into their ongoing journey from their beginnings out of the Riot Grrrl scene in Olympia, Washington, to Carrie’s triumph with the TV show Portlandia, and on to their continued efforts to challenge each other and meet the political moment. It’s a deeply personal and exciting exploration of themes that have followed them throughout their career, like anxiety, activism, feminism, LGBTQ identity, motherhood, friendship, creativity, and change —all illustrated by evocative new recordings that’ll make you turn up the volume.This entry to the Words + Music series features eight exclusive new versions of songs spanning the band’s 10-album discography (so far), from "One More Hour" and 'One Beat" to "Path of Wellness" and "Worry With You" from their 2021 album Path of Wellness.©2021 Sleater-Kinney, LLC (P)2021 Audible Originals, LLC

    His career is filled with so many “he was there” moments it’s a wonder he doesn’t recall them with the swagger of a conquering hero: songwriting and singing as a teenager in Detroit; co-founding Motown Records with Berry Gordy; creating 26 Top 40 hits with his group The Miracles; helping to spark racial integration of popular music in the 1960s; discovering hitmakers like Diana Ross and the Supremes; penning tunes for a jaw-droppingly diverse group of artists including Marvin Gaye, The Beatles, The Jackson Five, Kim Carnes, Linda Ronstadt; and releasing smash hits as solo artist well into the 1980s.But surprisingly, and delightfully, Robinson is as awed by his success as we are listening to him describe it. He guides us through his extraordinary career with the same giddy sense of discovery and delight that music fans recall the first time they heard one of his infectious tunes.He takes us back to his group’s first, disastrous performance at the Apollo Theater, opening for a brilliant and generous Ray Charles. He describes daily life at the famed Hitsville studio in Detroit, where a young Diana Ross or Martha Reeves could be found working as the receptionist. He shares his pride in being an influence on the Beatles and hearing his songs on their album - a transforming moment for the Motown sound. “I ain't never heard no popular white boys say anything like that ever. For them to come out and tell the world? They were my guys from then on.”And, of course, he takes us inside his songs. He describes where he was - shaving in the mirror at home - when “The Tracks of My Tears” finally came together. He remembers taking the wheel on the last 150 miles back to Detroit after a tour, humming the melody that would become the Temptations hit “The Way You Do the Things You Do.” He recalls being floored by the way a 10-year-old Michael Jackson brought a depth and soul to “Who’s Loving You.” And he explains where the term “Quiet Storm” originated, a song title that went on to become an entire musical genre.It’s a journey Robinson revisits with a grateful, humble heart. He has no agenda to push, no axes to grind, no scores to settle. He reflects on the ups as well as downs, and looks back with appreciation for the people who put love in his life. That makes listening a distinct pleasure: You get to spend time with a hugely influential artist who is warm, upbeat, and proud to have built a life and career through his art.

    Urzila talks candidly about her childhood with a great family, apart from her abusive dad, and about growing up in South Africa. She shares crazy but true tales about her OE, her move to New Zealand, coming out, getting married and having children, and her life in comedy. This is a great listen from one of our most loved and most popular comedians.

    In Never Said Nothing, the latest in Audible’s Words + Music series, Phair charts her unlikely journey from making her first record—one that’s now ensconced on Rolling Stone’s "500 Greatest Albums of All Time"—to a trial by fire (she’d never set foot on stage before its release), to even more improbably, a second and a third, maybe fourth act, depending on how one counts these things.In this honest and disarming look inside her unique career, Phair talks of how her meteoric rise was accompanied by an equally intense case of the dreaded imposter syndrome, discovering music’s strange magic, and her possibly unique ability to chart her future through songs. Although she includes herself in the class of ‘ordinary people doing extraordinary things,’ listening to Never Said Nothing, along with her performances—which include "‘6’1," "Polyester Bride," and "Stars and Planets,"—one can’t help but feel that ‘fearless person doing extraordinary things’ is the better description.

    

    Journey with the inimitable folk musician and MacArthur "Genius Grant" recipient as the celebrated artist examines the multitude of influences and identities that have led her to a life "nestled in the nexus" - defined and further made whole by the sum of her parts.Blending songs and stories from shared and personal histories, To Balance on Bridges finds Giddens in continued pursuit of truth in all its raw and underexposed forms. Performing tracks from several of her acclaimed albums, Giddens leads listeners through a multitude of musical styles, lyrical patterns, and instrumentation confronting questions on race, culture, appropriation, and class with searing precision. Hear an indelible artist reflect vividly on her own path as she, in turn, sheds light on our deeply connected journey ahead.

    There, along with famous cast members John Belushi, Dan Aykroyd, Chevy Chase, Jane Curtain, Garret Morris, and Gilda Radner - Bill Murray was passed over at first and joined in a later season - Laraine was part of the show that changed TV - and comedy - forever. But it isn't all yuks and glamor. Laraine struggled with demons.Arriving in New York City with an attraction to drugs that started as a vice and grew to be an all-consuming addiction even as she sky-rocketed to fame via her memorable characters on SNL.May You Live in Interesting Times is a warm, funny, heartfelt snapshot of 1970s New York City and SNL's unexpected rocket to success, with all the giddy headiness that that entailed.After five seasons, Laraine left SNL, worked in movies and television, while having adventures and relationships in Hollywood that, in her words, “should have gotten me killed.” Now with long term sobriety, she became a parent and reinvented herself as a voice over actor and has a thriving career working on such animated favorites including Finding Nemo, Monsters, Inc., Despicable Me, Inside Out, Shrek, and Minions. ©2020 Laraine Newman (P)2021 Audible Originals, LLC.

    Biss doesn’t just love Beethoven more than other music, he loves it more than most things. It’s the lens through which he understands the world, and has been since he can remember. But in Unquiet Biss reveals the full extent to which Beethoven is also a ruthless lens through which he views himself.Biss provides listeners front and center access to his long overdue confrontation with a painful truth: Living with Beethoven has essentially amounted to severing all meaningful ties with himself. As we learn in rich detail, amidst the treasures Beethoven’s music has gifted Biss also lies searing self-doubt and heaps of crippling anxiety. Biss’s raw self-reflection is delivered through pitch-perfect prose, delving deep into the fascinating paradox that the greatest pleasure in his life is also responsible for imprisoning him. Beethoven’s defining personal characteristic, for example—his unwavering self-conviction and weapons-grade callousness—only served to mock Biss’s own perceived shortcomings and vulnerabilities. This captivating combination of wit and wisdom Biss readily shares is only interrupted by something even more extraordinary—his new interpretations of movements from seven of Beethoven's sonatas, including the Pathetique and Tempest, and his groundbreaking, awe-inducing final sonatas.Unquiet both begins and ends with Jonathan Biss staring down the daunting complexity and infinite majesty of Beethoven's last piano sonatas. But between these two points, the singular pianist has traversed a world of healing. An immeasurable weight has been lifted from him—by him. And we have witnessed its dramatic rise. While his journey is a fantastically unique one, if we listen close, we can hear ours too. An endless battle to confront and quiet our greatest pain so that we can embrace something even greater. Take a moment, and heed the sound.

    Taking listeners behind the scenes of his research, Swanson discusses the origins of his boyhood passion for Lincoln, including his first visits to Springfield, Illinois, and Ford’s Theatre as a high school student; accounts for Booth’s movements during the manhunt; reveals how he authenticates Lincoln blood relics; and offers details about historic sites that remain little-known or obscure. Swanson describes the intrigue he continues to pursue - the women who aided Booth, lingering questions regarding other conspirators, and a timeline for both Lincoln and the conspirators on the night of April 14, 1865. The Lincoln Obsession is a uniquely personal look at how historical places and relics will forever shed new light on the first presidential assassination in America.

    Unwavering integrity. Billie Joe Armstrong isn’t the first punk to negotiate mainstream success, but he might be its most undisguised example. In Welcome to my Panic, Green Day’s iconic front man holds nothing back as he tracks listeners though his deeply personal and artistic journey in raw detail.Matching his emotional storytelling with new, exclusive, recordings of Green Day’s biggest hits including "Basket Case," "Good Riddance," "Wake Me Up When September Ends," and "American Idiot," Armstrong chronicles the seminal moments in his life: the trauma and triumphs that have come to define him. As we listen, Billie Joe reminds us punk rock is not about how hard you can play, but how hard you can remain yourself.©2021 Billie Joe Armstrong (P)2021 Audible Originals LLCAbout the Creator and PerformerBillie Joe Armstrong is the frontman and guitarist for four-time Grammy award-winning rock band Green Day. Originally hailed as punk revivalists blindsiding the mainstream from the margins, Green Day has become one of rock’s sturdiest institutions, a band whose sound threads the three-chords-and-a-head-rush excitement that runs through everything from East Bay punk, power pop, 60s garage, and hard rock. The band, inducted into the Rock & Roll Hall of Fame in 2015, has released thirteen studio albums to date, including the Diamond-selling Dookie, the punk rock opera album turned Broadway musical American Idiot, and their latest album Father of All… which debuted at number one on the Billboard Top Rock Albums chart and number four on the Billboard 200, resulting in the band’s eleventh US top-10 album.Outside of Green Day, Billie Joe also fronts The Foxboro Hot Tubs, The Longshot, and The Coverups. In 2013, he teamed with jazz singer and pianist Norah Jones in a project to re-create the classic 1958 Everly Brothers album Songs Our Daddy Taught Us that they titled Foreverly. In early 2020 Armstrong launched the No Fun Mondays series in quarantine, released as an LP later that year. The collection of covers sees Armstrong putting his signature melodic-punk spin on the songs that have formed the soundtrack to his life, including classics by John Lennon, Billy Bragg, and Johnny Thunders.

    Through decades of music by one of the best-selling musicians of all time, who created classics like "Fire and Rain" and "Carolina in My Mind," James Taylor has doled out his history in the poetry of his work. Taylor says his early life is, "the source of many of my songs," and Break Shot is a tour of his first 21 years in rich, new detail. Praised by Forbes magazine as going "beyond the spoken word," Break Shot combines storytelling, music and performance to create a one-of-a-kind listening experience. Longtime fans will savor a crop of musical gems, including an unreleased recording of the beloved hymn "Jerusalem," selections from his newest release American Standard, as well as new original scoring by Taylor specially recorded for Break Shot and more from the Grammy Award-winning artist.Recorded in his home studio, TheBarn in western Massachusetts, Taylor tells the deeply personal story of his youth, which is entwined with the story of his family. What started as an idyllic tight unit soon became a family sent to different emotional corners—like a break shot in the game of pool, he says, when you slam the cue ball into the fifteen other balls and they all go flying off. By the time Taylor released his breakout second album in 1970, Sweet Baby James, he had seen the disintegration of his parents’ marriage and his family crumble in the aftermath. He had committed himself twice to a psychiatric hospital, battled depression, a heroin addiction, suffered a relapse, and traveled far away from the wood smoke and moonshine of the North Carolina landscapes in which he came of age. Despite it all, he was also on the cusp of superstardom and on his way to bringing light and joy to millions. He was 21.Journey with James Taylor to a time before he became a Rock & Roll Hall of Fame and Songwriters Hall of Fame inductee, a recipient of the Kennedy Center Honors and both the Presidential Medal of Freedom and the National Medal of Arts—and a beloved voice to millions.

    Within months, they were anything but underground....

    The world knew him as a union official, a long-time member of the Teamsters Union; he was a member of Jimmy Hoffa’s inner circle at the top of the national union. He had run-ins with the law in this position. He was charged with the murder of a rebel union member in a riot that occurred outside the Teamster’s Local Philadelphia Union Hall, but the charges were later dropped. He went to prison in the 80s after being caught on a wire instructing once of his crew to break someone’s legs and was named in Rudy Giuliani’s Mafia Commission Trial as an unindicted co-conspirator and one of only two non-Italian members of the Mafia Commission. As an old man suffering from cancer that would soon kill him, Frank Sheeran shared his story with his attorney. He told him of the things that were already known, but he shared much, much more. This book explores Frank Sheeran’s confessions as a lifelong criminal with ties to some of the biggest crimes of the 20th century. Inside this book, you will find: A detailed account of Frank Sheeran’s time in the army during the second world war, where he was in combat for an astounding four hundred and eleven days, with a focus on the war crimes he has admitted to; A look into Sheeran’s post-war slides into a life of crime, finding himself working for the Mafia before he even knew what the Mafia was; Information on his time as a hitman for the Mafia and how that led him to work for Jimmy Hoffa as muscle and hitman for the powerful Teamster Boss; Frank Sheeran’s accounts of his connections to the Bay of Pigs Invasion and the Assassination of JFK; and His confession to the murders of Crazy Joe Gallo and of his friend, Jimmy Hoffa.