A resourceful and cynical commander somehow manages to coax his men through the bitter hand-to-hand fighting in forests, trenches and city streets until eventually they regain the German lines. But safety is only temporary. After the tension of waiting for the last overwhelming Russian advance the platoon is forced into futile counter-attacks and murderous house-to-house fighting until its final decimation becomes inevitable.A modern classic of war fiction both as a book and a film, this is a strikingly realistic story of action on the Eastern Front, where the grimness of combat seems to have neither pity nor end.Author Willi Heinrich (1920-2005) served in the heavily mauled 101st Jager Division, and was himself wounded five times during the war.Cross of Iron was also made into a film of the same name by Sam Peckinpah in 1977.

    After decades of political uncertainty, Greece is polarised between Right- and Left-wing views when the Germans invade. Fifteen-year-old Themis comes from a family divided by these political differences. The Nazi occupation deepens the fault-lines between those she loves just as it reduces Greece to destitution. She watches friends die in the ensuing famine and is moved to commit acts of resistance.In the civil war that follows the end of the occupation, Themis joins the Communist army, where she experiences the extremes of love and hatred and the paradoxes presented by a war in which Greek fights Greek.Eventually imprisoned on the infamous islands of exile, Makronisos and then Trikeri, Themis encounters another prisoner whose life will entwine with her own in ways neither can foresee. And finds she must weigh her principles against her desire to escape and live.As she looks back on her life, Themis realises how tightly the personal and political can become entangled. While some wounds heal, others deepen.

    Ivan Kulik has just become Headmaster of school number 7 in Hlaby, a rural village in the Pinsk Marshes. Through his eyes we witness the tragedy of Stalinist domination where people are randomly deported to labour camps or tortured in Zovty Prison in Pinsk. The author's individual gift that sets him apart from his contemporaries is the range of his sympathies and his unromantic, unsentimental approach to the sensual lives of females. His debt to Chekhov is obvious in his ability to capture the internal drama of his characters with psychological concision.

    It is claimed that he is a madman and in need of 'protection': a man would need to be insane, after all, to have taken a Czar at his word when asked for a candid appraisal of the state's infirmities.From the year of his release from prison and return to his wife Eeva, a woman of peasant stock to whom, with her brother Jakob, he has given a solid education, the Baron's life is recorded in a secret journal by this same Jakob, a shrewd and observant house-guest.Reconstructing the events leading up to the Baron's incarceration in 1818 and subsequent to his release in 1827, Jakob little by little brings to light mysteries surrounding the 'Czar's madman'. Was his madness genuine? What was the secret understanding between him and his boon companion Czar Alexander I, who committed him to prison?In The Czar's Madman Jaan Kross weaves together the elements of intrigue surrounding those historical characters who survived in post-Napoleonic Russia, and by a skillful shifting of chronology and viewpoints, creates a superbly rich and moving narrative.Winner of France's Best Foreign Book Award.

    As legend has it, God blessed the only survivor of this medieval pogrom, Rabbi Yom Tov Levy, as one of the Lamed-Vov, the thirty-six Just Men of Jewish tradition, a blessing which extended to one Levy of each succeeding generation. This terrifying and remarkable legacy is traced over eight centuries, from the Spanish Inquisition, to expulsions from England, France, Portugal, Germany, and Russia, and to the small Polish village of Zemyock, where the Levys settle for two centuries in relative peace. It is in the twentieth century that Ernie Levy emerges, The Last of the Just, in 1920s Germany, as Hitler’s sinister star is on the rise and the agonies of Auschwitz loom on the horizon. This classic work, long unavailable in a trade edition, is one of those few novels that, once read, is never forgotten.

    The Dark Room tells the stories of three ordinary Germans: Helmut, a young photographer in Berlin in the 1930s who uses his craft to express his patriotic fervour; Lore, a twelve-year-old girl who in 1945 guides her young siblings across a devastated Germany after her Nazi parents are seized by the Allies; and, fifty years later, Micha, a young teacher obsessed with what his loving grandfather did in the war, struggling to deal with the past of his family and his country.

    Following years of lonely political exile in Western Europe, Ka, a middle-aged poet, returns to Istanbul to attend his mother's funeral. Only partly recognizing this place of his cultured, middle-class youth, he is even more disoriented by news of strange events in the wider country: a wave of suicides among girls forbidden to wear their head scarves at school. An apparent thaw of his writer's curiosity–a frozen sea these many years–leads him to Kars, a far-off town near the Russian border and the epicenter of the suicides. No sooner has he arrived, however, than we discover that Ka's motivations are not purely journalistic; for in Kars, once a province of Ottoman and then Russian glory, now a cultural gray-zone of poverty and paralysis, there is also Ipek, a radiant friend of Ka's youth, lately divorced, whom he has never forgotten. As a snowstorm, the fiercest in memory, descends on the town and seals it off from the modern, westernized world that has always been Ka's frame of reference, he finds himself drawn in unexpected directions: not only headlong toward the unknowable Ipek and the desperate hope for love–or at least a wife–that she embodies, but also into the maelstrom of a military coup staged to restrain the local Islamist radicals, and even toward God, whose existence Ka has never before allowed himself to contemplate. In this surreal confluence of emotion and spectacle, Ka begins to tap his dormant creative powers, producing poem after poem in untimely, irresistible bursts of inspiration. But not until the snows have melted and the political violence has run its bloody course will Ka discover the fate of his bid to seize a last chance for happiness. Blending profound sympathy and mischievous wit, Snow illuminates the contradictions gripping the individual and collective heart in many parts of the Muslim world. But even more, by its narrative brilliance and comprehension of the needs and duties

    In this, his final novel, he confronts the legacy of evil, and our unquenchable desire to wrest good from it. One week in late autumn of 1996, a group gathers at the site of a former death camp. They offer prayer at the crematoria and meditate in all weathers on the selection platform. They eat and sleep in the sparse quarters of the Nazi officers who, half a century before, sent more than a million Jews in this camp to their deaths. Clements Olin has joined them, in order to complete his research on the strange suicide of a survivor. As the days pass, tensions both political and personal surface among the participants, stripping away any easy pretense to resolution or healing. Caught in the grip of emotions and impulses of bewildering intensity, Olin is forced to abandon his observer’s role and to bear witness, not only to his family’s ambiguous history but to his own. Profoundly thought-provoking, In Paradise is a fitting coda to the luminous career of a writer who was “for all readers. He was for the world” (National Geographic).

    When a well-known bibliophile is found dead, leaving behind part of the original manuscript of Alexandre Dumas's The Three Musketeers, Corso is brought in to authenticate the fragment. He is soon drawn into a swirling plot involving devil worship, occult practices, and swashbuckling derring-do among a cast of characters bearing a suspicious resemblance to those of Dumas's masterpiece. Aided by a mysterious beauty named for a Conan Doyle heroine, Corso travels from Madrid to Toledo to Paris on the killer's trail in this twisty intellectual romp through the book world

    Caputo landed at Danang with the first ground combat unit deployed to Vietnam. Sixteen months later, having served on the line in one of modern history’s ugliest wars, he returned home—physically whole but emotionally wasted, his youthful idealism forever gone.A Rumor of War is far more than one soldier’s story. Upon its publication in 1977, it shattered America’s indifference to the fate of the men sent to fight in the jungles of Vietnam. In the years since then, it has become not only a basic text on the Vietnam War but also a renowned classic in the literature of wars throughout history and, as the author writes, of "the things men do in war and the things war does to them.""Heartbreaking, terrifying, and enraging. It belongs to the literature of men at war."--Los Angeles Times Book Review

    From Dong-ho's best friend who meets his own fateful end; to an editor struggling against censorship; to a prisoner and a factory worker, each suffering from traumatic memories; and to Dong-ho's own grief-stricken mother; and through their collective heartbreak and acts of hope is the tale of a brutalized people in search of a voice.An award-winning, controversial bestseller, Human Acts is a timeless, pointillist portrait of an historic event with reverberations still being felt today, by turns tracing the harsh reality of oppression and the resounding, extraordinary poetry of humanity.

    He is graphic, at times brilliantly so, but never brutal or bitter. He is, too, a first rate storyteller' - Washington PostConvicted of deserting the German army, Sven Hassel is sent to a penal regiment on the Russian Front. He and his comrades are regarded as expendable, cannon fodder in the battle against the implacable Red Army. Outnumbered and outgunned, they fight their way across the frozen steppe...This iconic anti-war novel is a testament to the atrocities suffered by the lone soldier in the fight for survival.Sven Hassel's unflinching narrative is based on his own experiences in the German Army. He began writing his first novel, Legion of the Damned in a prisoner of war camp at the end of World War Two.

    Childhood tells the story of a misfit child's single-minded determination to become a poet; Youth describes her early experiences of sex, work, and independence. Dependency picks up the story as the narrator embarks on the first of her four marriages and goes on to describe her horrible descent into drug addiction, enabled by her sinister, gaslighting doctor-husband.Throughout, the narrator grapples with the tension between her vocation as a writer and her competing roles as daughter, wife, mother, and drug addict, and she writes about female experience and identity in a way that feels very fresh and pertinent to today's discussions around feminism. Ditlevsen's trilogy is remarkable for its intensity and its immersive depiction of a world of complex female friendships, family and growing up--in this sense, it's Copenhagen's answer to Elena Ferrante's Neapolitan Novels. She can also be seen as a spiritual forerunner of confessional writers like Karl Ove Knausgaard, Annie Ernaux, Rachel Cusk and Deborah Levy. Her trilogy is drawn from her own experiences but reads like the most compelling kind of fiction.Born in a working-class neighborhood in Copenhagen in 1917, Ditlevsen became famous for her poetry while still a teenager, and went on to write novels, stories and memoirs before committing suicide in 1976. Having been dismissed by the critical establishment in her lifetime as a working-class, female writer, she is now being rediscovered and championed as one of Denmark's most important modern authors, with Tove fever gripping readers.

    A young Polish resistance worker, imprisoned in Auschwitz as a political prisoner, plays chess in exchange for her life, and in doing so fights to bring the man who destroyed her family to justice.Maria Florkowska is many things: daughter, avid chess player, and, as a member of the Polish underground resistance in Nazi-occupied Warsaw, a young woman brave beyond her years. Captured by the Gestapo, she is imprisoned in Auschwitz, but while her family is sent to their deaths, she is spared. Realizing her ability to play chess, the sadistic camp deputy, Karl Fritzsch, decides to use her as a chess opponent to entertain the camp guards. However, once he tires of exploiting her skills, he has every intention of killing her.Befriended by a Catholic priest, Maria attempts to overcome her grief, vows to avenge the murder of her family, and plays for her life. For four grueling years, her strategy is simple: Live. Fight. Survive. By cleverly provoking Fritzsch’s volatile nature in front of his superiors, Maria intends to orchestrate his downfall. Only then will she have a chance to evade the fate awaiting her and see him punished for his wickedness.As she carries out her plan and the war nears its end, she challenges her former nemesis to one final game, certain to end in life or death, in failure or justice. If Maria can bear to face Fritzsch—and her past—one last time.

    It is about the power of reading, the price of betrayal, and the possibility of redemption; and an exploration of the power of fathers over sons—their love, their sacrifices, their lies.A sweeping story of family, love, and friendship told against the devastating backdrop of the history of Afghanistan over the last thirty years, The Kite Runner is an unusual and powerful novel that has become a beloved, one-of-a-kind classic.--khaledhosseini.com