Jean short stories, creating one of the most endearing, clever, and readable series in contemporary French comics. Their award-winning, critically acclaimed series has sold more than 120,000 copies in France and has won one of comics' most coveted awards, the prestigious Angoulême Alph-ArtAward for the Best Book of the Year.Get a Life is a collection of the early Mr. Jean stories where the reader is introduced to the life of the titular character, a laconic, single Parisian male struggling through the usual calamities of life: bachelorhood in his twenties and early thirties and the impending responsibilities of marriage, kids, and deadlines for his publisher. Mr. Jean is a typical everyman—a scholar who fancies himself a man of letters, a nostalgist whose memories carry a weight few can understand, a lover whose heart knows the greatest of burdens. Melancholic yet joyful reflections on past loves, favorite authors, marriage, and fatherhood are laid out in a breezy, comic style.

    D, Drawn and Quarterly), Bardín the Superrealist is a suite of stories, musings and gags that, much like Dan Clowes's Ice Haven, can be read individually or together as one overarching story.Heavily influenced by surrealists such as Luis Bunuel, and graphically by "clear-line" cartoonists from Herge (Tintin) to Chris Ware, Bardín the Superrealist begins when everyman Bardín finds himself suddenly transported (well, at least his upper half) to another dimension, where an "Andalusian Dog" (a reference to Bunuel's Un Chien Andalou) serves as his ill-tempered guide.In a series of vignettes, gags, illustrations, text pieces, and dream stories, ping-ponging back between the surrealist world and the "real" world, Bardín examines, questions, and defends his own beliefs, convictions and philosophies while tangling with the Dog and the Holy Trinity in a variety of guises (including a familiar-looking mouse with red shorts and white gloves).In other stories, he imagines himself in a painting by Brueghel the Elder, tries to deal with his onanism in a productive way, is enlightened, dodges his real "creator" Max in the street, has several horrific nightmares and marvelous hallucinations, and, in the book's climactic episode, "The Sound and the Fury," battles a bona fida dragon. Bardín the Superrealist is a playful, hilarious, thought-provoking (and beautifully illustrated) major work by one of the great European cartoonists.

    Fluffy is a baby rabbit who is being looked after by an anxious, single man called Michael Pulcino. Michael tries to make it clear to Fluffy that he is not his daddy, but Fluffy appears to be in denial. Michael is being pursued by Fluffy's nursery school teacher, and partly to escape her, he and Fluffy set off to visit his family in Sicily. Will Michael escape her? Will Fluffy come to terms with the reality that he is not a human being? All is at least partly resolved in Simone Lia's utterly irresistible graphic novel.

    He is a deranged serial killer, mass murderer, and spree killer who interacts with various other characters, generally by murdering them. He elaborately kills anyone who even slightly irritates him, then drains their blood and paints one of the walls in his house with it. Johnny is also willing to murder "innocent" people who, in his twisted mind, deserve their fate for some reason or another. The number of Johnny’s victims is in the dozens, if not hundreds — or perhaps even thousands. Authorities are unable to capture Johnny and seem unaware of his existence, even though his crimes are often witnessed in public and reported by the few who manage to survive.

    With actual occurrences and embellished memories converging, Carl reflects upon physical and spiritual prisons, guilt and innocence and the inevitability of death. And after these mental debates and philosophical contemplations make him realize that he holds the Key to the Universe, Carl becomes privy to the mysteries and meaning of life.

    Here now, in English for the very first time, as the debut release in Fantagraphics Books' ambitious manga line of graphic novels, are ten of the very best of these tales.The work in A Drunken Dream and Other Stories spans Hagio's entire career, from 1970's "Bianca" to 2007's "The Willow Tree," and includes the mind-bending, full-color title story; the famously heartbreaking "Iguana Girl"; and the haunting "The Child Who Comes Home"–as well as "Autumn Journey," "Girl on Porch With Puppy," the eerie conjoined-twins shocker "Hanshin: Half-God," "Angel Mimic," and one of the saddest of all romance stories, "Marié, Ten Years Later." A Drunken Dream and Other Stories is supplemented with a feature-length interview with Hagio, where discusses her art, her career, and her life with the same combination of wit, candor, and warmth that radiates from every panel of her comics.

    In the first English translation of his work, Blanchet seamlessly blends fact and fiction as he weaves together the official history of the town and snapshots of the quotidian life of its residents. Founded in 1928 in an isolated region of Quebec forest, the town was conceived and constructed by the Shawinigan Water & Power Company to function as a fully equipped, self-contained living community for workers at the nearby dam and their families. Intended as an incentive to lure workers to the remote and inaccessible region, White Rapids provided its residents with all the luxuries of middle-class modern life in a pastoral setting-until the town was abruptly shut down in 1971, when the company changed hands.Blanchet's unique, streamlined, retro-inspired aesthetic draws on art deco and fifties modernist design to vividly conjure up idyllic scenes of lazy summer days and crisp winter nights in White Rapids, transporting the reader back to a more innocent time.

    The priest tells Eddie that the body was stolen from his monastery by the Mafia. Father McHugh is accompanied by a beautiful woman Eddie swears looks just like a stripper he once fell in love with named Black Cherry.

    In 1856, Teresa, a young aristocrat, is more interested in writing avantgarde horror poetry than making a suitable marriage. In 2016, three teenage girls, Gloria, Laura, and Cristina, want to start a punk band called the Black Holes. They have everything they need: attitude, looks, instinct . . . and an alarming lack of musical talent. They’ve barely started rehearsing when strange things begin to happen. As their world and Teresa’s intersect, they’re haunted by the echo of something that happened 160 years ago.