Amber Alton knows that the hours pass differently at Black Rabbit Hall, her London family's country estate, where no two clocks read the same. Summers there are perfect, timeless. Not much ever happens. Until, of course, it does. More than three decades later, Lorna is determined to be married within the grand, ivy-covered walls of Pencraw Hall, known as Black Rabbit Hall among the locals. But as she's drawn deeper into the overgrown grounds, half-buried memories of her mother begin to surface and Lorna soon finds herself ensnared within the manor's labyrinthine history, overcome with an insatiable need for answers about her own past and that of the once-happy family whose memory still haunts the estate. Stunning and atmospheric, this debut novel is a thrilling spiral into the hearts of two women separated by decades but inescapably linked by the dark and tangled secrets of Black Rabbit Hall.

    The shy man I met years ago in college. The person I’m supposed to spend the rest of my life with. This is the life I’ve always wanted until finding a picture of four men changes everything…Etienne says he’s my husband and the year is 1912. He can’t stand the sight of me, but I don’t know why. Oh, and he’s one of the men from the picture. I’ve done the impossible and have become trapped in time and I know Etienne is my key to going home.The more time I spend with Etienne, the further I fall for him, until I’m questioning which time I belong in and if the life I left behind is the one I truly desire. All I know for certain is I need to survive time. I need to survive love. And I need to make it out on the other side alive.Contemporary Romance/Time Travel

    But when she falls through an antique mirror into a lavish bedchamber—200 years in the past!—she realizes she may have escaped a little too far.Micah Axelby, Earl of Dunnington, has just kicked one mistress out of his bed, and isn’t looking to fill it with another—least of all this sassy, nearly naked girl who claims to be from the future. Yet something about her is undeniably enticing…Jamie and Micah are worlds apart. He’s a peer of the realm. She can barely make rent. She’s wi-fi. He’s horse-drawn. But soon the pair will do anything to avoid a Game Over.

    After weeks in the hospital, Layla recovers physically, but the emotional and mental scarring has altered the woman Leeds fell in love with. In order to put their relationship back on track, Leeds whisks Layla away to the bed-and-breakfast where they first met. Once they arrive, Layla’s behavior takes a bizarre turn. And that’s just one of many inexplicable occurrences.Feeling distant from Layla, Leeds soon finds solace in Willow—another guest of the B&B with whom he forms a connection through their shared concerns. As his curiosity for Willow grows, his decision to help her find answers puts him in direct conflict with Layla’s well-being. Leeds soon realizes he has to make a choice because he can’t help both of them. But if he makes the wrong choice, it could be detrimental for all of them.

    Armed only with crucifixes, holy water, and a rifle, he prays to survive a single night, the longest of his life. Desperate to record what he has witnessed, Bram scribbles down the events that led him here...A sickly child, Bram spent his early days bedridden in his parents' Dublin home, tended to by his caretaker, a young woman named Ellen Crone. When a string of strange deaths occur in a nearby town, Bram and his sister Matilda detect a pattern of bizarre behavior by Ellen--a mystery that deepens chillingly until Ellen vanishes suddenly from their lives. Years later, Matilda returns from studying in Paris to tell Bram the news that she has seen Ellen--and that the nightmare they've thought long ended is only beginning.

    Her charge, Mary, is a troubled child. Distracted and secretive, she hasn't uttered a word since the sudden death of her twin, William—just days after their former nanny disappeared.With Mary defiantly silent, Elspeth turns to the islanders. But no one will speak of what happened to William. Just as no one can explain the hypnotic lullabies sung in empty corridors. Nor the strange dolls that appear in abandoned rooms.Nor the faint whistling that comes in the night...As winter draws in and passage to the mainland becomes impossible, Elspeth finds herself trapped.But is this house haunted by the ghosts of the past?OR THE SECRETS OF THE LIVING..?Chilling, twisty and emotionally gripping, The Whistling is an atmospheric page-turner with shades of the classics, yet a unique character of its own. Perfect for fans of Susan Hill and Laura Purcell.

    It's unthinkable, the stuff of nightmares. But when she turns her back to pay a parking meter, Carrie Morgan becomes that mother. Ben is gone, and more than a year later, it's clear that he is never coming back.Until he does...for just twenty-four hours, before once again vanishing from his crib without a trace. Rumors start to circulate through Carrie's small town. Whispers that she's seeing things. That her alibi doesn't quite add up.Her husband and friends start to think she's crazy. The police start to think she's guilty. As the investigation heats up, Carrie must decide what to share, and why. Because the crime is about to be solved... and her secret revealed.

    In a series of online posts, Parker H., a young psychiatrist, chronicles the harrowing account of his time working at a dreary mental hospital in New England. Through this internet message board, Parker hopes to communicate with the world his effort to cure one bewildering patient. We learn, as Parker did on his first day at the hospital, of the facility’s most difficult, profoundly dangerous case—a forty-year-old man who was originally admitted to the hospital at age six. This patient has no known diagnosis. His symptoms seem to evolve over time. Every person who has attempted to treat him has been driven to madness or suicide. Desperate and fearful, the hospital’s directors keep him strictly confined and allow minimal contact with staff for their own safety, convinced that releasing him would unleash catastrophe on the outside world. Parker, brilliant and overconfident, takes it upon himself to discover what ails this mystery patient and finally cure him. But from his first encounter with the mystery patient, things spiral out of control, and, facing a possibility beyond his wildest imaginings, Parker is forced to question everything he thought he knew. Fans of Sarah Pinborough’s Behind Her Eyes and Paul Tremblay’s The Cabin at the End of the World will be riveted by Jasper DeWitt’s astonishing debut.

    Kate Riordan’s novel is a beautifully dark and beguiling tale which will sweep you away. It will appeal to fans of Kate Morton and Daphne Du Maurier's Rebecca.In the summer of 1933, Alice Eveleigh has arrived at Fiercombe Manor in disgrace. The beautiful house becomes her sanctuary, a place to hide her shame from society in the care of the housekeeper, Mrs Jelphs. But the manor also becomes a place of suspicion, one of secrecy.Something isn't right.Someone is watching.There are secrets that the manor house seems determined to keep. Tragedy haunts the empty rooms and foreboding hangs heavy in the stifling heat. Traces of the previous occupant, Elizabeth Stanton, are everywhere and soon Alice discovers Elizabeth's life eerily mirrors the path she herself is on.(

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    a literary pirate; an individual capable of doing all that must be done in the universe of books that publishers, authors, and readers must not have a part inLondon, 1890—Pen Davenport is the most infamous bookaneer in Europe. A master of disguise, he makes his living stalking harbors, coffeehouses, and print shops for the latest manuscript to steal. But this golden age of publishing is on the verge of collapse. For a hundred years, loose copyright laws and a hungry reading public created a unique opportunity: books could easily be published without an author’s permission. Authors gained fame but suffered financially—Charles Dickens, Mark Twain, Robert Louis Stevenson, to name a few—but publishers reaped enormous profits while readers bought books inexpensively. Yet on the eve of the twentieth century, a new international treaty is signed to grind this literary underground to a sharp halt. The bookaneers are on the verge of extinction.From the author of The Dante Club, Matthew Pearl, The Last Bookaneer is the astonishing story of these literary thieves’ epic final heist. On the island of Samoa, a dying Robert Louis Stevenson labors over a new novel. The thought of one last book from the great author fires the imaginations of the bookaneers, and soon Davenport sets out for the South Pacific island. As always, Davenport is reluctantly accompanied by his assistant Fergins, who is whisked across the world for one final caper. Fergins soon discovers the supreme thrill of aiding Davenport in his quest to steal Stevenson’s manuscript and make a fortune before the new treaty ends the bookaneers’ trade forever. But Davenport is hardly the only bookaneer with a mind to pirate Stevenson’s last novel. His longtime adversary, the monstrous Belial, appears on the island, and soon Davenport, Fergins, and Belial find themselves embroiled in a conflict larger, perhaps, than literature itself.In The Last Bookaneer, Pearl crafts a finely wrought tale about a showdown between brilliant men in the last great act of their professions. It is nothing short of a page-turning journey to the heart of a lost era.

    But the Grand Season has just begun, and already Nina’s debut has gone disastrously awry. She has always struggled to control her telekinesis—neighbors call her the Witch of Oldhouse—and the haphazard manifestations of her powers make her the subject of malicious gossip.When entertainer Hector Auvray arrives to town, Nina is dazzled. A telekinetic like her, he has traveled the world performing his talents for admiring audiences. He sees Nina not as a witch, but ripe with potential to master her power under his tutelage. With Hector’s help, Nina’s talent blossoms, as does her love for him.But great romances are for fairytales, and Hector is hiding a truth from Nina—and himself—that threatens to end their courtship before it truly begins. The Beautiful Ones is a charming tale of love and betrayal, and the struggle between conformity and passion, set in a world where scandal is a razor-sharp weapon.

    Trust no one. Suspect everyone.Orla and Kate have been best friends forever. Together they’ve faced it all – be it Orla’s struggles as a new mother or Kate’s messy divorce. And whatever else happens in their lives, they can always look forward to their annual weekend away.This year, they’re off to Lisbon: the perfect flat, the perfect view, the perfect itinerary. And what better way to kick things off in style than with the perfect night out?But when Orla wakes up the next morning, Kate is gone. Brushed off by the police and with only a fuzzy memory of the night’s events, Orla is her friend’s only hope. As she frantically retraces their steps, Orla makes a series of shattering discoveries that threaten everything she holds dear. Because while Lisbon holds the secret of what happened that night, the truth may lie closer to home…

    This is no ordinary suicide but a symbolic act. And thanks to the media, it is witnessed by the entire world.But few understand it. For charity worker Kathryn Mann and a handful of others in the know, it is what they have been waiting for. The cowled and secretive fanatics that live in the Citadel suspect it could mean the end of everything they have built – and they will kill, torture and break every law to stop that. For Liv Adamsen, New York crime reporter, it begins the next stage of a journey into the heart of her own identity.And at that journey's end lies a discovery that will change EVERYTHING …SANCTUS is an apocalyptic conspiracy thriller like no other – it re-sets the bar for excitement and fascination, and marks the debut of a major talent in Simon Toyne.

    Erdelac. A mysterious man posing as a Union soldier risks everything to enter the Civil War’s deadliest prison—only to find a horror beyond human reckoning.   Georgia, 1864. Camp Sumter, aka Andersonville, has earned a reputation as an open sewer of sadistic cruelty and terror where death may come at any minute. But as the Union prisoners of war pray for escape, cursing the fate that spared them a quicker end, one man makes his way into the camp purposefully.   Barclay Lourdes has a mission—and a secret. But right now his objective is merely to survive the hellish camp. The slightest misstep summons the full fury of the autocratic commander, Captain Wirz, and the brutal Sergeant Turner. Meanwhile, a band of shiftless thieves and criminals known as the “Raiders” preys upon their fellow prisoners. Barclay soon finds that Andersonville is even less welcoming to a black man—especially when that man is not who he claims to be. Little does he imagine that he’s about to encounter supernatural terrors beyond his wildest dreams . . . or nightmares.Praise for Andersonville   “Erdelac makes a heady brew out of dreadful true events, angel and demon lore, secret societies, and the trappings of Southern gothic novels. This is thoughtful horror at its best, and not at all for the faint of heart.”—Publishers Weekly (starred review)“The true story of Andersonville is one of unimaginable horror and human misery. It’s a testament to his unmatched skill as a storyteller that Edward M. Erdelac is not only able to capture that horror but to add another level of supernatural terror and reveal that the darkest evil of all resides in the human soul. Highly recommended to fans of horror and history alike.”—Brett J. Talley, Bram Stoker Award–nominated author of That Which Should Not Be and He Who Walks in Shadow   “Andersonville is a raw, groundbreaking supernatural knuckle-punch. Erdelac absolutely owns Civil War and Wild West horror fiction.”—Weston Ochse, bestselling author of SEAL Team 666“Edward M. Erdelac is a master of historical reinvention. In Andersonville, he peels away the façade of history to reveal the horror and sacrifices that led to the end of the Civil War. Clandestine operations, mystical battles waged unseen, and unlikely heroes combine to save a nation, not only from itself but from the demonic forces threatening to tear the whole of existence asunder. Forget what you know about the War Between the States, this is the story we should have been taught.”—Tim Marquitz, author of the Demon Squad series“If you took a tale of atmospheric horror by Ambrose Bierce and infused it with the energy of Elmore Leonard, you would come close to what Edward Erdelac has accomplished with Andersonville. But even that combination would sell the novel short. What Erdelac has done is not just splice genres together but create his own voice in telling of the horrors, real and supernatural, inhabiting the most infamous prison camp of the Civil War. This is U.S. history seen through the eyes of the tortured dead, told with amazing skill by an author who knows how to create genre literature with a purpose.”—C.