Seuss. Dr. Seuss is a classic American icon. Whimsical and wonderful, his work has defined our childhoods and the childhoods of our own children. The silly, simple rhymes are a bottomless well of magic, his illustrations timeless favorites because, quite simply, he makes us laugh. The Grinch, the Cat in the Hat, Horton, and so many more, are his troupe of beloved, and uniquely Seussian, creations.Theodor Geisel, however, had a second, more radical side. It is there that the allure and fasciation of his Dr. Seuss alter ego begins. He had a successful career as an advertising man and then as a political cartoonist, his personal convictions appearing, not always subtly, throughout his books--remember the environmentalist of The Lorax? Geisel was a complicated man on an important mission. He introduced generations to the wonders of reading while teaching young people about empathy and how to treat others well.Agonizing over word choices and rhymes, touching up drawings sometimes for years, he upheld a rigorous standard of perfection for his work. Geisel took his responsibility as a writer for children seriously, talking down to no reader, no matter how small. And with classics like Green Eggs and Ham, and One Fish, Two Fish, Red Fish, Blue Fish, Geisel delighted them while they learned. Suddenly, reading became fun.Coming right off the heels of George Lucas and bestselling Jim Henson, Brian Jay Jones is quickly developing a reputation as a master biographer of the creative geniuses of our time.

    It's guided by one Dina Bennett, the world's least likely navigator: a daydreamer prone to carsickness, riddled with self-doubt, and married to a thrill-seeking perfectionist who is half-human, half-racecar. What could possibly go wrong? Funny, self-deprecating, and marred by only a few acts of great fortitude, Peking to Paris is first and foremost a voyage of transformation. The reader is swept on a wild, emotional ride, with romance and adversity, torment and triumph. Starting in Beijing, Dina and her husband, Bernard, limp across the Gobi, Siberia, Baltic States, and south to Paris in a 1940 Cadillac LaSalle, while Dina nurses the absurd hope that she can turn herself into a person of courage and patience. Writing for every woman who's ever doubted herself and any man who's wondered what the woman traveling with him is thinking, Dina brings the reader with her as she deftly sidesteps rock-throwing Mongolians and locks horns with Russians left over from the Interpol era--not to mention getting a sandstorm facial and racing rabbits on a curvy country road. Come along for the ride!

    It is an enormous place that takes up five city blocks and has more than two million square feet of space, filled with treasures everywhere the eye can see. There are exquisite vases, jewelry, tapestry, baseball cards, Egyptian mummies, sculptures, and furniture, and many of the most famous and recognized paintings in the world, from Van Gogh to Rembrandt, Monet, and El Greco. But this famous institution, which attracts four million visitors a year, is not just about objects. This is a place that is supported and maintained by people, which is what this wonderful book celebrates. In the fifty-two interviews in "Museum," we meet some of the people who have given their lives to making the Met the success that it is. We are introduced to curators with endless knowledge who look after the collections; as well as cleaners; florists; police and security staff who maintain and secure the building; plus the philanthropists and millionaires who donate their money for new and wonderful art works, including well-known people like Henry Kravis and Annette de la Renta. Danziger has a rare touch for getting just the right detail, and these interviews are informative, moving, and compulsively readable. Oral history at its best, "Museum" will appeal not only to the millions who visit the Met every year, but also to anyone with an interest in museums and art.

    The sequel to A Zoo in My Luggage, this is the story of how Durrell and his wife's zoo-building efforts at England's Jersey Zoo led them and a team of helpers on an eight-month safari in Argentina to look for South American specimens. Through windswept Patagonian shores and tropical forests in Argentina, from ocelots to penguins, fur seals to parrots, Durrell captures the landscape and its inhabitants with his signature charm and humor.

    In Bohemian Paris, Dan Franck leads us on a vivid and magical tour of the Paris of 1900-1930, a hotbed of artistic creation where we encounter the likes of Apollinaire, Modigliani, Cocteau, Matisse, Picasso, Hemingway, and Fitzgerald, working, loving, and struggling to stay afloat. 16 pages of black-and-white illustrations are also featured.

    Drawing on exclusive access to Mark Rothko's personal papers and over one hundred interviews with artists, patrons, and dealers, James Breslin tells the story of a life in art—the personal costs and professional triumphs, the convergence of genius and ego, the clash of culture and commerce. Breslin offers us not only an enticing look at Rothko as a person, but delivers a lush, in-depth portrait of the New York art scene of the 1930s, ’40s, and ’50s—the world of Abstract Expressionism, of Pollock, Rothko, de Kooning, and Klein, which would influence artists for generations to come."In Breslin, Rothko has the ideal biographer—thorough but never tedious, a good storyteller with an ear for the spoken word, fond but not fawning, and possessed of a most rare ability to comment on non-representational art without sounding preposterous."—Robert Kiely, Boston Book Review"Breslin impressively recreates Mark Rothko's troubled nature, his tormented life, and his disturbing canvases. . . . The artist's paintings become almost tangible within Breslin's pages, and Rothko himself emerges as an alarming physical force."—Robert Warde, Hungry Mind Review"This remains beyond question the finest biography so far devoted to an artist of the New York School."-Arthur C. Danto, Boston Sunday Globe"Clearly written, full of intelligent insights, and thorough."—Hayden Herrera, Art in America"Breslin spent seven years working on this book, and he has definitely done his homework."-Nancy M. Barnes, Boston Phoenix"He's made the tragedy of his subject's life the more poignant."—Eric Gibson, The New Criterion"Mr. Breslin's book is, in my opinion, the best life of an American painter that has yet been written . . . a biographical classic. It is painstakingly researched, fluently written and unfailingly intelligent in tracing the tragic course of its subject's tormented character."—Hilton Kramer, New York Times Book Review, front page reviewJames E. B. Breslin (1936-1996) was professor of English at the University of California, Berkeley, and author of From Modern to Contemporary: American Poetry, 1945-1965 and William Carlos Williams: An American Artist.

    Buck-toothed and cursed by shyness, Ripley turned his sense of being an outsider into an appreciation for the strangeness of the world. After selling his first cartoon to Time magazine at age eighteen, more cartooning triumphs followed, but it was his “Believe It or Not” conceit and the wildly popular radio shows it birthed that would make him one of the most successful entertainment figures of his time and spur him to search the globe’s farthest corners for bizarre facts, exotic human curiosities, and shocking phenomena.Ripley delighted in making outrageous declarations that somehow always turned out to be true—such as that Charles Lindbergh was only the sixty-seventh man to fly across the Atlantic or that “The Star Spangled Banner” was not the national anthem. Assisted by an exotic harem of female admirers and by ex-banker Norbert Pearlroth, a devoted researcher who spoke eleven languages, Ripley simultaneously embodied the spirit of Peter Pan, the fearlessness of Marco Polo and the marketing savvy of P. T. Barnum.In a very real sense, Ripley sought to remake the world’s aesthetic. He demanded respect for those who were labeled “eccentrics” or “freaks”—whether it be E. L. Blystone, who wrote 1,615 alphabet letters on a grain of rice, or the man who could swallow his own nose.By the 1930s Ripley possessed a vast fortune, a private yacht, and a twenty-eight room mansion stocked with such “oddities” as shrunken heads and medieval torture devices, and his pioneering firsts in print, radio, and television were tapping into something deep in the American consciousness—a taste for the titillating and exotic, and a fascination with the fastest, biggest, dumbest and most weird. Today, that legacy continues and can be seen in reality TV, YouTube, America’s Funniest Home Videos, Jackass, MythBusters and a host of other pop-culture phenomena. In the end Robert L. Ripley changed everything. The supreme irony of his life, which was dedicated to exalting the strange and unusual, is that he may have been the most amazing oddity of all.

    These literary heroines did what they wanted and said what they thought, living wholly in the moment. They kicked open the door for twentieth-century women writers and set a new model for every woman trying to juggle the serious issues of economic independence, political power, and sexual freedom. Here are the social and literary triumphs and inevitably the penances paid: crumbled love affairs, abortions, depression, lost beauty, nervous breakdowns, and finally, overdoses and even madness. A vibrant mixture of literary scholarship, social history, and scandal, Bobbed Hair and Bathtub Gin is a rich evocation of a period that will forever intrigue and captivate us.

    A hilarious and fascinating look at the great middle of our nation. With his unique blend of intrepidity, tongue-in-cheek humor, and wide-eyed wonder, Ian Frazier takes us on a journey of more than 25,000 miles up and down and across the vast and myth-inspiring Great Plains. A travelogue, a work of scholarship, and a western adventure, Great Plains takes us from the site of Sitting Bull's cabin, to an abandoned house once terrorized by Bonnie and Clyde, to the scene of the murders chronicled in Truman Capote's In Cold Blood. It is an expedition that reveals the heart of the American West.

    . . racial complications, vast sums of money made and lost, the return of the prodigal son, and maybe even bloody murder."In lyrical prose and startlingly revealing photographs, she crafts a totally original form of personal history that has the page-turning drama of a great novel but is firmly rooted in the fertile soil of her own life.

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    Brilliant in its interpretation of the 16th-century master's paintings, this monumental biography of Titian draws on contemporary accounts and recent art historical research and scholarship, some of it previously unpublished, providing an unparalleled portrait of the artist, as well as a fascinating rendering of Venice as a center of culture, commerce, and power. Sheila Hale's Titian is destined to be this century's authoritative text on the life of greatest painter of the Italian High Renaissance.

    Fast and frenetic in their leather jackets and torn jeans, the Ramones gave voice to the disaffected youth of the seventies and eighties, influenced countless bands, and inspired the counterculture for decades to come. Born Jeffry Hyman of Queens, New York, Joey Ramone was the quirky, extraordinary lead singer and cofounder of the band. Hiding his face behind signature sunglasses and a mop of dark hair, he helped define punk's early image, and his two-decade-plus tenure as the Ramones' front man made him unforgettable. Told by Joey's brother, Mickey Leigh, "I Slept with Joey Ramone" provides an intimate look at the turbulent life of one of America's greatest -- and unlikeliest -- music icons.With honesty, humor, and grace, Mickey shares the fascinating, sometimes troubling story of growing up with an emotionally distressed brother who becomes a rock star and the effect it had on their family. He shows how Joey used music to cope with mental illness; embraced the glam nightlife of the New York scene; launched CBGB alongside bands like the Talking Heads and Blondie; and brought punk to Britain, clashing with the Sex Pistols and changing music history.Ultimately, betrayal and infighting would end the band. While the music lives on for new generations to discover, "I Slept with Joey Ramone" is the enduring portrait of a man who struggled to find his voice and of the brother who loved him.

    Recounting Pierre-Auguste's extraordinary career, beginning as a painter of fans and porcelain, recording the rules of thumb by which he worked, and capturing his unpretentious and wonderfully engaging talk and personality, Jean Renoir's book is both a wonderful double portrait of father and son, and in the words of the distinguished art historian John Golding, it "remains the best account of Renoir, and, furthermore, among the most beautiful and moving biographies we have." Includes 12 pages of color plates and 18 pages of black and white images.

    Best remembered for his landscape architecture, from New York's Central Park to Boston's Emerald Necklace to Stanford University's campus, Olmsted was also an influential journalist, early voice for the environment, and abolitionist credited with helping dissuade England from joining the South in the Civil War. This momentous career was shadowed by a tragic personal life, also fully portrayed here.Most of all, he was a social reformer. He didn't simply create places that were beautiful in the abstract. An awesome and timeless intent stands behind Olmsted's designs, allowing his work to survive to the present day. With our urgent need to revitalize cities and a widespread yearning for green space, his work is more relevant now than it was during his lifetime. Justin Martin restores Olmsted to his rightful place in the pantheon of great Americans.