This collection gathers together the best of her Pulitzer Prize-winning short fiction, including Pale Horse, Pale Rider, where a young woman lies in a fever during the influenza epidemic, her childhood memories mingling with fears for her fiancé on his way to war, and Noon Wine, a haunting story of tragedy and scandal on a small dairy farm in Texas. In all of the compelling stories collected here, harsh and tragic truths are expressed in prose both brilliant and precise.Selected and introduced by Sarah Churchwell, these 12 short stories by Katherine Anne Porter (1890-1980) include the three long tales published as Pale Horse, Pale Rider in 1937 and widely considered to be her masterpiece: Old Mortality, Noon Wine and Pale Horse, Pale Rider.

    

    He has big plans that could set him up financially for life. And although he spends his time trying to get a coworker to bed, he still pines for an old girlfriend from his troubled childhood.

    Chiara is working on a film about an incident in Balangiga, Samar, in 1901, when Filipino revolutionaries attacked an American garrison, and in retaliation American soldiers created “a howling wilderness” of the surrounding countryside. Magsalin reads Chiara’s film script and writes her own version. Insurrecto contains within its dramatic action two rival scripts from the filmmaker and the translator—one about a white photographer, the other about a Filipino schoolteacher.Within the spiraling voices and narrative layers of Insurrecto are stories of women—artists, lovers, revolutionaries, daughters—finding their way to their own truths and histories. Using interlocking voices and a kaleidoscopic structure, the novel is startlingly innovative, meditative, and playful. Insurrecto masterfully questions and twists narrative in the manner of Italo Calvino’s If on a Winter’s Night a Traveler, Julio Cortázar’s Hopscotch, and Nabokov’s Pale Fire. Apostol pushes up against the limits of fiction in order to recover the atrocity in Balangiga, and in so doing, she shows us the dark heart of an untold and forgotten war that would shape the next century of Philippine and American history.

    Marcelina's father comes home from a trip to Manila with beautiful hand-made sleeping mats for each member of his large family, including the three daughters who died when they were very young.

    Stories included: A Mother's Love Plane Crazy The Last Will & Testament of Norman Fielding Lost Love Road Rage

    ALIENS ARE FICTION.That's what young Ambrosio believes, not his crazy Lola's stories about robot-riding Nuno, and Kapres from space. But now she's dead, and Ambrosio's about to learn that she wasn't so crazy after all...EVERY STORY HAS ITS OWN TRUTH.Mythspace vol. 1 is a collection of six stories, each exploring a shared universe where Philippine folklore creatures -- Tikbalangs, Kapres, Manananggals -- were inspired by alien civilizations. Each creature is re-imagined and used to populate a science fiction universe that is rooted in Philippine oral tradition. From Ambrosio's journey, to a Kapre war, to a Manananggal coming of age, Mythspace will take you on a journey both strange and familiar.SPACE OPERA. PINOY STYLE.

    Jones does for Washington, D.C., and what James Joyce did for Dublin: they expand our ideas and our expectations of the city by exposing its tough but vulnerable underbelly. Crucet’s writing has been shaped by the people and landscapes of South Florida and by the stories of Cuba told by her parents and abuelos. Her own stories are informed by her experiences as a Cuban American woman living within and without her community, ready to leave and ready to return, “ready to mourn everything.” Coming to us from the predominantly Hispanic working-class neighborhoods of Hialeah, the voices of this steamy section of Miami shout out to us from rowdy all-night funerals and kitchens full of plátanos and croquetas and lechón ribs, from domino tables and cigar factories, glitter-purple Buicks and handed-down Mom Rides, private homes of santeras and fights on front lawns. Calling to us from crowded expressways and canals underneath abandoned overpasses shading a city’s secrets, these voices are the heart of Miami, and in this award-winning collection Jennine Capó Crucet makes them sing.

    Her uncle, Pol, who has offered her a fresh start and a place to stay in the Bay Area, knows not to ask about her past. And his younger wife, Paz, has learned enough about the might and secrecy of the De Vera family to keep her head down. Only their daughter, Roni, asks Hero why her hands seem to constantly ache.Illuminating the violent political history of the Philippines in the 1980s and 1990s and the insular immigrant communities that spring up in the suburban United States with an uncanny ear for the unspoken intimacies and pain that get buried by the duties of everyday life and family ritual, Castillo delivers a powerful, increasingly relevant novel about the promise of the American dream and the unshakable power of the past. In a voice as immediate and startling as those of Junot Díaz and NoViolet Bulawayo, America Is Not the Heart is a sprawling, soulful telenovela of a debut novel. With exuberance, muscularity, and tenderness, here is a family saga; an origin story; a romance; a narrative of two nations and the people who leave home to grasp at another, sometimes turning back.

    An imaginative young boy from the Bronx goes swimming with his group from day camp at a backyard pool in the suburbs, and faces the effects of power and privilege in ways he can barely grasp. A teen intent on proving himself a man through the all-night revel of J’Ouvert can’t help but look out for his impressionable younger brother. A pair of college boys on the prowl follow two girls home from a party and have to own the uncomfortable truth of their desires. And at a capoeira conference, two brothers grapple with how to tell the story of their family, caught in the dance of their painful, fractured history.Jamel Brinkley’s stories, in a debut that announces the arrival of a significant new voice, reflect the tenderness and vulnerability of black men and boys whose hopes sometimes betray them, especially in a world shaped by race, gender, and class―where luck may be the greatest fiction of all.

    On a clear day in winter, the battered corpse of Crispin Salvador is pulled from the Hudson River—taken from the world is the controversial lion of Philippine literature. Gone, too, is the only manuscript of his final book, a work meant to rescue him from obscurity by exposing the crimes of the Filipino ruling families. Miguel, his student and only remaining friend, sets out for Manila to investigate.To understand the death, Miguel scours the life, piecing together Salvador’s story through his poetry, interviews, novels, polemics, and memoirs. The result is a rich and dramatic family saga of four generations, tracing 150 years of Philippine history forged under the Spanish, the Americans, and the Filipinos themselves. Finally, we are surprised to learn that this story belongs to young Miguel as much as to his lost mentor, and we are treated to an unhindered view of a society caught between reckless decay and hopeful progress.Exuberant and wise, wildly funny and deeply moving, Ilustrado explores the hidden truths that haunt every family. It is a daring and inventive debut by a new writer of astonishing talent.

    She's never even had a boyfriend, but that doesn't stop people from spilling their guts to her, and asking for advice. So maybe it shouldn't be a surprise when the cutest guy in school tells her that she's going to have to take on this responsibility -- but for all humanity.The Goddess of Love has gone AWOL. It's a problem, because her job is to keep in check this world's obsession with love (and lack of it). The God of the Sun, for now an impossibly handsome senior at an exclusive college just outside of Metro Manila, thinks Hannah has what it takes to (temporarily) do the job.While she's learning to do this goddess thing, she practices on the love troubles of shy Kathy, who's got a secret admirer on campus. Hannah's mission, should she choose to accept it, is to make sure that he's not a creepy stalker and they find their happily ever after -- or at least something that'll last until next semester. (As if she could refuse! The Sun God asked so nicely. And he's so, well, hot.)

    Just ask Kaya Rubio, twenty-five year-old Molecular Genetics graduate student and research assistant. Fed up with her spinster aunts' relentless reminders and unsolicited advice regarding her Single Since Birth status, she designs a scientific, evidence-based methodology to find her a suitable partner in time for her cousin's wedding. As any good scientist knows, any valid experimental design requires a negative control. Enter the most unsuitable candidate for a potential boyfriend: the messy, easygoing, café owner Nero Sison. Her null hypothesis? Going out with Nero would establish her baseline data without catalyzing the chemical reaction she seeks. But when Kaya's recorded results refuse to make sense, she is forced to come to the conclusion that there are some things in life that are simply, by nature, irrational and illogical. And that sometimes, chemistry doesn't always happen inside a lab.

    Then, her only mission was to attend college, pursue her modeling career, and leave her past hurts behind. But when Carmen receives some startling news, she decides the time to make her final appearance has arrived; however, reemerging could open old wounds and the obstacle of facing the man she left behind presents the biggest challenge of them all. Dominic Johnson has long since put thoughts of Carmen Mitchell out of sight and out of mind. Circumstances would bring her back to Brunswick, but there was no repartee to be spoken to the woman who’d left him years ago without so much as a goodbye. It isn’t until Dominic gains a first-hand glimpse of Carmen that old memories spark and a detonation of what was, and what could be, set off a myriad of images in his mind. Now Dominic is faced with a battle that’s waging internally, to stay out of her way or to succumb to Carmen Mitchell, again.

    A famous short story