Philippine Literature: A History and Anthology gives direction to the study of Philippine Literature and provides an interpretation of literary development in the Philippines.

    Because of this we have no memory of ourselves: we remember only the last deluge, the last seismic upheaval. Two friends are hired by Marcos to rewrite Philippine history. Their mission: to make it appear that Marcos was destined to rule the country in perpetuity. Working from an office called Agency for the Scientific Investigation of the Absurd, they embark on a journey that will take them across a surreal panorama of Philippine politics and history, and in the process question all their morals and beliefs. This landscape includes mythological sultans, mercenaries, the Beatles, messianic Amerasian rock stars, faith healers, spies, torturers, sycophants, social climbers, sugar barons, millenarian vigilantes, generals and communists--the dizzying farrago of lovers and sinners who populate the country's incredible story. By the end of their project--and this breathtaking novel--the reader emerges from a world that is at once familiar and unbelievable. It's what real life might look like if both heaven and hell were crammed into it, and all its creatures were let loose.

    Marks the seasons of the author's life, her early writing, her work as active media practitioner, and her religio-spiritual writing.

    Already the worthy recipient of a Pushcart Prize, a Whiting Writer's Award, and a Stegner Fellowship, Tenorio brilliantly explores the need to find connections, the melancholy of isolation, and the sometimes suffocating ties of family in tales that range from a California army base to a steamy moviehouse in Manilla, to the dangerous false glitter of Hollywood.

    This book collects sixteen wondrous stories of fantasy, science fiction, horror and things in between from the imagination of award-winning fictionist Dean Francis Alfar.

    With the post-colonial sensibilities of Junot Diaz, Teju Cole, and Jhumpa Lahiri and an ironic perspective of colonial history resonant with Marques and Llosa, Joaquin is a long-neglected writer ready to join the ranks of the world classics. His work meditates on the questions and challenges of the Filipino individual's new freedom after a long history of colonialism, exploring folklore, centuries-old Catholic rites, the Spanish colonial past, magical realism, and baroque splendour and excess. This collection features his best-known story, 'The Woman Who Had Two Navels,' centred on Philippine emigrants living in Hong Kong and later expanded into a novel, the much-anthologised story 'May Day Eve,' and a canonical play, A Portrait of the Artist as Filipino.

    In this collection, Hidalgo returns to the writing of the realistic short story while remaining true to the style of the travel essays, which some critics believe to be her most inspired work.

    So the kind and character of his works: very rare, exceptional, unique, maverick, exceedingly original fiction: rara avis that's a quantum leap away and departure... At least three or four in this collection already strike one as veritable classics." - GREGORIO C. BRILLANTES

    H. Auden, Tennessee Williams, and a young Gore Vidal. But beyond his exotic ethnicity, Villa was a global poet who was admired for "the reverence, the raptness, the depth of concentration in [his] bravely deep poems" (Marianne Moore). Doveglion (Villa's pen name for dove, eagle, and lion) contains Villa's collected poetry, including rare and previously unpublished material.

    Asian American Studies. Is there a relationship between the population density of Tokyo and the pinkest part of a hamburger? Can one touch the inside of a noun to learn the difference between one bicycle and a field of bicycles? How close is yellow to need? How far are human fears from the fears of insects? Through a sequence of prose investigations, directions, theoretical performances, and character sketches, Sawako Nakayasu's TEXTURE NOTES presses itself against everything. Here is a book of liminal cartography, where textures are percolated by thought and propelled by feeling, where intellectual frottage meets sunlight, moonlight, the pain of seeing something beautiful and an entire town enamored by a simple rock. Once again, Nakayasu's writing explodes with genre-bending fury and fine-tuned improvisation, leaving in its wake a largess of feeling for the things of the world.

    An intimate look at Philippine society and culture, but above all, a deeply endearing father-daughter love story." —Michel RabagliatiWhen she learns of her beloved father's fatal car accident, Lorina Mapa flies to Manila to attend his funeral. Weaving the past with the present, Mapa entertains with stories about religion, pop culture, adolescence, and social class, including her experiences of the 1986 People Power Revolution which made headlines around the world. It is a love letter to her parents, family, friends, country of birth, and in the end, perhaps even to herself.

    But deeper under the surface are his observations on war, environmental degradation, language, and history, as a father—troubled by violence and human mismanagement of the world—offers advice to a newborn son.

    Its language negotiates a past -- "How was it to be the first arrivals in rows and columns" -- as well as a present -- "A perceiver without a state", and has already gained Kim recognition as among the most moving and important "translators" in contemporary poetry.

    Edited by literary critic Isagani R. Cruz, this collection spans from 1925 to 1998. In this book readers will meet both famous and unfamiliar writers in both conventional and unexpected renditions of the genre. Although many of the stories are acknowledged masterpieces, the editor also chose stories on the basis of their ability to represent a particular author or decade. The stories of the 25 men and women writers represented here depict a vast gamut of human experience and emotions that, collectively, produce a stunning portrait of Philippine life and society. Dr. Cruz is a professor of literature at De Lasalle University, where he is also publisher of DLSU Press. He is himself a multi-awarded author and columnist, and the founding chair of the Manila Critics Circle. In a country where English has been the medium of instruction since the turn of the century, it is but fitting for the Philippines to share with the rest of the world its own vibrant treasury of short fiction. This richly satisfying collection represents the very best to emerge out of the Philippines in our century.

    Pick up a copy today and find out what makes Pinoys stand out in a crowd!