Set on the Côte d'Azur in the 1920s, it is the story of a young American writer, David Bourne, his glamorous wife, Catherine, and the dangerous, erotic game they play when they fall in love with the same woman. "A lean, sensuous narrative...taut, chic, and strangely contemporary," The Garden of Eden represents vintage Hemingway, the master "doing what nobody did better" (R. Z. Sheppard, Time).

    Living in New York in 1991 is Gilbert Selwyn, a young man possessed of boundless charm and an allergy to employment, who has devised a plan to wring a nice pile of loot from his mother's newest (and obscenely wealthy) husband.The scheme, simply put, is to get married for the gifts. But Gilbert, who's gay, needs a fiancée... Enter Moira Finch, a demonically conniving young woman whose own mother, having recently married the Duke of Dorsetshire, will contribute richly to the couple's receipts. Enter, too, Philip Cavanagh, Gilbert's longtime friend, former lover, and highly strung Best Man. And enter, finally, the Cellinis, Gilbert's huge internecine stepfamily, whose fortune has not been amassed as innocently as Gilbert first thought, and who conform rather more closely to Italian-American stereotypes than Gilbert would like to believe. As Gilbert, Moira, and Philip struggle to keep their plot under wraps, the scams get bigger and more perilous, deceit multiplies, and a wonderfully calamitous trail leads us towards what could be the wedding of the season.

    I dreamed he came into my room and sat on my bed.” “And!” Tony’s eyes got wider. Wider than usual.“He talked about lawnmowers.”“And!”“That’s it, he just talked.”Actually, it hadn’t been a dream, not totally. It was one of those half-awake ones where I knew what was going on so I let it run just to see what would happen. We’re all curious…“You ever dreamed about a bloke?” I asked him.“No!” Tony’s eyebrows went dead flat. “Never!”With a denial like that, maybe he had, but he sure as hell wasn’t talking about it.

    A vital document of black modernism and one of the earliest overtly queer fictions in the African American tradition. Published for the first time.Buried in the archive for almost ninety years, Claude McKay's Romance in Marseille traces the adventures of a rowdy troupe of dockworkers, prostitutes, and political organizers--collectively straight and queer, disabled and able-bodied, African, European, Caribbean, and American. Set largely in the culture-blending Vieux Port of Marseille at the height of the Jazz Age, the novel takes flight along with Lafala, an acutely disabled but abruptly wealthy West African sailor. While stowing away on a transatlantic freighter, Lafala is discovered and locked in a frigid closet. Badly frostbitten by the time the boat docks, the once-nimble dancer loses both of his lower legs, emerging from life-saving surgery as what he terms "an amputated man." Thanks to an improbably successful lawsuit against the shipping line, however, Lafala scores big in the litigious United States. Feeling flush after his legal payout, Lafala doubles back to Marseille and resumes his trans-African affair with Aslima, a Moroccan courtesan. With its scenes of black bodies fighting for pleasure and liberty even when stolen, shipped, and sold for parts, McKay's novel explores the heritage of slavery amid an unforgiving modern economy. This first-ever edition of Romance in Marseille includes an introduction by McKay scholars Gary Edward Holcomb and William J. Maxwell that places the novel within both the "stowaway era" of black cultural politics and McKay's challenging career as a star and skeptic of the Harlem Renaissance.

    He has a crappy job at Food World, a "boyfriend" who won't publicly acknowledge his existence (maybe because Pablo also has a girlfriend), and parents on the verge of a divorce. College is Dade's shining beacon of possibility, a horizon to keep him from floating away. Then he meets the mysterious Alex Kincaid. Falling in real love finally lets Dade come out of the closet - and, ironically, ignites a ruthless passion in Pablo. But just when true happiness has set in, tragedy shatters the dreamy curtain of summer, and Dade will use every ounce of strength he's gained to break from his past and start fresh with the future.

    Copperfield at a party. Two serious ladies who want to live outside of themselves, they go in search of salvation: Mrs. Copperfield visits Panama with her husband, where she finds solace among the women who live and work in its brothels; while Miss Goering becomes involved with various men. At the end the two women meet again, each changed by her experience. Mysterious, profound, anarchic and very funny, 'Two Serious Ladies' is a daring, original work that defies analysis.

    “I cannot write any sort of story,” said Tennessee [to Gore Vidal] “unless there is at least one character in it for whom I have physical desire.” These transgressive Tales of Desire, including “One Arm,” “Desire and the Black Masseur,” “Hard Candy,” and “The Killer Chicken and the Closet Queen,” show the iconic playwright at his outrageous best.

    . . and again.

    Now Is the Hour is the wondrous story of how Rigby John got to this point. It traces his gradual emancipation from the repressions of a strictly religious farming family and from the small-minded, bigoted community in which he has grown up during a time of explosive cultural change. Transforming this familiar journey from American Graffiti to On the Road into something rich and strange and hilarious is the persona of Rigby John himself. Intimately in touch with his fears, hesitantly awakening to his own sexuality, and palpably open to life's mysteries, Rigby John is a protagonist whom readers will fall in love with, root for, and be moved by.Now Is the Hour is a powerful, vastly entertaining story of self-awakening, of the complex bonds of family, and ultimately of America during a period of tremendous upheaval.

    Happy in her marriage, she tries to look the other way when her genial husband, Alec, takes to the bottle. When Elspeth, Margaret's sister, comes to live with them, the young woman is immediately captivated by the beauty and vitality of the farm, and by the affection she receives from those around her. But as summer turns into fall, and the friendship between Alec and Elspeth deepens, Margaret finds her spirit tested by a series of events that seem as cruel and inevitable as the endless prairie winters.Long out of print, Remembering Laughter (1937) marked Wallace Stegner's brilliant literary debut.

    A seedy Depression-era boardinghouse in Chicago plays host to a game of emotional chairs (Guardian) in a novel initially condemned for its frank depiction of abortion, homosexuality, and life on the margins of American society."

    A century later, David tells his own tale of unashamed decadence while waiting to be released from prison, addressing his story to the lover who betrayed him. Where their paths cross, in the politically sensitive 1950s, the artist Colin Read tentatively explores his sexuality as he draws in preparation for his most ambitious painting yet — ‘London Triptych’.Rent boys, aristocrats, artists and felons populate this bold début as Jonathan Kemp skilfully interweaves the lives and loves of three very different men across the decades

    He begins to notice his growing attraction to some of the boys in his class, particularly the pubescent body of his friend Omi. To hide his homosexuality, he courts a woman, Sonoko, but this exacerbates his feelings for men. As news of the War reaches Tokyo, Kochan considers the fate of Japan and his place within its deeply rooted propriety.Confessions of a Mask reflects Mishima’s own coming of age in post-war Japan. Its publication in English―praised by Gore Vidal, James Baldwin, and Christopher Isherwood―propelled the young Yukio Mishima to international fame.

     Camp Levi nestled in the Mississippi countryside is designed to "cure" young teenage boys of their budding homosexuality. Will Dillard, a Midwestern graduate student, spent a summer at the camp as a teenager, and has since tried to erase that experience from his mind. But when a fellow student alerts him that a slasher movie based on the camp is being released, he is forced to confront his troubled history and possible culpability in the death of a fellow camper. As past and present are woven together, Will recounts his "rehabilitation," eventually returning to the abandoned campgrounds to solve the mysteries of that pivotal summer, and to reclaim his story from those who have stolen it. With a masterful confluence of sensibility and place, How to Survive a Summer introduces an exciting new literary voice."

    In eight discrete chapters, which trace Stephen’s evolution from a two-year-old boy to a twenty-two-year-old man, Friedman describes with psychological acuity and great empathy Stephen’s intellectual, moral, and sexual maturation. Taught to abhor his body for the sake of his soul, Stephen finds salvation in the eventual unification of the two, the recognition that body and soul should not be partitioned but treated as one being, one complete man.Quotes:Totempole is the most audacious affirmation of the homosexual experience by an American writer I have seen, and its success is the more remarkable because nearly all the materials of this novel are not only familiar but fashionable…[Friedman] explores a recognizable terrain and leaves it deeply illumined.—Hilton Kramer, The New LeaderIt proves to be the most candid, and least pornographic, of studies of the genesis of a homosexual; paradoxically, by close concentration on the agonies of a young man searching for sexual fulfillment…This was a dangerous book to write…Its impact as a document of great honesty will, without doubt, be considerable.—Anthony Burgess, The ListenerI think Totempole an extraordinarily courageous and highly moral work. The author tells us exactly what it was like to be himself at a certain time and place and, uniquely, I believed him. Truth is rare; he seems to have it.—Gore VidalAn extraordinary book, vivid and utterly convincing…The truth of Mr. Friedman’s book is not the truth of autobiography, but the truth-making that the best fiction is.—James DickeyI do not know of any piece of fiction that deals more perceptively with preadolescent sex…Wholly honest…Friedman treats the homosexual theme, as he does the theme of infant sexuality, with great candor and no lubricity…There are episodes developed with unusual imaginative power.—Granville Hicks, Saturday Review