The protagonist of Apex Hides the Hurt is a nomenclature consultant. If you want just the right name for your new product, whether it be automobile or antidepressant, sneaker or spoon, he’s the man to get the job done. Wardrobe lack pizzazz? Come to the Outfit Outlet. Always the wallflower at social gatherings? Try Loquacia. And of course, whenever you take a fall, reach for Apex, because Apex Hides the Hurt. Apex is his crowning achievement, the multicultural bandage that has revolutionized the adhesive bandage industry. “Flesh-colored” be damned—no matter what your skin tone is—Apex will match it, or your money back.After leaving his job (following a mysterious misfortune), his expertise is called upon by the town of Winthrop. Once there, he meets the town council, who will try to sway his opinion over the coming days. Lucky Aberdeen, the millionaire software pioneer and hometown-boy-made-good, wants the name changed to something that will reflect the town’s capitalist aspirations, attracting new businesses and revitalizing the community. Who could argue with that? Albie Winthrop, beloved son of the town’s aristocracy, thinks Winthrop is a perfectly good name, and can’t imagine what the fuss is about. Regina Goode, the mayor, is a descendent of the black settlers who founded the town, and has her own secret agenda for what the name should be. Our expert must decide the outcome, with all its implications for the town’s future. Which name will he choose? Or perhaps he will devise his own? And what’s with his limp, anyway?Apex Hides the Hurt brilliantly and wryly satirizes our contemporary culture, where memory and history are subsumed by the tides of marketing.

    One girl’s survival, and the other’s death—murder, actually—stun the citizens of a small Minnesota town, thawing memories of another young woman who lost her life in the same river ten years earlier, and whose killer may yet live among them. One father is forced to relive his agony while another’s greatest desire—to bring a killer to justice—is revitalized . . . and the girl who survived the icy plunge cannot escape the sense that she is connected to that earlier unsolved case by more than a river. Soon enough she’s caught up in an investigation of her own that will unearth long-hidden secrets, and stoke the violence that has long simmered just below the surface of the town. Souls frozen in time, ghosts and demons, the accused and the guilty, all stir to life in this cold northern place where memories, like treachery, run just beneath the ice, and where a young woman can come home but still not be safe.Brilliantly plotted, unrelentingly suspenseful, and beautifully realized, The Current is a gripping page-turner about how the past holds the key to the future as well as an unbreakable grip on the present.

    It was a time when publishing was still a private affair - a scattered family of small houses here and in Europe - a time of gatherings in fabled apartments, parties into the night. It is a world in which to immerse himself, a world of intimate connections and surprising triumphs. But the deal that Philip cannot seem to close is love: one marriage goes bad; another fails to happen; and, finally, he meets a woman who enthralls, then betrays him, setting him on a course he could never have imagined for himself. Written with Salter's signature economy of prose, All That Is fiercely, fluidly explores a life unfolding in a world on the brink of change: a dazzling, sometimes devastating labyrinth of love and ambition, of the small shocks and grand pleasures of being alive.

    With no electricity, the refrigerator and lights do not work. Hot, hungry, and desperate, Anton shatters a window and climbs out. Cutting his leg on the broken glass, he is covered in blood when the police find him.Juanita, his mother, is discovered in a crack house less than three blocks away, nearly unconscious and half-naked. When she comes to, she repeatedly asks for her baby boy. She never meant to leave Anton—she went out for a quick hit and was headed right back, until her drug dealer raped her and kept her high. Though the bond between mother and son is extremely strong, Anton is placed with child services while Juanita goes to jail.The Harvard-educated son of a US senator, Judge David Coleman is a scion of northeastern white privilege. Desperate to have a child in the house again after the tragic death of his teenage son, David uses his power and connections to keep his new foster son, Anton, with him and his wife, Delores—actions that will have devastating consequences in the years to come.Following in his adopted family’s footsteps, Anton, too, rises within the establishment. But when he discovers the truth about his life, his birth mother, and his adopted parents, this man of the law must come to terms with the moral complexities of crimes committed by the people he loves most.

    Eve is sent to live with her grandparents in rural Wales, where she finds comfort in friendships with Daniel, a quiet farmhand, and Billy, a disabled, reclusive friend of her mother's. When a ravishing local girl disappears, one of Eve's friends comes under suspicion. Eve will do everything she can to protect him, but at the risk of complicity in a matter she barely understands. This is a timeless and beautifully told story about family secrets and unresolved liaisons.

    His parents deal in stolen goods and his first career is a partnership venture with his cousin Aria selling forged passports and social security cards to illegal aliens. Anton longs for a less questionable way of living in the world and by his late twenties has reinvented himself as a successful middle manager. Then a routine security check suggests that things are not quite what they appear. And Aria begins blackmailing him to do one last job for her. But the seemingly simple job proves to have profound and unexpected repercussions.

    Adam Banting, a somewhat aimless young scholar at Cambridge University, is called to his professor's office one afternoon and assigned a special summer project: to write a scholarly monograph about a famous garden built in the 1500s. Dedicated to the memory of Signor Docci's dead wife, the garden is a mysterious world of statues, grottoes, meandering rills, and classical inscriptions. But during his three-week sojourn at the villa, Adam comes to suspect that clues to a murder are buried in the strange iconography of the garden: the long-dead Signor Docci most likely killed his wife and filled her memorial garden with pointers as to both the method and the motive of his crime. As the mystery of the garden unfolds, Adam finds himself drawn into a parallel intrigue. Through his evolving relationship with the lady of the house - the ailing, seventy-something Signora Docci - he finds clues to yet another possible murder, this one much more recent. The signora's eldest son was shot by Nazi officers on the third floor of the villa, and her husband, now dead, insisted that the area be sealed and preserved forever. Like the garden, the third-floor rooms are frozen in time. Delving into his subject, Adam begins to suspect that his summer project might be a setup. Is he really just the naive student, stumbling upon clues, or is Signora Docci using him to discover for herself the true meaning of the villa's murderous past?

    Disco is over, but punk never happened. They don't have cable. They don't really have pop culture, unless you count grain prices and alcoholism. People work hard and then they die. They hate the government and impregnate teenage girls. But that's not nearly as awful as it sounds; in fact, sometimes it's perfect.Mitch Hrlicka lives in Owl. He plays high school football and worries about his weirdness, or lack thereof. Julia Rabia just moved to Owl. She gets free booze and falls in love with a self-loathing bison farmer who listens to Goats Head Soup. Horace Jones has resided in Owl for seventy-three years. He consumes a lot of coffee, thinks about his dead wife, and understands the truth. They all know each other completely, except that they've never met.Like a colder, Reagan-era version of The Last Picture Show fused with Friday Night Lights, Chuck Klosterman's Downtown Owl is the unpretentious, darkly comedic story of how it feels to exist in a community where rural mythology and violent reality are pretty much the same thing. Loaded with detail and unified by a (very real) blizzard, it's technically about certain people in a certain place at a certain time...but it's really about a problem. And the problem is this: What does it mean to be a normal person? And there is no answer. But in Downtown Owl, what matters more is how you ask the question.

    Her arrival coincides with an explosion of activity in the art world—artists have colonized a deserted and industrial SoHo, are staging actions in the East Village, and are blurring the line between life and art. Reno meets a group of dreamers and raconteurs who submit her to a sentimental education of sorts. Ardent, vulnerable, and bold, she begins an affair with an artist named Sandro Valera, the semi-estranged scion of an Italian tire and motorcycle empire. When they visit Sandro’s family home in Italy, Reno falls in with members of the radical movement that overtook Italy in the seventies. Betrayal sends her reeling into a clandestine undertow. The Flamethrowers is an intensely engaging exploration of the mystique of the feminine, the fake, the terrorist. At its center is Kushner’s brilliantly realized protagonist, a young woman on the verge. Thrilling and fearless, this is a major American novel from a writer of spectacular talent and imagination.

     Reyna knows her relationship with Boyd isn’t perfect, yet as she visits him throughout his three-month stint at Rikers Island, their bond grows tighter. Kiki, now settled in the East Village after a journey that took her to Turkey and around the world, admires her niece’s spirit but worries that she always picks the wrong man. Little does she know that the otherwise honorable Boyd is pulling Reyna into a cigarette smuggling scheme, across state lines, where he could risk violating probation. When Reyna ultimately decides to remove herself for the sake of her four-year-old child, her small act of resistance sets into motion a tapestry of events that affect the lives of loved ones and strangers around them. A novel that examines conviction, connection, and the possibility of generosity in the face of loss, Improvement is as intricately woven together as Kiki’s beloved Turkish rugs, as colorful as the tattoos decorating Reyna’s body, with narrative twists and turns as surprising and unexpected as the lives all around us.

    and to identify the people who tried to erase her from existence.Everglade City, Florida, March 2015. It’s been two months since Lisa Green crawled barefoot and bleeding out of a terrible car accident with three important questions: Where am I?... How did I get here?... and most importantly… Who am I? Her boyfriend Roland has been nursing her back to health under close watch. Lisa has amnesia. They both know that, but only Lisa knows that she hasn’t lost her ability to reason. And reason tells her that she is not Roland’s girlfriend. She is his prisoner. Gradually, Lisa remembers training and skills that she didn’t know she had and is able to make her escape. When a sheriff’s deputy finds her, she tells him she wants to report a missing person: herself.What follows is a high-octane international chase, which involves US Border Control, the Sicilian mafia, and a shadowy organization specializing in trafficking infants taken from Syrian refugees and made available for adoption to wealthy American couples. Lisa, whose real name is Laura Pace, must figure out who she can trust and how to stay alive...

    Louisa is the sexually adventurous daughter of a geneticist, Bear the volatile son of a plumber. They dive headfirst into a passionate affair that will alter the course of their lives, changing how they define themselves in the years and relationships that follow.Reading "Louisa Meets Bear "is like assembling a jigsaw puzzle, as we uncover the subtle and startling connections between new characters and the star-crossed lovers. We meet a daughter who stabs her mother when she learns the truth about her father, a wife who sees herself clearly after finding a man dead on her office floor, a mother who discovers a girl in her teenage son's bed. Each character is striking, each rendered with Gornick's trademark sympathy and psychological acuity. We follow them over the course of a half century, from San Francisco to New York City and from Guatemala to Venice, through pregnancies, tragedies, and revelations, until we return to Louisa and Bear.

    Goat Mountain is what this family owns and where they belong. It is where their history is kept, memories and stories that will be shared again by these men. And for the first time, the boy’s story will be added if he can find a buck. Itching to shoot, he is ready. When the men arrive at the gate to their land, the father discovers a poacher and sights him through the scope of his gun. He offers his son a look-a simple act that will explode in tragedy, transforming these men and this family, forcing them to question themselves and everything they thought they knew.In prose devastating and beautiful in its precision, David Vann creates a haunting and provocative novel that explores our most primal urges and beliefs, the bonds of blood and religion that define and secure us, and the consequences of our actions-what we owe for what we’ve done.

    Only his father, a man with his own tumultuous history of violence and addiction, has the answers Bud--now on the brink of divorce and finally, if tenuously, sober--needs.

    Still, what he saw of the devastation there sent him back to New Orleans eager for a normal life and a job as a floorwalker in the city’s biggest department store, and to start anew with his wife years after losing a son to illness. But when a little girl disappears from the store on his shift, he loses his job and soon joins her parents working on a steamboat plying the Mississippi and providing musical entertainment en route. Sam comes to suspect that on the downriver journey someone had seen this magical child and arranged to steal her away, and this quest leads him not only into this raucous new life on the river and in the towns along its banks but also on a journey deep into the Arkansas wilderness. Here he begins to piece together what had happened to the girl—a discovery that endangers everyone involved and sheds new light on the massacre of his own family decades before.Tim Gautreaux brings to vivid life the exotic world of steamboats and shifting currents and rough crowds, of the music of the twenties, of a nation lurching away from war into an uneasy peace at a time when civilization was only beginning to penetrate a hinterlands in which law was often an unknown force. The Missing is the story of a man fighting to redeem himself, of parents coping with horrific loss with only a whisper of hope to sustain them, of others for whom kidnapping is either only a job or a dream come true. The suspense—and the complicated web of violence that eventually links Sam to complete strangers—is relentless, urgently engaging and, ultimately, profoundly moving, the finest demonstration yet of Gautreaux’s understanding of landscape, history, human travail, and hope.